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DeRank ™: 9,02 • DeAge™ : 7057 days
He is a magnificent clone of Paul Rodgers, making the "phase 3" of Bad Company quite similar to "phase 1". Mick Ralphs is to be appreciated for what he does NOT play, meaning the effectiveness of his playing lies in its essentiality, taste, and clarity of ideas.
He is a magnificent clone of Paul Rodgers, making the "phase 3" of Bad Company quite similar to "phase 1".
Mick Ralphs is to be appreciated for what he does NOT play, meaning the effectiveness of his playing lies in its essentiality, taste, and clarity of ideas.
This review highlights the third phase of Bad Company's career featuring Robert Hart, a vocalist reminiscent of Paul Rodgers. The album 'Company Of Strangers' blends classic rock blues with a touch of pop, led by Mick Ralphs' tasteful guitar work. The reviewer praises the balanced, mature sound and standout rock tracks. Overall, it is a well-crafted album that honors the band's legacy while offering fresh energy. Discover the timeless rock blues energy of Bad Company’s 'Company Of Strangers'—listen now and experience classic vibes with fresh passion!
Saga is the typical keyboard-based-but-with-a-great-guitar-player group. I find it hard to frame them within well-known parameters... it’s just that they are very unique! Listen to believe.
Saga is the typical keyboard-based-but-with-a-great-guitar-player group.
I find it hard to frame them within well-known parameters... it’s just that they are very unique! Listen to believe.
Saga's 'Trust' album defies typical expectations with its mature, refined blend of AOR, progressive, and pop rock. Known for stellar guitar-keyboard duets and a distinct Canadian sound, Saga balances skillful musicianship without excess. Despite limited recognition in some countries, their seasoned performances and unique style make them a cult favorite, especially in Europe. 'Trust' is highly recommended for those willing to explore beyond mainstream rock. Discover Saga's distinctive blend of rock by listening to 'Trust'—an album for fans of skilled guitar-keyboard interplay and timeless melody!
Octavarium has a crescendo and a final apotheosis that blows my mind. It’s like the top student who, when questioned, parrot-like recites the books... I’d give him just a passing grade.
Octavarium has a crescendo and a final apotheosis that blows my mind.
It’s like the top student who, when questioned, parrot-like recites the books... I’d give him just a passing grade.
The review presents a balanced discussion on Dream Theater's Octavarium suite, highlighting its melodic diversity and technical mastery. It praises the suite's structure and emotional crescendo but notes its derivative aspects, drawing comparisons with classic prog rock bands. The vocal performance of James LaBrie sparks debate over suitability for metal. Overall, the review admires the band's effort but ends with mixed feelings about the album's creative originality. Discover the legendary Octavarium suite—listen now and decide if it’s Dream Theater’s finest work or a prog-rock homage!
A free and honest spirit, an instinctive and talented musician like no other, this drummer/vibraphonist/pianist is... among the best guitarists one could have the pleasure of listening to and admiring. Four short minutes of fire that are worth the album.
A free and honest spirit, an instinctive and talented musician like no other, this drummer/vibraphonist/pianist is... among the best guitarists one could have the pleasure of listening to and admiring.
Four short minutes of fire that are worth the album.
This review celebrates Patto's 1972 album 'Roll'em Smoke'em Put Another Line Out' as a masterful blend of rock, jazz, funk, and blues. Ollie Halsall's inventive guitar and piano work stands out as uniquely free-spirited and expressive. The album balances playful humor with intense musical performances, highlighted by the powerful track 'Loud Green Song.' Overall, it's praised as a rare and timeless musical experience within the progressive rock era. Explore Patto's unique fusion of rock, jazz, and funk—listen now and experience Ollie Halsall's legendary musicianship!
"Better consider it for what it is, a Greatest Hits, which has many holes as masterpieces like 'A Day In The Life'... are missing." "'We Can Work It Out' is an immortal song, never tires, a shining example of McCartney’s melodic genius and Lennon’s rhythmic ease."
"Better consider it for what it is, a Greatest Hits, which has many holes as masterpieces like 'A Day In The Life'... are missing."
"'We Can Work It Out' is an immortal song, never tires, a shining example of McCartney’s melodic genius and Lennon’s rhythmic ease."
The review considers 'One' as a Greatest Hits collection rather than a complete singles compilation due to notable omissions. It provides a detailed track-by-track evaluation, pointing out strengths and some weaknesses. The review appreciates Beatles classics, highlighting songwriting credits and historical context. Some songs are praised as masterpieces while others are seen as less essential. Overall, it suggests fans view the album as a curated selection with some gaps. Discover the highlights and missing gems of The Beatles' 'One'—explore the legacy and listen to the timeless hits today!
