Humphrey Lyttelton ‎– Jazz At The Royal Festival Hall 1955 Parlophone ‎– PMD 1032

Humphrey Lyttelton - from "Jazz at the Royal Festival Hall"
1954 (Parlophone)

#jazzlegends
 
Le avventure di Pinocchio-Luigi Comencini

Luigi Comencini (3 of 3)
"The Adventures of Pinocchio" - (1972)

#35mm
 
Ingrandisci questa immagine

On the front line of the mother of all sites...what a wary thing
 
Barclay James Harvest - The Song (They Love To Sing)
If this track had been released by Tame Impala, it would be known even in Uganda and would definitely be featured in a car commercial. The Barclays create atmospheres years ahead, pre-chillout, and a lot of magic.
 
Rainbow - Stargazer
Piece of shit. I'm a fan of Ronnie James.
 
#new
Microwolf
" Mara "
 
Picking up on the brilliant idea of @[Martello], I would like to pay a sort of "tribute" to a great artist like Ivano Fossati, both as he was (and is), with a ranking of his albums (from 1981 to 2003) from least beautiful to best...

No. 5: "Macramè" (1996)
Year of Our Lord 1996. Simultaneously with his collaboration on Anime Salve with Faber, Ivano returns to the market after a 4-year hiatus with this beautiful new album. We are in the midst of his golden period, one masterpiece after another, and of course this album is no exception. It stands out as the most refined and "ethnic" in his discography in terms of music and arrangements, and the most hermetic of the magical quintet '88-'00.
Overall rating 9.5

The masterpiece of the album: Bella speranza (ti telefono da una guerra)
 
Van Halen - Take Your Whiskey Home
Just like I don’t like the second one, this one improves with time.
Behind the debut, but not by much...
The bluesy, alcoholic beginning is very, very nice.
 
Resuming the brilliant idea of @[Martello], I would like to pay a sort of "tribute" to a great artist like Ivano Fossati, with a ranking of his albums (from 1981 to 2003) from the least to the most beautiful...

No. 6: "Lampo Viaggiatore" (2003)
Three years pass, and here Ivano presents us with a new album of unreleased tracks. For those who loved - and followed - the Fossati from 1988 to 2000, this album might represent a slight step backward. And it indeed is; it is not an absolute masterpiece, but we are very close: the value of the individual tracks doesn’t change much. The lyrics are a bit more straightforward but less enigmatic compared to before, and musically it remains less refined than the previous ones, but that doesn’t take away from the fact that this is still an excellent album...
Overall rating: 9

The masterpiece of the album: Il bacio sulla bocca