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He saved for the finale the two songs I like the most out of all the ones he wrote: the wonderful "Senza Vento" and especially "Sangue Impazzito". Discover the review
He saved for the finale the two songs I like the most out of all the ones he wrote: the wonderful "Senza Vento" and especially "Sangue Impazzito".
Omar Pedrini (former Timoria) is back in a mid-level style, the same one he adopted after parting ways with the legendary Timoria (Sole Spento is worth, in its beauty, their entire discography). Discover the review
Omar Pedrini (former Timoria) is back in a mid-level style, the same one he adopted after parting ways with the legendary Timoria (Sole Spento is worth, in its beauty, their entire discography).
Pedrini (on his second solo album) still doesn't manage to completely distance himself from what he has already done (perhaps the song "La follia" stands out for its echoes of some hybrid nuances between Mannoia, Vasco Rossi, and Battisti) and the "electronic manipulation" (which is not very impactful), attempted by Omar to tone down the strong Timoria imprint present throughout the album, serves little... the imprint is there and it is felt. Discover the review
Pedrini (on his second solo album) still doesn't manage to completely distance himself from what he has already done (perhaps the song "La follia" stands out for its echoes of some hybrid nuances between Mannoia, Vasco Rossi, and Battisti) and the "electronic manipulation" (which is not very impactful), attempted by Omar to tone down the strong Timoria imprint present throughout the album, serves little... the imprint is there and it is felt.
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