Jeff Scott Soto starts 'Skin On Skin' with three shouts that would make James Brown pale! Marcel Jacob maintains a 'knotted' and hypermelodic sound, a more tireless and creative Billy Sheehan.
Jeff Scott Soto starts 'Skin On Skin' with three shouts that would make James Brown pale!
Marcel Jacob maintains a 'knotted' and hypermelodic sound, a more tireless and creative Billy Sheehan.
Talisman's 2003 album Cats & Dogs offers a vibrant and energetic take on melodic AOR rock. Jeff Scott Soto delivers powerful vocals with remarkable vitality. Marcel Jacob’s inventive bass playing sets the group apart. Guitarist Fredrik Akesson contributes tasteful solos and impressive duels. The album is a fresh, gutsy homage to 1980s melodic rock without any ballads. Listen to Talisman's Cats & Dogs now and experience the power of Swedish melodic rock at its best!
If you grant it your mind and intellect, Gentle Giant will give you, oh how they will give you! The polyphonic chases resolve into a lullaby interpreted by Minnear alone, stuff to see the gnomes come out of the fireplace...
If you grant it your mind and intellect, Gentle Giant will give you, oh how they will give you!
The polyphonic chases resolve into a lullaby interpreted by Minnear alone, stuff to see the gnomes come out of the fireplace...
This detailed review praises Gentle Giant's 1975 album Free Hand for its musical virtuosity and complex rhythmic structures. Highlighting Kerry Minnear's keyboard skills and the band's four-part harmonies, the reviewer recommends Free Hand as an accessible entry point into the band's intricate prog rock catalog. The album requires focused listening but rewards with rich, multi-layered sound. Dive into Gentle Giant's Free Hand and experience prog rock brilliance—listen closely and discover every intricate detail.
The more than ten minutes of 'The Darkest Hour' can be considered the 'Musical Box' of IQ. Nicholls possesses a great progressive voice, precisely for how he can instantly evoke fabulous and twilight atmospheres.
The more than ten minutes of 'The Darkest Hour' can be considered the 'Musical Box' of IQ.
Nicholls possesses a great progressive voice, precisely for how he can instantly evoke fabulous and twilight atmospheres.
IQ's album Ever showcases their romantic progressive rock style, drawing inevitable comparisons to Genesis. The vocal style of Peter Nicholls blends emotional expressiveness with a unique tone. Instrumental performances, especially from Paul Cook, Mike Holmes, and Martin Orford, highlight intricate melodic and rhythmic craftsmanship. Tracks like 'The Darkest Hour' and 'Further Away' exemplify the album's high level of compositional sophistication. Overall, Ever is a well-crafted and engaging tribute to classic progressive rock. Explore IQ's Ever for a timeless journey through romantic and melodic progressive rock—listen now!
A song is a good song, and it isn’t necessarily so because it smells new. If you miss Bonzo and want a very plausible living substitute, the drummer of Thunder is the right man.
A song is a good song, and it isn’t necessarily so because it smells new.
If you miss Bonzo and want a very plausible living substitute, the drummer of Thunder is the right man.
Thunder's 1992 album 'Laughing On Judgement Day' delivers passionate, well-crafted 70s-style rock blues. Although not original, the songwriting is strong and the performances are powerful. The review highlights standout band members like vocalist Danny Bowes and drummer Gary James. The album appeals to rock fans who appreciate authentic musicianship over trends. Overall, it’s praised for its cohesive energy and classic sound. Listen to Thunder's 'Laughing On Judgement Day' for an authentic rock experience steeped in 70s blues energy!
Ty Tabor manages first of all to have god-like sounds, the best around, especially the rhythmic ones. Doug Pinnick has a very soulful and evocative voice, perfectly contrasting with those of the other two.
Ty Tabor manages first of all to have god-like sounds, the best around, especially the rhythmic ones.
Doug Pinnick has a very soulful and evocative voice, perfectly contrasting with those of the other two.
King’s X’s fourth album stands out for its unique blend of grunge, psychedelia, progressive rock, and Beatles influences. The band members—Ty Tabor, Jerry Gaskill, and Doug Pinnick—show remarkable instrumental skills and vocal interplay. The review highlights specific tracks like “Prisoner,” “The Big Picture,” and “Dream In My Life” as key listens. Despite limited mainstream fame, the band is revered among progressive and metal virtuosos. This album offers a complex but accessible experience for fans of intricate rock music. Listen to King’s X’s unique sound—explore their iconic blend of progressive rock and soulful vocals today!
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