Cover of Kraftwerk Tour de France Soundtracks
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For fans of kraftwerk,lovers of electronic music,listeners interested in conceptual albums,readers fascinated by music and technology,enthusiasts of industrial soundscapes
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THE REVIEW

Kraftwerk ergo “How To Build Your Own Automaton”.

Chapter X: From Man to Automaton (and Back).

Closing the circle.

From industry, to its products.

From the perishability of the human to the eternity of its product.

From man to automaton.

How can an automaton rediscover itself as human (discover it was only pretending)?

By listening to its own breath.

By making panting, heartbeat, sweat on the forehead, a repetition.

Playing the same game of eternalization, but eternalizing the human body.

Making synthetic and abstract the analog and concrete: human effort.

Rediscovering effort, in other words, the industry of man.

Nice way to close the circle.

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Summary by Bot

The review contemplates Kraftwerk's 'Tour de France Soundtracks' as a conceptual journey from man to automaton and back. It discusses the album's thematic focus on the contrast between human effort and mechanical repetition. The work is seen as a poetic closure of a cycle between industry and humanity. The reviewer highlights how the synthetic sounds symbolize human physicality and effort, emphasizing the eternalization of the human body through technology.

Tracklist Lyrics Videos

02   Tour de France Étape 1 (04:27)

03   Tour de France Étape 2 (06:41)

04   Tour de France Étape 3 (03:56)

07   Aéro Dynamik (05:04)

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09   Elektro Kardiogramm (05:16)

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11   Régéneration (01:16)

12   Tour de France (05:10)

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Kraftwerk

Kraftwerk are a German electronic music group formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider, known as pioneers of electronic, krautrock and synth‑pop music.
42 Reviews

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By Little

 Ralph, Florian, Fritz, and Henning have produced the album that, for pure electronic music lovers, is simply A MASTERPIECE.

 Certain sounds in the album come from samples of bicycle noises... they are so well embedded in the musical context that they go unnoticed.