"What can be said at all can be said clearly; and whereof one cannot speak, thereof one must be silent", word of Ludwig Wittgenstein. Let's take a very famous aphorism by Frank Zappa: "Talking about music is like dancing about architecture". So what? According to this: one should remain silent about music. Again Zappa: "Most rock journalism is people who can't write interviewing people who can't talk for people who can't read". Despite this, we all have more or less an idea of what this blessed music is. Good, take this idea, flush it down the toilet and pull the chain.

Morphine have done nothing but this, depriving Rock music of its main instrument, the guitar; it’s a bit like mocking thirty (and more) years of music. It's no joke, it’s not everyone who can overcome the barriers imposed by common consciousness, habit, and chance. It's a bit like Chuck Berry did when he "invented" Rock 'n' Roll, like Beefheart did when he destroyed it. Morphine have the great merit of being the first to offer the classic mix of Rock & Blues without a guitar. Theirs is a search for the possibilities of music. For this, they are great, for this formal revolution of Rock.

Having traditional Blues in mind, this music cannot be understood. These songs are as far from sublime as anything could ever exist, shy, calm, measured, and rational (in sharp contrast to Blues). The emotion is there, but it's almost imperceptible due to the predominance of structure over content. In reality, everything is calculated. In reality, our guys have done nothing but calculate, that's why I was talking about a formal revolution before. It’s a work of the mind. They didn't invent anything; they just played what had always been there with different instruments. The result is an original, unique, and current genre (today it’s already a classic), but with many references to the origins.

The music of Morphine is a music that lives on a wonderful contrast. The cold reason (in the economy of the work, nothing is left to chance) and the enveloping warmth of Sandman's voice. Morphine's music is music that stands out from all the rest: essential instrumentation and scantiness of sound. In short, they didn't invent anything, but they have been among the most original groups of all time, they didn't invent anything, but few have gone "against the grain" like them.

Morphine consists of: Mark Sandman (vocals and bass), Dana Colley (saxophone), Jerome Dupree (drums from 1989 to 1993 and from 1998 to 1999), Billy Conway (drums from 1993 to 1998).

As for the album. This "Cure For Pain" (released in September 1993 and now hard to find) follows the epochal (I don't believe I’m exaggerating) debut "Good" (1992), which perhaps remains the best of their discography. An album (Good) where all their art is condensed in barely forty minutes. In "Cure For Pain" you can notice changes regarding the production work, the structure of the tracks, and the instrumentation. The production is clearly more conventional, the sounds are fuller and more vivid. The structure of the tracks "normalizes" a bit, but without losing style (that of Morphine) and therefore beauty. The instrumentation is enriched (in a couple of tracks) by the guitar, nothing more. A dominant deep sense of melancholy remains in their music. The 13 tracks are just as many gems that maintain their purity listen after listen. Perhaps this is the main characteristic of their music: purity.

Extraordinary.

Tracklist Lyrics Samples and Videos

01   Dawna (00:44)

Instrumental

02   Buena (03:20)

I hear a voice from the back of the room
I hear a voice cry out
We want something good

Well come on a little closer let me see your face
Yeah come on a little closer by the front of the stage
I said come on a little closer I got something to say
Yeah come on a little closer wanna see your face

You see I met a devil named buena buena
And since I met the devil I ain't been the same, oh no
And I feel alright now I have to tell you
I think it's time for me to finally introduce you to the
Buena buena buena buena good good girl

It's comin' to me
Yeah it's comin' to me
Now I think I know
What it is you need
I know some people wanna make a change
But I know how to make it go away

You see I met a devil named buena buena
And since I met the devil I ain't been the same, oh no
And I feel alright I have to tell you
I think it's time for me to finally introduce you to the
Buena buena buena buena good good girl

03   I'm Free Now (03:25)

04   All Wrong (03:41)

She had black hair like ravens crawling over her shoulders
All the way down
She had a smile that swerved
She had a smile that curved
She had a smile that served all over the road
It's all wrong all wrong
All wrong all wrong
She had a way of making people feel good to be around her
As it should be
It's all wrong all wrong
All wrong all wrong (x2)
All wrong
And when she laughs I travel back in time
Something flips the switch and I collapse inside
It's all wrong all wrong
All wrong all wrong (x2)
All wrong

05   Candy (03:15)

candy told me nothing really matters anymore
when I ask her what she means, she says I oughtta know

candy says she's made arrangements
for me in the sand
candy says she wants me with her
down in candyland

candy says she wonders why we try
I couldn't think of what to say
I hadn't already replied
candy says I'd like it where she is
she says it's an opportunity I don't want to miss

candy says she's made arrangements
for me in the sand
candy says she wants me with her
down in candyland
candy says she wants me with her
down in candyland

candy asked me if she died
if I could go on
of course I said I couldn't
and of course we knew that's wrong
but candy, I said, candy no you can't do that to me
because you love me way too much
for you to ever leave

candy says she's made arrangements
for me in the sand
candy says she wants me with her
down in candyland

candy says she's made arrangements
for me in the sand
candy says she wants me with her
down in candyland
candy says she wants me with her
down in candyland
candy says she wants me with her
down in candyland
candy says she wants me with her
down in candyland

