Hellring

 Orchid know what they’re doing, and despite the Sabbathian recycling, they manage to pull out compelling, varied, and rotten enough tracks.

 "Capricorn" is one of the best "revival doom" works of recent years.

Orchid’s debut album Capricorn honors classic 70s doom metal with a modern polish. Strong Sabbath influences blend with fresh vocal interpretation and varied track quality. Though it stays rooted in tradition, its compelling execution makes it a standout revival album in the genre. Highlights include the powerful 'Eyes Behind The Wall' and the psychedelic ballad 'Albatross.' Discover Orchid’s Capricorn for a powerful journey into vintage doom metal with a fresh voice—listen now and feel the classic revival!

 The platter in question is a classic doom metal CD, halfway between the early Candlemass, the rawness of some stoner bands, and the magical influence of the Reverend.

 Overall, a sufficient work, but compared to 'Fear no pain,' it’s a step back.

Signs of Osiris by Lord Vicar continues the band's doom metal legacy but doesn’t quite reach the quality of their debut Fear No Pain. The album recycles riffs and features a less inspired vocal performance. However, the final two tracks stand out with melancholic and dynamic arrangements, offering a glimpse of the band's potential. Explore Lord Vicar's Signs of Osiris and decide if this doom metal journey lives up to its legacy.

 Losing a job is the great fear of recent years.

 A world of self-pity.

The Company Men, John Wells' first feature film, tackles the difficult theme of job loss during economic downturns. The film follows three men forced to reinvent their lives after layoffs, exploring fear, shame, and social identity tied to work. While it benefits from Wells' TV experience in structure and pacing, some scenes feel superficially handled. Overall, it offers a reflective but accessible drama with a pessimistic undertone. Discover the poignant story of career loss and resilience in John Wells' The Company Men—watch and reflect on today's economic realities.

 It’s hard to find in their offering a message even just 'thematic' that is deeper than mere musical entertainment.

 ‘Thieving from the House of God’ is the classic 'intermediate' CD of a band: it serves somewhat as a vehicle to try something else after having expressed themselves through a well-codified genre.

The review of Orange Goblin's 2004 album 'Thieving from the House of God' acknowledges the band's characteristic stoner rock and hard rock blend with clear Kyuss influences. While praised for energy and standout tracks like 'Some You Win, Some You Lose,' the album suffers from less inspired rock tracks, over-dominant vocals, and production issues. Overall, it's seen as an acceptable but minor work in the band's career, reflecting an experimental phase. Discover the raw energy and classic stoner vibes of Orange Goblin’s 'Thieving from the House of God'—stream the album now!

 The plot is one that’s been seen dozens and dozens of times, and in better forms.

 All this makes The Ward a poorly realized work, even considered a failure for a cinema man like John Carpenter.

John Carpenter, known for iconic horror films, returns after a decade with The Ward. Despite anticipation, the film suffers from an unoriginal and cliché plot. While atmospherically strong with some standout scenes, the movie overall is flat and fails to capture Carpenter's distinctive touch. The cast performances are unremarkable, and the script is dull, making The Ward a disappointing effort from the horror master. Discover why John Carpenter's The Ward didn't live up to expectations—read the full review and explore his legendary filmography!

 "Poe's sharp and 'acid' writing transforms in Ahab's world into melancholic and funereal digressions of vague psych inspiration."

 "'The Giant' departs from previous works, seeking new space in adoom metal that winks at the acid psychedelia of the seventies."

Ahab's third album, 'The Giant', deepens the band's nautical and abyssal themes with a melancholic, psychedelic funeral doom approach inspired by Edgar Allan Poe. Blending epic, atmospheric doom with progressive influences, the album shows evolution from previous works. While some passages may feel stretched, it remains an intriguing and successful effort worth exploring. The review highlights the softer yet pressing aspects of the music, offering a fresh take within the genre. Dive into Ahab's 'The Giant' and experience a fresh, melancholic take on nautik funeral doom inspired by Poe's dark tales.

 The proposition clearly refers to other bands, but at least in its essential features, it presents a certain personality that allows 'Second World' to avoid the trap of the 'already heard.'

 It matters little to catalog it as doom, gothic, prog, or metal in the strict sense: The Foreshadowing have composed a valid, heartfelt CD with interesting solutions.

‘Second World’ by The Foreshadowing is a gothic metal album from Italy with doom and progressive influences. It delivers a moody atmosphere and strong vocal performances. Despite some overly mannered moments, the album maintains a personal touch that prevents it from feeling clichéd. Highlights include 'Havoc' and 'Outcast.' It's a solid and heartfelt work that contributes valuably to the niche Italian metal scene. Discover the dark and atmospheric sounds of The Foreshadowing's 'Second World'—stream the album and experience Italian gothic metal at its best.

 "Mantra III presents itself as the last truly heavy CD of the SB"

 "Absolutely recommended for its long string of well-chosen riffs and lost rock energy."

Mantra III marks a pivotal moment for Spiritual Beggars as they cement their place in the stoner rock genre. Originating from Sweden, with clear influences from Californian stoner and 70s hard rock legends, this album stands out for its heavy sound and vintage riffs. Though not a groundbreaking masterpiece, it showcases the band’s raw energy and strong songwriting. This album represents the last phase of their heavier, classic stoner rock style before evolving in later releases. Dive into the powerful riffs and vintage stoner vibes of Spiritual Beggars' Mantra III. Listen now and experience a classic heavy rock journey!

 What matters to Clooney is showing us how it is not the 'institutionalized' political world that is corrupt, but already the environments at its base.

 Backstabbing, a recurring practice already known throughout history...

The Ides of March, directed by George Clooney, depicts the dark, corrupt side of politics through an election campaign drama. The film features a strong ensemble cast led by Ryan Gosling, though Clooney's own role is less convincing. Despite some pacing and development flaws, the film succeeds in showing how political corruption starts at grassroots levels. It avoids preachiness and offers a nuanced view of backstabbing within politics. Discover the dark truths of political ambition in The Ides of March—watch and explore this gripping thriller today!

 Krux's style is an epic doom, but never gaudy: the iconic expression of this style ... is well represented in 'Omfalos.'

 A niche product that should be rediscovered.

Krux's 2002 debut album offers a high-quality, classic doom metal experience deeply rooted in the legacy of Candlemass. Featuring key members like Leif Edling and Mats Levén, the album blends epic doom with 80s heavy metal influences. Standout tracks include 'Omfalos' and the Cold War-themed 'Lunochod.' While echoing Candlemass, Krux establishes its own mature identity in the doom scene. Dive into Krux's classic debut and rediscover the power of epic Scandinavian doom metal today!