Cover di At Folsom Prison / At San Quentin

At Folsom Prison / At San Quentin

Album - 18 february 2006 - DeB Id: 819641
By Johnny Cash
28 Tracks 1 Reviews Definitions Listenings Video 1 Charts
Blues Folk Country

Reviews

Album DeRango™ 15,20

Johnny Cash

At Folsom Prison / At San Quentin ■ vonhesse

 "Cash never talks about violence lightly. He must always live with the remorse for what he’s done and can never shake it off."

 "On January 13, 1968, in front of an audience of two thousand inmates... Cash delivered a stunning performance, one of the best of his career."

 Listen to Johnny Cash’s iconic prison concerts and experience music that transcends bars and time.

⭐
💬 23
6610
📈 4,86
Blues Folk Country
01
02
03
Folsom Prison Blues (02:42)
Johnny Cash • At Folsom Prison / At San Quentin
I hear the train a comin'
it's rolling round the bend
and I ain't seen the sunshine since I don't know when,
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04
05
06
Jackson (02:56)
Johnny Cash • At Folsom Prison / At San Quentin
(Johnny Cash and June Carter)
We got married in a fever, hotter than a pepper sprout,
We've been talkin' 'bout Jackson ...
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07
Give My Love To Rose (02:40)
Johnny Cash • At Folsom Prison / At San Quentin
i found him by the railroad track this mornin'
i could see that he was nearly dead
i nelt down beside him, and i listened
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08
I Got Stripes (01:42)
Johnny Cash • At Folsom Prison / At San Quentin
On A Monday I Was Ar-rested (Uh Huh)
On A Tuesday They Locked Me In The Jail (Oh Boy)
On A Wednesday My Trial Was At-tested
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09
10
Greystone Chapel (05:34)
Johnny Cash • At Folsom Prison / At San Quentin
Inside the walls of prison my body may be,
but my Lord has set my soul free.

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11
12
I Still Miss Someone (01:37)
Johnny Cash • At Folsom Prison / At San Quentin
At my door the leaves are falling
A cold wild wind will come
Sweethearts walk by together
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13
14
15
Orange Blossom Special (03:03)
Johnny Cash • At Folsom Prison / At San Quentin
Look a-yonder comin'
Comin' down that railroad track
Hey, look a-yonder comin'
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16
17
Send A Picture Of Mother (02:10)
Johnny Cash • At Folsom Prison / At San Quentin
After seven years behind these bars together
I'll miss you more than a brother when you go when you go
If only I had not tried to escape
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18
The Wall (01:53)
Johnny Cash • At Folsom Prison / At San Quentin
There's alot of strange men in cellblock ten
But the strangest of em' all
Was a friend of mine who spent his time
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19
20
Folsom Prison Blues (01:28)
Johnny Cash • At Folsom Prison / At San Quentin
I hear the train a comin'
it's rolling round the bend
and I ain't seen the sunshine since I don't know when,
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Your rating:
21
22
I Walk The Line (03:13)
Johnny Cash • At Folsom Prison / At San Quentin
I keep a close watch on this heart of mine
I keep my eyes wide open all the time
I keep the ends out for the tie that binds
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23
Darlin' Companion (06:10)
Johnny Cash • At Folsom Prison / At San Quentin
Darlin' companion, come on and give me understandin'.
And let me be your champion: a hand to hold your pretty hand in.
Darlin' companion, now you know you'll never be abandoned.
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24
Starkville City Jail (02:00)
Johnny Cash • At Folsom Prison / At San Quentin
by Johnny Cash

Well, I left my motel room, down at the Starkville Motel,
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25
San Quentin (04:08)
Johnny Cash • At Folsom Prison / At San Quentin
San Quentin you've living hell to me
You've called at me since 1963
I've seen them come and goa nd I've seen them die
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26
San Quentin (03:08)
Johnny Cash • At Folsom Prison / At San Quentin
San Quentin you've living hell to me
You've called at me since 1963
I've seen them come and goa nd I've seen them die
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27
A Boy Named Sue (03:53)
Johnny Cash • At Folsom Prison / At San Quentin
Well, my daddy left home when I was three,
and he didn't leave much to ma and me,
Just this ole guitar and an empty bottle of booze.
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28

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Johnny Cash

Johnny Cash (1932–2003) was an American singer-songwriter known as the “Man in Black,” celebrated for a deep baritone voice, stark storytelling, and songs about prisoners, outsiders, faith, and redemption. His late-career American Recordings with producer Rick Rubin sparked a major resurgence and introduced him to new audiences through sparse arrangements and transformative covers.
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