panurge

 Igorrr comfortably qualifies as a genius in what he does, shoving genres like extreme metal, IDM, trip hop, baroque music... into a giant blender.

 'ieuD' is a piece of exquisite super-apocalyptic post-baroque metal featuring harpsichord, blast beats, and extraordinary voices.

Igorrr’s album Savage Sinusoid is a brilliant example of musical syncretism, skillfully blending extreme metal, baroque, electronic, and world music influences. The review praises Gautier Serre’s ability to merge disparate styles into a coherent and striking artistic statement. Standout tracks like 'ieuD' and 'Cheval' showcase the album's diversity and technical mastery. Despite its complexity, the album remains accessible and artistically coherent. Overall, Savage Sinusoid reinforces Igorrr's position as an innovative and iconoclastic musician. Dive into Igorrr's Savange Sinusoid and experience a wild, genre-defying musical journey today!

 Final Fantasy VII is a story disguised as a video game.

 There are clear reasons why, even now, to reach climax I need to have my Buster Sword model wedged between my buttocks and yell 'ultimaaaa!' as I’m about to finish.

This review offers a humorous and candid take on Final Fantasy VII, acknowledging its classic status and enjoyable gameplay while poking fun at its plot and fan culture. It praises the graphics and Nobuo Uematsu's soundtrack but notes some limitations in interactivity. The review blends affection with irony toward the game's legacy. Dive into the iconic world of Final Fantasy VII and discover why it remains a beloved classic with quirks worth exploring!

 Once you’ve heard a verse, a bridge, and a chorus, what does it matter to hear them three more times?

 Stylistically, it must be said, they sound like Slint a bit more cheerful.

Heavy Vegetable's album Frisbie is an experimental indie record distinguished by quirky rhythms and punk-inspired short songs. The band showcases skillful use of odd time signatures without sacrificing groove. The review highlights playful comparisons and dry humor while appreciating the precise instrumentation and unconventional structure that make Frisbie a unique listen. Dive into Heavy Vegetable's Frisbie to experience a fresh take on indie experimental sound—listen now and discover its clever rhythms and textures!

 This album is really nice, full of pieces with music inside.

 Our generation needs new evaluative mechanics, new systems of categories!

The review clarifies that this album is by a different band named Him, led by Doug Scharin, known for blending post-rock with jazz, dub, and fusion elements. It touches on the critique of contemporary indie music and praises the album's varied instrumentation and thoughtful compositions. While not destined to become a classic, it's appreciated for its musical substance and complexity. Explore Him's 'Peoples' for a fresh, genre-blending post-rock journey that challenges musical boundaries.

 Art is born from limitations, and now there are those who try to recreate the sound of classic games using 8-bit synthesizers.

 'Troian Beauty' is the best piece of the album—it does not distort the original and retains all its class.

This review reflects on the evolution of video game music as an art form, focusing on the Celtic Moon album—a Celtic rearrangement of Nobuo Uematsu's Final Fantasy IV soundtrack. Highlighting the skillful arrangements by Maire Breatnach, it praises standout tracks such as 'The Prelude' and 'Troian Beauty,' while acknowledging minor shortcomings. Ultimately, the album is deemed a successful and rich reinterpretation of classic gaming melodies. Discover this exquisite Celtic take on Final Fantasy IV’s beloved soundtrack—listen and experience the magic of gaming music reimagined!

 The voice is very vibrant, high falsetto, effeminate shriek...

 The ukulele is a nice instrument, four little strings on a tiny disproportionate structure, humorously and asymmetrically tuned...

This review highlights Tiny Tim's vibrant falsetto and distinctive ukulele playing in the album 'God Bless Tiny Tim.' It reflects on the album's niche appeal, suggesting listeners may quickly turn it off due to its eccentric style. The tone is ironic, appreciating the unique character of the music while acknowledging its divisive nature. Ultimately, the album offers a humorous and unusual listening experience. Discover Tiny Tim’s quirky charm—listen to 'God Bless Tiny Tim' and experience a one-of-a-kind musical journey!

 Every song on this album is terribly well-written and delightfully pleasing to the ear.

 "Meet Me On The Corner" opens the record and is a super moody harmonica-supported song.

Lindisfarne's 1971 album Fog On The Tyne achieved chart success but was later forgotten by many listeners. The review highlights the well-written, pleasing folk-pop songs that cover many subgenres. Tracks like 'Meet Me On The Corner' and 'No Time To Lose' showcase charming instrumentation and regional themes. Despite folk music's familiarity, this album stands out for its quality and diversity within the genre. Listen to Lindisfarne's Fog On The Tyne and rediscover a timeless folk-pop gem!

 The extreme intricacy that characterizes the music contained in the album... does NOT compromise the noble and animalistic nature of Music.

 One realizes that the song... rocks. It rocks differently from everything we’ve heard rock before it.

Gentle Giant's Octopus is praised for its intricate yet accessible music, balancing complex rhythms and melodies with genuine emotional power. The reviewer highlights standout tracks like "The Boys in The Band," "The Advent Of Panurge," and "Raconteur Troubadour" as key reasons to explore this progressive rock gem. Despite its complexity, the album maintains an animalistic, soulful essence that sets it apart from overly cerebral prog. It's recognized as a timeless classic deserving more appreciation. Dive into Gentle Giant's Octopus and experience a masterful blend of complexity and soul in progressive rock!

 This work stands out as one of the most interesting purchases for fans of a triangular-shaped genre defined by Múm, Boards of Canada, Dntel.

 The cult of the strange little noise is always subordinate to the real music, and all forces seem directed towards the purest pleasure.

This review praises Nathan Fake’s debut album as a compelling contribution to the electronic genre, particularly for fans of artists like Boards of Canada and Múm. It highlights the album’s thoughtful use of harmonic loops, arpeggios, and balanced drum patterns. Some interludes receive mild criticism, but overall, the album delivers pure musical pleasure and subtle complexities. Notable tracks include "Charlie’s House," "Long Sunny," and "Fell." Discover Nathan Fake’s unique soundscape—listen to Drowning In A Sea Of Love now!

 The musical genre that said band adopts is difficult to define, if one wants to avoid falling into mile-long hyphenated neologisms.

 'Slow Slow Slow'... already on the first listen imposes itself as the most catchy and inviting song.

HiM's album 'Many In High Places Are Not Well' is a captivating fusion of dub, jazz, krautrock, and experimental sounds. The review highlights the central role of rhythm and inventive instrumentation, praising tracks like 'Elementals' and 'Slow Slow Slow' for their hypnotic, polyrhythmic structures. The album appeals to listeners who appreciate cerebral and intricate music blends. Dive into HiM's intricate fusion soundscapes—listen to 'Many In High Places Are Not Well' and experience experimental jazz redefined.