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DeRank ™: 20,49 • DeAge™ : 6990 days
"The guitars once again manage to triumph over everything, clearing out everything that the Italian boot has given us in the past year." "This work erases everything you thought about Italian music, completely erasing Lucio (Battisti), Gigi d’Alessio, and gives us an album of rare beauty."
"The guitars once again manage to triumph over everything, clearing out everything that the Italian boot has given us in the past year."
"This work erases everything you thought about Italian music, completely erasing Lucio (Battisti), Gigi d’Alessio, and gives us an album of rare beauty."
This review celebrates Giorgio Canali e Rossofuoco's 2009 album 'Nostra Signora della Dinamite' as a revitalizing work in Italian rock. It highlights the album's raw guitar energy and its role in challenging the contemporary Italian music scene. The review contrasts this album with other popular Italian artists and notes its timely release alongside Canali's former group's latest work. It praises the album for reinstating a needed sense of vitality and artistic challenge. Listen to Giorgio Canali e Rossofuoco’s 'Nostra Signora della Dinamite' and rediscover raw Italian rock energy!
As if time had stopped at the sunset of the sixties. Ginsberg and Lennon now have their Italian counterpart.
As if time had stopped at the sunset of the sixties.
Ginsberg and Lennon now have their Italian counterpart.
Fausto Rossi's 'Becoming Visible' is an evocative acoustic album that channels the spirit of the 1960s with intimate and rhythm-light arrangements. Breaking away from his more rhythmic mid-eighties sound, Rossi embraces a nostalgic and poetic style. The reviewer highlights the track 'Foolish Thing' as a standout and notes the album’s unique blend of past eras and modern introspection. The work is subtly provocative and showcases Rossi's artistic evolution. Listen to Fausto Rossi's 'Becoming Visible' and experience a heartfelt acoustic journey through time.
I open my eyes and around me I see only monsters, monsters everywhere I go, always and only monsters. Silence will save us!
I open my eyes and around me I see only monsters, monsters everywhere I go, always and only monsters.
Silence will save us!
This review captures the intense emotional and existential turmoil portrayed in Kafka’s Metamorphosis. It highlights themes of loneliness, monstrous transformation, and the struggle for meaning. Using poetic language inspired by Fausto Rossi’s song 'Exit,' it evokes vivid imagery of inner chaos and alienation. The reviewer admires the depth of the narrative and its evocative power. Discover the haunting depths of Kafka’s Metamorphosis—read this evocative review and experience the emotional journey!
"The evening will be as black as the end of the world, at night only crickets or thunder will be heard." "The splendid version sung by Alice back in 1992, was truly needed these days."
"The evening will be as black as the end of the world, at night only crickets or thunder will be heard."
"The splendid version sung by Alice back in 1992, was truly needed these days."
Pier Paolo Pasolini's 'La Recessione' poetically depicts a bleak vision of societal decline with vivid imagery of lost youth and fading industrial life. The review highlights the evocative lyrics describing empty villages, crumbling factories, and uncertain futures. Alice's 1992 musical version is praised for reviving the song's emotional and social depth, making it especially relevant today. The work serves as both a nostalgic reflection and a profound social commentary. This timeless piece resonates through its haunting and lyrical power. Listen to Alice's haunting 1992 rendition of 'La Recessione' and experience Pasolini's powerful poetic vision of decline.
Gino D'Eliso proposes a new path for the Italian singer-songwriter school, although few had the courage to follow him. Listening to this work again after more than thirty years can’t help but make us smile and feel embarrassed when thinking about what dominated the Italian charts in that year.
Gino D'Eliso proposes a new path for the Italian singer-songwriter school, although few had the courage to follow him.
Listening to this work again after more than thirty years can’t help but make us smile and feel embarrassed when thinking about what dominated the Italian charts in that year.
Gino D'Eliso's 1977 album 'Ti Ricordi Vienna?' stands out for its unique fusion of Central European and Mediterranean musical styles. Ahead of his time, D'Eliso offered an alternative path for Italian singer-songwriters, combining unusual rhythms with evocative lyrics. Though largely overlooked during its release, the album reflects the struggles of artists against the commercial music industry. This review highlights D'Eliso's lasting impact and artistic courage. Explore Gino D'Eliso's pioneering sound and uncover a hidden gem of Italian music history today!
Jingle Jungle is already very clear and leaves no room for doubt these are master musicians. The master musicians increasingly resemble a congregation of old drunken friends, enjoying recording and improvising as if nothing is forbidden.
Jingle Jungle is already very clear and leaves no room for doubt these are master musicians.
The master musicians increasingly resemble a congregation of old drunken friends, enjoying recording and improvising as if nothing is forbidden.
La 1919's Giorni Felici is a complex and intriguing album blending jazz, progressive rock, and acoustic experimentation. The musicianship is exceptional, with frenetic rhythms and inventive improvisation. The inclusion of two poetic pieces adds emotional depth. This instrumental work challenges listeners with its unusual sounds and artistic freedom, offering a unique musical experience. Dive into Giorni Felici to experience La 1919's inventive fusion of jazz, rock, and poetic expression—stream or read the full review now!
"On stage like a castrated donkey now I bray, in the great circus of melody," "Because it is truly horrible to accept nothing."
"On stage like a castrated donkey now I bray, in the great circus of melody,"
"Because it is truly horrible to accept nothing."
Alberto Fortis’ second album 'Tra Demonio e Santità' explores the duality of good and evil with intricate, thought-provoking lyrics. The album challenges listeners beyond the radio-friendly hits of the time, offering deep reflections and emotional complexity. It is considered a mature, poetic work often overlooked because of Fortis’ outsider status in Italian pop music. The album was finally re-released on CD in 2008, adding to its cult appeal. Discover the depth of Alberto Fortis’ 'Tra Demonio e Santità'—listen to this poetic and provocative classic today!
Waking up in the morning and disgusted with being still alive, well-fed, with all limbs in their place. It’s too easy to deceive oneself that the war has remained 'on the other radio,' that we are all exempt from it; we are all involved.
Waking up in the morning and disgusted with being still alive, well-fed, with all limbs in their place.
It’s too easy to deceive oneself that the war has remained 'on the other radio,' that we are all exempt from it; we are all involved.
The review reflects on Mohsen Makhmalbaf's Journey to Kandahar, focusing on the emotional turmoil of Nafas, an Afghan woman risking everything to save her disabled sister. It highlights the painful reminder of war's reality and the disconnect felt by those in peaceful societies. The reviewer expresses deep empathy and the moral responsibility to stay informed and connected to global suffering. Discover the heartfelt story of resilience in Journey to Kandahar. Watch and reflect on the human cost of war.
"The owls you carry on your shoulder eat your eyes and you can't send them away." "The poets masturbate with their memories... if we were alive poets."
"The owls you carry on your shoulder eat your eyes and you can't send them away."
"The poets masturbate with their memories... if we were alive poets."
This review dives into Roberto Vecchioni's 1975 album 'Ipertensione,' highlighting its poetic and introspective songwriting. It explores key tracks like 'Irene' and 'Canzone per Laura,' emphasizing themes of love, family tension, and disillusionment. The text blends literary references and personal storytelling, illustrating Vecchioni's unique place among Italian singer-songwriters. Although not fully enthusiastic about Vecchioni's newer works, the review appreciates the depth of this early classic. Discover the poetic depth of Roberto Vecchioni's 'Ipertensione'—listen now to a classic of Italian singer-songwriter music!
"Absence of rhythm, endless and deafening chirping, clattering trains, loops that overwhelm and resurrect." "An electronic work in six movements that touches the dreamlike strings of each of us, dreamed and dreamy moments that at the end of the music push the repeat button."
"Absence of rhythm, endless and deafening chirping, clattering trains, loops that overwhelm and resurrect."
"An electronic work in six movements that touches the dreamlike strings of each of us, dreamed and dreamy moments that at the end of the music push the repeat button."
Joyello’s album (copy)(stop) presents a daring exploration of concrete music through six movements of experimental electronic and ambient sounds. The album defies traditional musical notation and classical rhythm, immersing listeners in a unique soundscape. With roots in Verona and a punk background, Joyello’s work recalls the avant-garde spirit of Faust. Strongly recommended with quality audio equipment for an immersive experience. Dive into Joyello’s (copy)(stop) and experience a groundbreaking journey in experimental electronic music today!
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