Rubber Connection

Black Eyed Girl

NEW YORK CITY… A CAVALLO MILLENNIO…

Matt and Christina will be seen again, but here we start off at noble levels with their wonderful, obsessive, altered Garage-Psycobilly-PunkBlues…

Their "Cinèma" is probably my favorite, but the rest is great too…

#garagedintorni (196/1)

@[Valentyna]… try to listen here if it goes a bit better…
Top-notch eh, savansadir…
 
Drug Owl by Speedball Baby

Suicide Girl

NEW YORK CITY… A CAVALLO MILLENNIO…

We will meet Matt and Christina again, but here we are right away at noble levels with their wonderful, obsessive, altered Garage-Psycobilly-PunkBlues…

Their “Cinèma” is probably my favorite, but the rest is great too…

#garagedintorni (196)
 
Dream Syndicate 12" EP 1982
for @[De...Marga...] if I remember correctly loves the band
 
Amyl and the Sniffers - Balaclava Lover Boogie

If for thirty years I wondered what had become of Australian rock, I would have been better off asking Amy (2)
 
Ingrandisci questa immagine
 
vSpy vSpy - Don't Tear it Down (music video)
The right mood for this derailed world.
 
Yo La Tengo - I Heard You Looking
#justonesongiseneough
#tocreateconfusion
#insideandoutsideofme
 
Quel che resta del giorno

"What's Left of the Day"
by James Ivory (1993)

starring Anthony Hopkins
Emma Thompson
Christopher Reeve
James Fox
Hugh Grant
Michael Lonsdale
and Peter Vaughan

#35mm
 
Gunter Hampel - Make Love Not War To Everybody

Gunter Hampel (5 of 5)
"Make Love Not War to Everybody" from: Music From Europe
1967 (ESP)

#jazzlegends
 
Sigla de "I Delitti del BarLume" di Simona Molinari (Audio)

So, I don’t want to talk about the TV show, because having read all the Marcovaldo Malvaldo books FIRST and THEN watched all 10 (ten) seasons of the series, I would be biased. No, I want to talk about this “Theme Song” because the recurring musical “Phrase” here is nothing but the mere transposition of the last line from the theme of “Night in Tunisia.” And for those who know a bit of Jazz, this will be obvious.

Now, I know that the camp of “samplers” believes that taking a phrase, a riff, or whatever, and building another universe around it is “Art,” but this thing really gets on my nerves. Let it be clear: the piece is very beautiful and fits perfectly in the context. But without the genius of Dizzie, without Bird’s sublime “squeak” in “Live at Massey Hall,” all of this wouldn’t have existed. When - and it has already happened - samplers start sampling samplers, it will be the undignified end of what was called “Music.”

Ah: Charlie Parker was in rehab - uselessly, let me tell you - before the performance, and Dizzie, who understood everything and cared for him, literally went to kidnap him and dragged him on stage, sat him on a chair, and thrust his Alto Sax (which he had been trying to buy heroin with) into his arms. Charlie was in a completely catatonic state. But Dizzie knew that when it was time for his solo, he would stand up and play like not even the Gods could.

If you don’t understand Jazz, listen to this authentic Milestone of 20th Century Music: the genre doesn’t matter. This is HISTORY, kids.