With Then Comes The Sun, Elisa finally establishes herself on the national scene, showcasing her artistic maturity to everyone. She presents an introspective and sophisticated album, a sort of diary where numerous experiences find their place.
Elisa is not afraid of being misunderstood, she is not afraid of breaking conventions by composing songs that are too short. What matters to her is writing about herself. Melancholic thoughts (Dancing, a wonderful soundtrack from the film A Time For Dancing), intimate desires (Fairy Girl), moments of disorientation (A Little Over Zero, already present in another version in Asile's World), but also rhythm (Fever and Time) and positivity (Heaven Out Of Hell).
There isn't a single flaw in this record, there isn't a single ill-chosen track, there isn't a single word out of place.
Overall, a melancholic album, but crossed by the certainty that after... after comes the sun. Ten.
Then comes the sun… a declaration of a poetics, of a way to react to the world and the darkness of life.
No matter how much rain there may be in our lives, there will come a moment when the sun arrives, a moment when we will be winners, morally.
Then Comes The Sun implies continuity, in the sense that life, one day, even without us, will continue to go on.
You can hear the music with no sounds, you can heal my heart without me knowing.
"Then Comes the Sun is a more than pleasant album, to be listened to with attention but also to be lived."
"Dancing is a piece of great impact where Elisa’s purely feminine sensitivity bursts out completely."