la canzone dell'amore perduto Fabrizio de Andrè
I would like to make two observations.
1) If the music of this song had been written by Faber, I would think it was the most beautiful composition of Italian music in history. But, as we know, the music was taken directly from a well-known classical composition from the 1700s.
2) The first version recorded by Faber is this one, which has very few views on YouTube and is, to this day, unknown to the snobbish twenty-somethings who listen to Faber out of fashion and only know the one present on the album Canzoni. For me, this is THE version. More genuine, more lived, more heartfelt, and emblematic of the 60s. It's plagiarism, painful to say, because Telemann was not credited, but the final product remains a masterpiece of music and words.
Good evening, turkeys.
I would like to make two observations.
1) If the music of this song had been written by Faber, I would think it was the most beautiful composition of Italian music in history. But, as we know, the music was taken directly from a well-known classical composition from the 1700s.
2) The first version recorded by Faber is this one, which has very few views on YouTube and is, to this day, unknown to the snobbish twenty-somethings who listen to Faber out of fashion and only know the one present on the album Canzoni. For me, this is THE version. More genuine, more lived, more heartfelt, and emblematic of the 60s. It's plagiarism, painful to say, because Telemann was not credited, but the final product remains a masterpiece of music and words.
Good evening, turkeys.
Loading comments slowly