At a first superficial listen, you might almost want to rename this fourth studio work by Muse "a night at the disco." Nevertheless, even the distortion of a famous Queen album, a band much loved by frontman Matthew Bellamy, wouldn't be enough to capture the heterogeneity that animates and distinguishes Black Holes And Revelations from its predecessors.
The techno crescendo of the opening "Take A Bow," as well as the almost parodic groove of "Supermassive Black Hole," will puzzle more than one fan of the English trio. The fourth track, "Map Of The Problematique," is the first bullseye of Black Holes And Revelations thanks to a perfect blend of electronic and rock: the nervous pace of the drums blends well with the imposing “wall of sound” of keyboard and guitar that Bellamy has accustomed us to. The moment of calm ensured by the harmless acoustic parenthesis of Soldier's Poem eases the tension a bit too much, especially because of the subsequent (and soporific) Invincible, which neither wins nor convinces at all, despite the title and the gratuitously noisy and chaotic ending. The main riff of "Assassin," a typical convoluted Muse track, seems a blatant yet ironic homage to the theme song of the TV show Knight Rider. The concluding "Knights Of Cydonia" is a schizophrenic compendium of Bellamy's musical tastes: following the spaghetti western opening is a choir with an explosive guitar eruption worthy of Queen's Bohemian Rhapsody.
Black Holes And Revelations may cost Muse the loss of a few fans, but when you truly take artistic risks, as in this case, it seems that the game is worth the candle.
It’s really stuff to break the windows, to make cats screech, to be like nails on a chalkboard.
Maybe now with this breath of noise independence, the Miuz won’t spend every minute on MTV.
"Supermassive Black Hole is the worst track on the album, and what do they do? They release it as the first single."
"Knights of Cydonia is an excellent piece, the best of the album: long, fast, with an 'Epic' streak."
"Our Hopes And Expectations - Finally, after three years, the long-awaited fourth chapter of the three from Devon takes shape."
"The Muse are certainly no longer the ones of 'Showbiz' but courageously move forward to quench their thirst for new experimentation."
The Muse do not disappoint.
You must pay for your crimes against the earth.
"Those distorted guitars grabbed me and dragged me into oblivion, while the falsetto singing enchanted me like a siren."
"A gem that paves the way for a new type of music, a mix of electronic, rock, metal, and... spacecrafts."