Questo è un consesso di menti sottili aduse a spaccare il capello in multipli di quattro e ad apporre tutti i puntini mancanti su qualsivoglia i. E’ un luogo di dialogo e di approfondimento in cui l’inutile riacquista la sua centralità. Tu, sperduto viandante, ti senti pronto ad entrare?

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Aggiungetemi!
Well tuned in to #radiocapish

For "Baroque Mondays: at the court of Capish King," this morning we offer you the Sonatas for violin and basso continuo (1731) composed by the Florentine violinist Francesco Maria Veracini (1690 – 1768), in the version recorded in 2006 in the church of SS. Trinità in Padua by Enrico Casazza (violin), Francesco Ferranini (cello), Roberto Loreggian (harpsichord).

Enjoy the listening.

Francesco Maria Veracini - Op. 1, Sonate per violino e basso continuo (pt 1, sonate 1-7)

(plaque in Via Palazzuolo in Florence)

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Well tuned in to #radiocapish

We are pleased to launch a new weekly segment (dedicated to Sire @[lector]) that will keep us company for many months:

"Wednesdays on Saturn: the Afrofuturism of Sun Ra"

Enjoy your listening.

(1) from "Jazz by Sun Ra" of 1957.

Sun Song
Possession
Tuned in to #radiocapish

For “Baroque Mondays: at the court of the Capish King” tonight we will listen to the “Toccata for Harpsichord in Eighth Fold” composed by Alessandro Scarlatti (1660 – 1725), father of the more famous Domenico (1685 – 1757), performed by Andrea Marcon.

Enjoy your listening.

A. Scarlatti - Toccata per cembalo d'Ottava stesa
Well tuned in to #radiocapish

We are pleased to announce that "The Baroque Mondays: at the court of the Capish King" is finally reopening, much to the delight of our Sire. Today we take a step back to the dawn of the Baroque period to explore the roots of counterpoint, a typically Baroque form, in the late Renaissance French composer François-Eustache du Caurroy (1549 – 1609), "Maistre de Musique de la Chappelle du Roy"; for whom we offer a listening of some "Fantasies" (1610) recorded for Astrée by Jordi Savall & Hespèrion XX.

Enjoy listening.

Eustache Du Caurroy (1549 - 1609). XXIII Fantasies
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Alfredo Cohen - Valery (Cohen-Battiato-Pio) - 1979

"Few perhaps know this, but a large part of those verses are by Cohen. And they're dedicated to a transgender woman, Valérie Taccarelli: 'I liked dusting, making the beds / Then staying aside / Like a real princess...'.
'Only a poet like Franco could understand Alfredo.'"

Pezzana: « Battiato e le canzoni gay . Così è nata Alexander Platz»- Corriere.it
Basically, you didn’t understand a damn thing.
Bollani imita Battiato
Manifesto Capish...
Gate - The Blurred Tree [Experimental] This type of music, minimalism, is what usually gives me the most pure feeling of music in the most genuine sense of the term. I don’t quite know how to say it... often the mannered programmatic nature and even the slightest hint of effort I find in a work make it feel counterfeit, marred, and false; whereas works like this represent a tiny part of music, but they embody it in such a bare and essential form that it’s like perceiving the entirety at once. Like the crack in a wall, the fissure in a rock (which allows, even if just a little, to see its true interior).
Nesli - La Fine (ufficiale)

a medium masterpiece in its genre.

We await a capish passing by and his (very little questionable) judgment.
Gentlemen Capish, and Sir @[lector], I propose the immediate removal of the mention "Capish Approved" from the "review" of Punisher on Nolan's latest. By the way, who put it there?
Well tuned in to #radiocapish

For "Baroque Mondays: at the court of the Capish King," we present the music contained in a manuscript known as "Concerts A Deux Violes Esgales," which belonged to Alfred Denis Cortôt (1877 – 1962) and is attributed to the master of the viola da gamba par excellence: Jean de Sainte-Colombe (ca. 1640–1700) in a recording made in 1976 by Jordi Savall and Wieland Kuijken for Astrée.

