Funky Times live - Funky Swan

Who doesn’t like funky music?
 
Ingrandisci questa immagine
I'm going to visit my neighbors, earthly Christmases were so boring...
 
Bee Gees - I Started a Joke (Remastered Music Video)
The big moment has arrived and the first song is by request
Enjoy listening

#natalecoibeegees
 
Stanlio e Ollio al concerto di Tony Corallo
In a club where Tony Corallo is performing, none other than Stan Laurel and Oliver Hardy walk in and, with them, it always turns into a mess. But (Tony Corallo) is a true crooner.
 
Movenze Degli Anelli Di Saturno

#herewithusattheendmusicisnotbad
 
Swerve Strickland feat. Raekwon & Monteasy – “Hit Different” | Official AEW Theme Song

Damn, aren’t they ashamed? If you put a dumb monkey behind the mixer, it would have set the volumes better.

'Sti cazzo di Nigga devono capire che sì, ciannergruv mejjodenoi, ma quanto a orecchio il loro è piuttosto abnorme e sottosviluppato. They just can’t manage to make wall of sound, it’s probably genetic, every time they try it comes out like this shit and they’re even proud of it.
 
Chocolate

JOE BONNER
"Chocolate" from: Suite for Chocolate
1986 (SteepleChase)

#jazzlegends
 
Focus Hocus Pocus | Opera Singer reacts LIVE
I really enjoy watching classical musicians' reactions when they tackle rock pieces; take a look at this...
 
Roma ore 11

"Rome, 11 a.m."
by Giuseppe De Santis (1952)

with Lucia Bosé
Delia Scala
Massimo Girotti
Raf Vallone
Paolo Stoppa
Carla Del Poggio
Maria Grazia Francia
and Lea Padovani

#35mm
 
Masahiko Togashi Trio | Action (Official Audio)

MASAHIKO TOGASHI
"Action" from: Voices
2000 (Absord)

#jazzlegends
 
Morrissey - Suedehead

In Manchester, in the early '80s, someone was spending his days shut away in a room lined with books by Oscar Fingal O'Flahertie Wills Wilde and full of records by female bands from the '60s.

He was a young unemployed man, plagued by pathological shyness but with a sharp wit.

One fine day in 1982, guitarist John Martin Maher, aka Johnny Marr, knocked on his door and met not just a lyricist, but someone who was just waiting for an excuse to give voice to the melancholy of the British working class.

With the "Smiths," that someone broke down the macho rock aesthetic of the time.

Showing up on stage with bouquets of flowers sticking out of the back pockets of his jeans, singing about loneliness and unrequited love, with a unique baritone timbre.

His writing, cultured and soaked in a typically English black humor, transformed songs like "There Is a Light That Never Goes Out" into anthems for those who felt out of place.

His nonconformity, combined with his militant vegetarianism—openly declared even in "Meat Is Murder"—created around him a sort of cult of personality that didn’t let up even after the "Smiths" broke up in 1987.

His solo career, launched with the success of "Viva Hate," confirmed his status as an enigmatic pop icon.

Songs like "Everyday Is Like Sunday" became snapshots of a decadent, provincial Britain, painted with a nostalgia full of both disdain and love.

He became the voice of the marginalized everywhere, gaining a huge following who saw in him an artist capable of giving poetic dignity to social isolation and depression.

Over the years, his figure became more and more divisive because of his political stances and provocative public statements, which alienated part of the specialized press and his longtime audience.

Despite the controversies and boycotts, he has continued to maintain his unwavering aesthetic coherence, even refusing to compromise with the record industry. Performing in front of the many fans who continue to venerate him with almost religious devotion, he remains the solitary dandy of rock, an artist who built a career on the elegance of lament, convinced that vulnerability is an authentically real form of power.

This is the story of someone who turned his inability to adapt to the world into a permanent work of art, and that someone is Steven Patrick Morrissey.

#storie
 
Fausto Leali ‎– Amore Dolce, Amore Amaro, Amore Mio - 1975 .album completo
...and you can hear Il Volo in this album! If it had had a more yacht rock voice, it would have been even better... wonderful instrumental arrangements.
 
"He no longer has the face of his first hashish " #caradroga #canzonidrogate and then we could talk for hours and hours about this song... La Canzone Del Padre
 
Impellitteri - Stand In Line [HD]
Always great Graham Bonnett... Rainbow, Alcatrazz with Malmsteen and Steve Vai, Impellitteri... so many amazing singers there were, from Coverdale to Ronnie James Dio (and I've only mentioned the most famous ones)
 
Hi everyone, I stumbled upon the site a bit by chance and found it really interesting. I’m looking for a place to get in touch with dimensions of music that I’m less familiar with or don’t explore enough (like various facets and subcultures of the music industry from the last century), and I had the brilliant idea to skip the preliminaries and jump straight into a discussion. So, I apologize in advance for the wall of text I’m about to throw at you. I know I probably should have made a quieter entrance, but I’m just not the type to be the silent newbie, so here I am with my question (I hope it’s not too poorly put).

I’m mainly addressing those who are more familiar with the so-called "shoegaze" scene and similar genres, but also those who have broader experience with the style and its contaminations: do you know of any examples where the combination of alternative tunings, relatively less conventional harmonic intervals, and heavy use of pedals and effects is matched by an equally meticulous approach to coming up with creative and interesting songwriting solutions? In other words, examples where there is a focus on both sound and song structure so that both aspects are balanced and harmonious?

With this, I don’t intend to imply that my impressions necessarily reflect a limitation of the genre.

After all, these are just impressions I’ve accumulated so far, based on a rather small number of bands and songs I’ve paid attention to. If you disagree with the premise of the question, feel free to rephrase it or share your thoughts, but to my ears the music itself often feels lacking compared to the setup, the density, and the richness of the sound.

Almost certainly, more listening and time spent on the genre will reveal aspects of the music that I’m missing right now, but with vocal and guitar parts often barely intelligible, I can’t tell if the issue is just mine or if the songs are actually underdeveloped (in any case, I can provide more context in a separate comment).

So I was wondering if, with a bit of direction and some concrete examples, I could find something musically more accomplished, something I’d really want to listen to more often, instead of just appreciating certain aspects of the music. contaminazioni: