HOW TO RUIN A CAREER, ANGLOPHONE SECTION, vol. 1: Genesis
(Derogation from the usual review of Italian talents, groups, or soloists. This time we’re going anglophone, in short, let’s face it: isn’t it true that not only in the Boot do we witness the unworthy and undignified completion of musical careers that once paved the way for everyone?)
Dear friends, welcome to the seventh block of a delightful little column that, I warn you, should be taken in small doses and on an empty stomach. Inspired by excellent DeBaserians with the hobby of occasionally sticking two fingers down their throats, here I am to propose a few selected listens regarding the disgusting side of the production of some anglo-speaking groups or solo artists who truly made history in music, once offering quality music with potential international appeal, only to fall into the depths of a low-tier discography that renders them, mostly, unrecognizable to the ears of their former fans.
Blow the fetid trumpets, let’s go...
Genesis - Never a time (1991)
(Derogation from the usual review of Italian talents, groups, or soloists. This time we’re going anglophone, in short, let’s face it: isn’t it true that not only in the Boot do we witness the unworthy and undignified completion of musical careers that once paved the way for everyone?)
Dear friends, welcome to the seventh block of a delightful little column that, I warn you, should be taken in small doses and on an empty stomach. Inspired by excellent DeBaserians with the hobby of occasionally sticking two fingers down their throats, here I am to propose a few selected listens regarding the disgusting side of the production of some anglo-speaking groups or solo artists who truly made history in music, once offering quality music with potential international appeal, only to fall into the depths of a low-tier discography that renders them, mostly, unrecognizable to the ears of their former fans.
Blow the fetid trumpets, let’s go...
Genesis - Never a time (1991)
Dislocation
6 aug 20
DeRank ™: 7,87
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