Cover di Cosa succederà alla ragazza

Cosa succederà alla ragazza

Album - 25 september 1992 - DeB Id: 97521
By Lucio Battisti
8 Tracks 3 Reviews Definitions Listenings Video 4 Charts

Reviews

Album DeRango™ 72,79

Lucio Battisti

Cosa succederà alla ragazza Battisti

 CSAR is an album that is stratospheric, spatial, universal, metaphorical, Felliniesque, erotic, sensational.

 The masterpiece of masterpieces is reached in 'Però Il Rinoceronte' – this is the apotheosis of Battisti’s repertoire.

 Dive into Lucio Battisti’s CSAR and experience a groundbreaking fusion of poetic storytelling and avant-garde sound.

💬 23
6218
📈 4,80
Album DeRango™ 19,89

Lucio Battisti

Cosa Succederà Alla Ragazza bogusman

 The sounds are derived from funky-dance, characterized by a synthesis between a very elaborate electronic rhythm... and the melodic evolutions that Battisti has always accustomed us to.

 The beauty is that the result more than a philosophy essay resembles a film by the most mocking Fellini where no one ever stands still and the narrative levels are completely tangled.

 Explore this unique Lucio Battisti album blending funky rhythms and poetic storytelling—listen now and dive into its cinematic soundscape!

💬 36
20343
📈 3,92
Album DeRango™ 1,66

Lucio Battisti

Cosa succederà alla ragazza Viva Lì

 It’s like a Picasso painting, you know it’s beautiful but you don’t fully understand why.

 Battisti hits the masterpiece: 'Cosa succederà alla ragazza.' The process of musical disintegration has now been completed.

 Discover the groundbreaking sounds of Lucio Battisti's 'Cosa succederà alla ragazza'—a challenging masterpiece worth your deep listen!

💬 37
14327
📈 3,13
Your rating:
  • Martello
    6 jun 20
    Rating:
    Imposing bass line, gritty rhythms, and haunting keyboards. A text that talks (or does it?) about a transgender. How can you not love an album that starts like this?
     
  • Eneathedevil
    6 jun 20
    Rating:
    Trans? Interesting... and what would you infer it from? It seems that the criticism, always rather struggling with the understanding of Panellian texts, has been fairly unanimous in interpreting the piece as a description of a rape.
     
Your rating:
  • Martello
    6 jun 20
    Rating:
    Same mechanics as CSAR. Even heavier low-end and trippy, powerful lyrics.
     
Your rating:
  • Martello
    6 jun 20
    Rating:
    Battisti rap. Dubstep. Dreamlike and electronic. Sorry if I'm brief here, but I'm in a mixed silk frenzy. It's pointless to define it, the lyrics speak for themselves.
     
Your rating:
  • Martello
    6 jun 20
    Rating:
    A link between Battisti pop and Battisti bianco. Catchy melody and less cryptic lyrics than the previous ones. A monstrous bass line (do you know who the bassist is? I could place him in Olympus).
     
Your rating:
  • Martello
    6 jun 20
    Rating:
    What can I say, my favorite track. Electric piano and funky guitar blend together in a strong and decisive melody. The lyrics need to be deciphered verse by verse, like unwrapping a chocolate, and at the end, you find the heart.
     
Your rating:
  • Martello
    6 jun 20
    Rating:
    Love and non-love. Saw keyboards that first make everything harder, then become softer, and in the chorus open up like a window on Sunday morning. The keyword is rosemary.
     
Your rating:
  • Martello
    6 jun 20
    Rating:
    The most rock of the eight tracks is, in the end, the only "minor" moment, which, however, in terms of music and lyrics, has nothing to envy to the others. Find me someone who tells me about an oceanic microwave.
     
Your rating:
  • Martello
    6 jun 20
    Rating:
    Musically, it could be the child of Michael Jackson, with those keyboards and that bass line...incredible. Lucio, I adore you👐
     

You and Cosa succederà alla ragazza

Lucio Battisti

Lucio Battisti (born 5 March 1943, Poggio Bustone – died 9 September 1998, Milan) was an Italian singer, songwriter and composer. A central figure in Italian pop, he achieved major success in the late 1960s–70s with lyricist Mogol, then pursued radical studio experimentation with Pasquale Panella in the late 1980s–90s. From 1980 he withdrew from concerts, TV and interviews, asserting that his art should speak for him.
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