Molto calmo Neffa for President
 
Sweet - Fever Of Love - Promo Clip (OFFICIAL)
The most photonic hard glam mix ever! Technically and vocally, they give a lesson to all the hard and heavy bands of the '80s. I adore them precisely because they have that glamorous touch, sometimes art rock (if you think of the harmonies of 10cc) and with never banal fiery hard blues grooves (see the Fanny Adams/Give Us a Wink phase).
 
Spotlight

Someone get this album off my computer, thank you.
 
Sugababes - Round Round

There's no need for that disgusted face:
this is the best single of the millennium.

Even better than the first one by Ledigaga: @[ZiOn] confirmed it to me at the intercom.
 
URBIE GREEN: A Cool Yuletide Session Clip

Urbie Green - from "A Cool Yuletide"
1954 (X)

#jazzlegends
 
Twenty One Pilots - Shy Away (Official Video)

I don't know if I had already come out in the past🔜they are my guilty pleasure.

#releasedtoday #2021
 
Blind Melon Deserted one of my favorite albums from the 90s.
 
I Gotta Know Now

#somanytemptations
 
Track 6: Centro Di Gravità Permanente (Remastered)
Brass instruments ringing out powerfully, a tune that has now become public. It's precisely "Centro di gravità." "An old Breton woman with a hat and an umbrella made of rice paper and bamboo" yes, yes, that’s her! But what does this image represent? What does this woman from Great Britain, holding typically Eastern objects, signify? It may refer to English (and thus European) colonialism in Eastern countries, which began around 1840, and can also be linked to the following two lines, "brave captains, cunning Macedonian smugglers." Then, "Euclidean Jesuits dressed like bonzes to enter the court of the Ming dynasty emperors"...quite complex verses. I turn to the internet...it says this line refers to Matteo Ricci, who, dressed as a bonze, managed to enter the court of the Chinese emperor. But until now we have been joking… sort of. Now comes "I seek a permanent center of gravity that never lets me change my mind about things and people," the most overused refrain of Battiato's entire musical career, filled with the doctrine of Gurdjieff that strongly inspired the life of the Sicilian master. Battiato himself says: "Georges Ivanovič Gurdjieff maintained that the permanent center of gravity should be, in summary, a remedy for the instability of contemporary man, be it emotional, intellectual, sexual, or motor," explaining worse a kind of absolute balance point where everything becomes certain and clear. So essentially, the message Battiato wants to convey in the refrain is "We are perpetually seeking perfection and we keep searching again and again, very often in vain"...it’s a bit bitter when read like this. But let’s move on. "On the streets of Beijing it was May, we joked about picking nettles," the references to China in the piece continue to increase; this time it depicts a festive day where nettles are being gathered (nettles sprout in spring, hence "it was May"), almost symbolizing a kind of "harvest time" that occurs regularly. But immediately after, Battiato goes on: "I can't stand Russian choirs, phony rock music, Italian new wave, English punk free jazz, nor even African black music," almost wanting to distance himself from everything that was emerging musically at the beginning of the 80s, especially when he talks about New Wave...but there’s a particular detail that sounds quite amusing: during those years, critics classified Battiato in that Italian new wave genre and he was, in fact, the first of this movement to achieve great success; it's a bit like blindfolding oneself and starting to whip all the passersby, realizing that there is a chance it might be his own behind being struck by his whip...Battiato is so wonderful.
Then the refrain starts again and the piece leads us with its ba
 
Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to the paintings] [13 of 40]
 
Mad Professor - Fast Forward Into Dub ....if @[sergio60] doesn't come to dance even with this....
 
Viaggi Organizzati - Lucio Dalla
The best album by Dalla in my humble opinion.
The most mature both lyrically and musically.
One of the most beautiful albums in the history of Italian pop music, pop is just a way of saying.
 
Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to paintings] [13 of 40]

Preview
The Card Players - Paul Cézanne (1890-1892)

This work, created by Paul Cézanne, represents one of the most recurring themes of the French artist of Italian origin. It depicts a card game that the painter would present again in four other paintings now scattered across various museums in the world. It is very likely that the artist drew inspiration from the Card Players, attributed to the artist-brothers Le Nain and housed in the museum of Aix-en-Provence, his hometown in southern France. What we see before us is a scene almost austere in its colors and the elements that compose it. Two men are entertaining themselves with a card game that seems frozen in a moment of reflection during which the two players scrutinize their cards. Everything is still; on a bare little table, a bottle proudly serves as the central axis of the composition. The setting is the interior of a country tavern, with a mirror providing a backdrop for the two protagonists. They are likely two peasants the painter knew and often encountered at his father's estate at Jas de Bouffan, near Aix-en-Provence, particularly the man with the pipe, who has been identified as "compare Alexandre," the local gardener. Cézanne's family was indeed affluent, with his father Louis Auguste, a hat factory owner, founding the bank Cézanne et Cabassol in 1844, which no longer exists today. The frequent occurrence of card players in Cézanne's works has produced a peculiar interpretation. The match between two players would symbolize the struggle the artist engaged in against his father for his profession to be accepted by the family. [source artesplorando.it]

Associated LP of 1998
 
Rollins Band - Just Like You Track that closes an album with terrifying harshness!!
 
Tetuzi Akiyama - Pseudopsia

Thaumaturgy (2020 - Besom Presse)