I did not quite understand the function of this new wave of indie rock. The problem is that it seems like dealing with "interchangeable" bands. And the Kaiser Chiefs could easily play a Mando Diao or Libertines record without anyone noticing.
The English newspapers and youngsters are crazy about them, yet when listening to "Employment" what stands out are especially, or rather "only," the echoes of the usual Clash, Television, and even a bit of the Smiths and the usual Oasis (listen to them in Na Na Na Na). Modern Way is a beautiful song, as are I Predict A Riot (the stylish kid in the riot?), but they really add nothing to what is the modern rock scene, no innovation at the vocal level, let alone instrumental, with the usual timid attempts to randomly include a bit of electronics, what remains? A listenable album, of course, that you will lend to a friend and not care to get back.
Ah, one last thing, the real anger that would unleash a "riot," where is it? Has it stayed in London Calling?
The best comes with "I Predict A Riot" REALLY VERY BEAUTIFUL and I already think of electing Kaiser Chiefs heroes of the day.
Certainly to be avoided if you’re among those who hate lalalalala.
The Kaiser Chiefs are less interesting than the explanation behind their sudden success.
Our five lads from Leeds still have much to learn if they want to release at least another couple of records before disappearing.
This English band offers an Indie Rock with electronic nuances, which is brilliant and original.
The most rock (and perhaps the best) piece of the entire album.
"Employment turns out to be a nice record, but it’s good to listen to once, twice, maybe thrice... but in the end, it becomes tiring."
"Ricky Wilson, a wacky singer who’s a mix between Damon Albarn and a Robbie Williams under the influence of alcohol, is fun and enjoyable."