Would you like to try something new?
A tour (inevitably not exhaustive) of the extraordinary Neapolitan musical heritage.
Roberto De Simone La Gatta Cenerentola 06 Primo Canzone delle sei sorelle
The NCCP expands to become La Compagnia del Cerchio to stage Roberto De Simone's masterpiece "La Gatta Cenerentola".
The connection between music and theater is a natural fact in Naples, and the NCCP, since its inception, had started a search between vocality and gesturality, in line with that scenic movement that was renewing itself following the requests of experimental theater, embodied by artists like Julian Beck of the Living Theatre, whom De Simone personally knew, in addition to admiring on stage. Singing, music, dance, and theater are interconnected realities in his idea of representation.
The success is extraordinary (after all, the show is beautiful), but there will be a price to pay: a painful split, Eugenio Bennato leaves, and Carlo D'Angiò goes with him. For them, the center of research must remain music, not theater.
Musicanova is born, which we will talk about next time.
A tour (inevitably not exhaustive) of the extraordinary Neapolitan musical heritage.
Roberto De Simone La Gatta Cenerentola 06 Primo Canzone delle sei sorelle
The NCCP expands to become La Compagnia del Cerchio to stage Roberto De Simone's masterpiece "La Gatta Cenerentola".
The connection between music and theater is a natural fact in Naples, and the NCCP, since its inception, had started a search between vocality and gesturality, in line with that scenic movement that was renewing itself following the requests of experimental theater, embodied by artists like Julian Beck of the Living Theatre, whom De Simone personally knew, in addition to admiring on stage. Singing, music, dance, and theater are interconnected realities in his idea of representation.
The success is extraordinary (after all, the show is beautiful), but there will be a price to pay: a painful split, Eugenio Bennato leaves, and Carlo D'Angiò goes with him. For them, the center of research must remain music, not theater.
Musicanova is born, which we will talk about next time.
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