Once upon a time, there was a precious artist who sang of images and places of the mind, once upon a time there was an invaluable storyteller, once upon a time there was a minstrel.
Once upon a time there was a betrayed Ungaretti who spoke of defeated generals, once upon a time there was a story that spoke of war, once upon a time there were children of mothers no longer with children.
Once upon a time there was a metropolitan dream, once upon a time there was the fairy-tale gaze of a singer-songwriter, once upon a time there were stories of gypsies, of lost lovers, of distant Christmases.
Once upon a time there was a sad snapshot of the present, there once were bells with a lugubrious sound, there once were overflowing prisons, there once were summary executions, once upon a time there was pain.
Once upon a time there was someone who, before making the '68, had made the '56, it was the Christmas when tank photographs were glued onto pieces of cardboard, once upon a time there was the taste of memory, once upon a time.
Once upon a time there was De Gregori, now he is no more.
It is the album with which Francesco definitively takes flight in his own artistic sky, leaving misunderstandings and misinterpretations of his work behind forever.
"Due Zingari" deserves a deeper analysis. It is one of Francesco’s most 'cinematic' tracks, a close-up of the protagonists telling their story...