Cover di Cosa succederà alla ragazza

Cosa succederà alla ragazza
Album - 25 september 1992 - Debaser id 97521

By Lucio Battisti

Your rating:
  • Martello
    6 jun 20
    Rating:
    Imposing bass line, gritty rhythms, and haunting keyboards. A text that talks (or does it?) about a transgender. How can you not love an album that starts like this?
     
  • Eneathedevil
    6 jun 20
    Rating:
    Trans? Interesting... and what would you infer it from? It seems that the criticism, always rather struggling with the understanding of Panellian texts, has been fairly unanimous in interpreting the piece as a description of a rape.
     
    • Martello
      6 jun 20
      Like when they lift the skirt to check? I don’t know, it could very well also be a rape.
Your rating:
  • Martello
    6 jun 20
    Rating:
    Same mechanics as CSAR. Even heavier low-end and trippy, powerful lyrics.
     
Your rating:
  • Martello
    6 jun 20
    Rating:
    Battisti rap. Dubstep. Dreamlike and electronic. Sorry if I'm brief here, but I'm in a mixed silk frenzy. It's pointless to define it, the lyrics speak for themselves.
     
Your rating:
  • Martello
    6 jun 20
    Rating:
    A link between Battisti pop and Battisti bianco. Catchy melody and less cryptic lyrics than the previous ones. A monstrous bass line (do you know who the bassist is? I could place him in Olympus).
     
    • Eneathedevil
      6 jun 20
      I'm quite in agreement here as well, but I would still vote 5 because the keyboard action excites me like a pervert.
    • Martello
      6 jun 20
      Yeah, that keyboard is ridiculously cool. At this point, I’ll set it to 5 nipples to differentiate it from So the gods would be
    • Eneathedevil
      6 jun 20
      But you know that the bassist is probably not there? I just saw in the CD credits and there’s no mention of any bassist's name. There's a guy named Lyndon Connah credited with "programming," and I really think that the bass is actually produced with a music maker.
    • Martello
      6 jun 20
      Well, then congratulations to the dear old PC. It's more talented than many other bassists.
Your rating:
  • Martello
    6 jun 20
    Rating:
    What can I say, my favorite track. Electric piano and funky guitar blend together in a strong and decisive melody. The lyrics need to be deciphered verse by verse, like unwrapping a chocolate, and at the end, you find the heart.
     
    • Eneathedevil
      6 jun 20
      Ah, really? I didn't find anything among the surfaced heads hiding fast and accordion-like licenses.
    • Martello
      6 jun 20
      I saw a description of a suburb. At least I think so, because as Vasco said, "it doesn't make any sense."
    • Eneathedevil
      6 jun 20
      Well, I would have opted more for a train trip... still, one always stumbles cheerfully in the dark.
    • Martello
      6 jun 20
      We are going teeth first into the dark. Here we no longer know when we are going on this earth
Your rating:
  • Martello
    6 jun 20
    Rating:
    Love and non-love. Saw keyboards that first make everything harder, then become softer, and in the chorus open up like a window on Sunday morning. The keyword is rosemary.
     
    • Eneathedevil
      6 jun 20
      For me, the pinnacle of the Battisti-Panella partnership. Dreadfully beautiful, it feels like a poem by Pindar or a film by Buñuel.
    • Eneathedevil
      6 jun 20
      Holy Christ, how can one conceive "the taste becomes summery in short sleeves while examining the Venus de Milo"?
    • Martello
      6 jun 20
      Or else: a camel was born to leap through the eye of a needle, unveiling the sand acrobat that lay dormant within. Truly, the peak along with the title track and the previous one.
Your rating:
  • Martello
    6 jun 20
    Rating:
    The most rock of the eight tracks is, in the end, the only "minor" moment, which, however, in terms of music and lyrics, has nothing to envy to the others. Find me someone who tells me about an oceanic microwave.
     
    • Eneathedevil
      6 jun 20
      And here I am again. In my opinion, the weakest part of the album.
    • Martello
      6 jun 20
      However, passages like "the little girl who was missing the 'a' who said Neptune Neptune, so the gods would have a last pronunciation flaw" are worth framing.
    • Eneathedevil
      6 jun 20
      Absolutely. We are always at the highest levels.
Your rating:
  • Martello
    6 jun 20
    Rating:
    Musically, it could be the child of Michael Jackson, with those keyboards and that bass line...incredible. Lucio, I adore you👐
     
    • Eneathedevil
      6 jun 20
      Daughter of Michael Jackson? Please, let's not mix gold (Lucio) with lead (that other one).
    • Martello
      6 jun 20
      I, calm. The sound is very 80s, which is what connects this track by Lucio to the sound of Michael, that’s all.
    • Eneathedevil
      6 jun 20
      Ah, here it is.
Carico...
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