06   A Head with Wings (03:40)

i've got a head with wings
i got a head with wings,
i got a head with wings
and i can see so far away i can see so clear
you would not believe the view up here
i got a head with wings, a head with wings

now im floating around up here way above the clouds
so high above the ground
and the only thing that holds my head to the ground
is this one little skinny string
i got a head with wings, head with wings
i got a head with yea oh
a head with wings

i got a head with wings
i got a head with wings
i got a head with wings

and i can see so far away yes so far away
well i can see the shadows fall across your face

i got a head with wings
head with wings
i got a head with yea yea
a head with wings
a head with wings
yea yea

07   In Spite of Me (02:35)

last night I told a stranger all about you
they smiled patienty with disbelief
I' always knew you would succeed
no matter what you tried
and I know you did it all
in spite of me

still I'm proud to have known you
for the short time that I did
proud to have been a step up on your way
proud to be a part of your illustrious career
and I know you did it all
in spite of me
in spite of me

late last night
I saw you in my living room
you seemed so close but yet so cool
for a long time I thought that you'd be coming back to me
those kind of thoughts can be so cruel
so cruel

and I know you did it all
in spite of me
in spite of me

08   Thursday (03:26)

Band: Morphine
Song: Thursday

We used to meet every Thursday
Thursday
Thursday in the afternoon
For a couple a beers
And a game of pool

We used to go to a motel
A motel
A motel across the street
And the name of the motel
Was the "Wagon Wheel"

OH!

One day she said
C'mon C'mon
She said why dont you come back to my house
She said my husbands out of town
You know he's gone till the end of the month

Well I was just so nervous, so nervous
You know I couldn't really quite relax
'Cause I was really never quite sure
When her husband was coming back

It turned out it was one of the neighbors
One of the neighbors, one of the neigbors that saw my car
And they told her, yeah they told her
They think they know who you are

Well her husband is a violent man
A very violent and jealous man
Now I have to leave this town
I gotta leave while I still can

We should have kept it every Thursday
Thursday
Thursday in the afternoon
For a couple of beers
And a game of pool
(REPEAT 1X)

She was pretty cool too!

09   Cure For Pain (03:14)

Where is the ritual?
And tell me where, where is the taste?
Where is the sacrifice?
And tell me where, where is the faith?

Someday there'll be a cure for pain
That's the day I throw my drugs away
When they find a cure for pain

Where is the cave where the wise woman went?
And tell me where, where's all that money that I spent?

I propose a toast
To my self control
You see it crawlin' helpless on the floor

Someday there'll be a cure for pain
That's the day I throw my drugs away
When they find a cure for pain
Find a cure for
Find a cure for pain

10   Mary Won't You Call My Name? (02:29)

Cross my fingers and I hope to God
I knock on wood and pray with all I've got
Cross my bow with a cannonball
I see the writing on the wall hey
There's no map and there's no clue
Of where to go and what to do
Yea who to dog who to ride and who to hold
Forever by your side (x2)
Mary won't you call my name (x2)
Mary won't you call my (x2)
Mary won't you call my name
I fell into the hands of a rich man's daughter
She led me like a lamb no bother
To go and live inside a barn on her Daddy's 90 acre farm
Hide your daughters in the snow and watch out for the undertow
Hold both hands against the door and dig your feet into the floor
Tell ya there's no map and there's no clue
Of where to go and what to do
Who to dog and who to ride and who to hold
Forever by your side (x2)
Mary won't you call my name (x2)
Mary won't you call my (x2)
Mary won't you call my name

11   Let's Take a Trip Together (03:00)

let's take a trip together
headlong into the irresistable orbit
breathe in the cold black space
with the glistening edges

let's take a trip me and you
let's go the scenic route
get to finally
get to finally
get to finally
get to know eachother
just to be alone
just to be alone
just to be alone with thee

somewhere there's no distracting breeze of information
leaking through the windows dripping from the trees
somewhere there's no earthquakes
of other people's anxious questions
no nervous wrecks
going down
no nervous wrecks
going down

let's take a trip together
headlong into the irresistable orbit

12   Sheila (02:49)

sheila has a cat, she pets the cat
puts a spell on the cat, a beautifully cat
sheila has a cat, she pets the cat
yeah the beautiful cat says sheila sheila

sheila has a cat, she pets the cat
puts a spell on the cat, a beautiful cat
she takes the cat, looks him in the eyes
makes him reply sheila sheila

oh most gracious of beings
oh most gracious of beings my queen
i'm yours to command
yours to command
i'm yours to command sheila sheila

sheila has a cat, she pets the cat
puts a spell on the cat
she runs her fingers down his back
cause sheila has a cat, puts a spell on the cat
looks him in the eyes, makes him reply
sheila sheila
sheila sheila

13   Miles Davis' Funeral (01:43)

14   Bonus Track: 'Down Love's Tributaries' (08:11)

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Other reviews

By Bleach

 Morphine managed to coin a genre all their own in an absolutely original way.

 The voice, with its soft and fluid tone, goes straight to the heart.


By Marco Salzano

 A happy anachronism, I don’t know how else to define this Boston group compared to the American scene of the time.

 A good album, one of those apparently low-profile ones that seem tailor-made to become little cults.