Enjoy listening.

Monsieur de Sainte-Colombe - Wikipedia

Sainte Colombe ‎– Concerts A Deux Violes Esgales, Kuijken, Savall
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“The Baroque Mondays: at the court of the Capish King” takes us back to a specific place and a specific day: Oxford, July 7, 1592. On that day and in that place, composers Giles Farnaby (c. 1563 – 1640) and John Bull (c. 1563 – 1628) were awarded the title of Bachelor of Music. Their mutual influence and friendship is also documented by their style, light and dreamy.
Most of their compositions have been handed down to us through a very important manuscript source of early English Baroque: the “Fitzwilliam Virginal Book,” now preserved at the Fitzwilliam Museum in Cambridge.
Well, today we will listen to some of their compositions preserved in this precious manuscript, performed on the harpsichord by Pieter-Jan Belder (b. 1966).

Enjoy your listening.

Fitzwilliam Virginal Book (Full Album)

Fitzwilliam Virginal Book - Wikipedia
PANDEMONIUM - Tu Fai Schifo Sempre (SANREMO 1979 - Serata Finale - HQ)

because even in the choice of trash, the capish doesn't just take the first random thing.

there's also a dedication ---> @[Stanlio]

XD
Appendix to yesterday's "Baroque Monday": "Flow my tears," the aria from which the variations of "Lachrimae or Seaven Teares" are derived.

Dowland - Flow My Tears

Text:
Flow, my tears, fall from your springs!
Exiled for ever, let me mourn;
Where night's black bird her sad infamy sings,
There let me live forlorn.
Down vain lights, shine you no more!
No nights are dark enough for those
That in despair their lost fortunes deplore.
Light doth but shame disclose.
Never may my woes be relieved,
Since pity is fled;
And tears and sighs and groans my weary days
Of all joys have deprived.
From the highest spire of contentment
My fortune is thrown;
And fear and grief and pain for my deserts
Are my hopes, since hope is gone.
Hark! you shadows that in darkness dwell,
Learn to contemn light
Happy, happy they that in hell
Feel not the world's despite.

Scorrete mie lacrime - Wikipedia
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Tune in to
#radiocapish

for “Baroque Mondays: at the court of the Capish King” today we present the seven pavans that John Dowland (1563 - 1626) published in 1604 under the title Lachrimae or Seaven Teares Figured in Seaven Passionate Pavans, which are written as variations on the theme of "Flow my tears" from four years earlier.
The recording, performed in May 1987 at Santa Maria de Sant Martí Sarroca in Catalonia by Jordi Savall with the ensemble Hesperion XXI (then Hesperion XX), can undoubtedly be regarded as one of the best available.

Enjoy listening.

Pavana - Wikipedia

John Dowland - Wikipedia



Lachrimae Antiquae

Lachrimae Antiquae Novae

Lachrimae Gementes

Lachrimae Tristes

Lachrimae Coactae

Lachrimae Amantis

Lachrimae Verae
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Tune in to #radiocapish for the segment "Baroque Mondays: at the court of the Capish King," where we present a selection of scattered compositions from the first volume of "Intavolatura di Liuto, et di Chitarrone" by the Bolognese Alessandro Piccinini (1566 – 1638), who is said to be the inventor of the archlute or liutone, for which these scores were intended.

Enjoy the listening.

Intavolatura di Liuto, et di Chitarrone, Book 1: Passacaglia
Intavolatura di Liuto, et di Chitarrone, Book 1: Corrente X
Intavolatura di Liuto, et di Chitarrone, Book 1: Toccata IV
Intavolatura di Liuto, et di Chitarrone, Book 1: Toccata II
Cromagnon - Ritual Feast of the Libido maybe the catchiest track on the album
Cromagnon - Ritual Feast of the Libido maybe the catchiest track on the album