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DeRank ™: 0,10 • DeAge™ : 7046 days
LaBrie sings in a 'metal' manner, perhaps because he has a vocal tone similar to that of good old Bruce Dickinson. "Hallowed Be Thy Name" is evocative, and the perfect execution of the tracks continues throughout the album.
LaBrie sings in a 'metal' manner, perhaps because he has a vocal tone similar to that of good old Bruce Dickinson.
"Hallowed Be Thy Name" is evocative, and the perfect execution of the tracks continues throughout the album.
Dream Theater delivers a compelling tribute to Iron Maiden’s The Number of the Beast, improving over their previous cover album. LaBrie's vocals fit the metal style well, with Rudess adding tasteful keyboard touches. The band’s execution is excellent throughout, creating a fresh and powerful version of this classic. Only minor vocal issues appear on "Run To The Hills." Overall, the reinterpretation respects and revitalizes the iconic album. Listen to Dream Theater’s fresh take on Iron Maiden’s classic and experience a thrilling metal tribute!
Mike Portnoy, John Petrucci, and John Myung... are the ones who hold firm during the concert and the only ones who make it enjoyable. LaBrie's voice... besides being really out of place and not aggressive enough for such a record, also struggles profoundly, sometimes going off-key.
Mike Portnoy, John Petrucci, and John Myung... are the ones who hold firm during the concert and the only ones who make it enjoyable.
LaBrie's voice... besides being really out of place and not aggressive enough for such a record, also struggles profoundly, sometimes going off-key.
Dream Theater's cover of Metallica's Master of Puppets is a mixed effort. Instrumentally, the original members shine with precision and skill, especially in guitar and drums. However, LaBrie's vocals and Rudess's keyboard parts clash with the aggressive tone needed, making much of the performance less enjoyable. While some instrumental sections stand out, the overall cover fails to capture the power of the original. Listen to Dream Theater's Master of Puppets cover and decide if the legendary band lived up to the challenge.
You might notice it from the opener "Crucify" which seems entirely like the intro of "A Change of Seasons." Marco Sfogli is also a rather sore point in the entire work: technically impeccable but truly useless from a creative standpoint.
You might notice it from the opener "Crucify" which seems entirely like the intro of "A Change of Seasons."
Marco Sfogli is also a rather sore point in the entire work: technically impeccable but truly useless from a creative standpoint.
This review critically examines James LaBrie's Elements Of Persuasion album, noting its strong Dream Theater similarities and heavy nu-metal influences. While the musicianship and vocals are praised, the album is faulted for lacking originality, with uncreative solos and overused electronic elements. Some quieter tracks stand out positively, but overall the album is a disappointment given its potential. Explore James LaBrie’s Elements Of Persuasion and decide if its prog metal style speaks to you!
The album is neither heavy nor hard rock: it’s simply a great rock, excellently played. Eric Martin has a truly beautiful voice, and despite being standard rock, there is also room for the virtuosity of Gilbert and Sheehan, who shine.
The album is neither heavy nor hard rock: it’s simply a great rock, excellently played.
Eric Martin has a truly beautiful voice, and despite being standard rock, there is also room for the virtuosity of Gilbert and Sheehan, who shine.
The review highlights Mr. Big's 1991 album 'Lean Into It' as a superb rock record that surpasses many of their contemporaries. It praises the mix of memorable tracks, the balance of rock styles, and the exceptional musicianship of the band, especially Gilbert and Sheehan. Although 'To Be With You' is the band's most famous hit, the album contains several standout songs that showcase their range and skill. The reviewer warmly recommends this album to fans of straightforward, well-played rock music. Listen to 'Lean Into It' and experience a classic 90s rock album rich with hits and virtuoso musicianship!
This Live in Denver represents the apex of the spectacle that can be given with a guitar. The jam is the most beautiful thing I have ever seen done by three guitarists simultaneously.
This Live in Denver represents the apex of the spectacle that can be given with a guitar.
The jam is the most beautiful thing I have ever seen done by three guitarists simultaneously.
G3 Live in Denver captures a peak guitar performance featuring Satriani, Vai, and Malmsteen. Each artist brings distinctive style and energy, from Satriani’s melodic calm to Vai’s versatility and Malmsteen’s fiery showmanship. The highlight is an extraordinary jam session showcasing their combined talents. This DVD is praised as the ultimate celebration of guitar mastery, eclipsing other G3 releases. Watch G3 Live in Denver and witness guitar legends unleash spectacular mastery and energy on stage!
Few bands play worse than they do. Confusion, distraction; that’s what you’ll find in this double live album.
Few bands play worse than they do.
Confusion, distraction; that’s what you’ll find in this double live album.
This review critically examines Slipknot's 9.0 Live album, pointing out significant confusion and weak musicianship during the live performance. Despite good production and decent song material, the band struggles on stage, especially vocally and instrumentally. The drum solo is a rare highlight, but overall the performance fails to impress. Recommended only for hardcore fans who accept every release. Discover the truth behind Slipknot’s 9.0 Live – listen now and judge for yourself!
Dani screams, moves, rages with the band that offers an excellent performance. This concert is a sort of overview of the past glory of the vampires in question.
Dani screams, moves, rages with the band that offers an excellent performance.
This concert is a sort of overview of the past glory of the vampires in question.
The DVD captures Cradle of Filth's intense live show in Paris, mixing music and theatricality. Despite mixed reactions to the Nymphetamine album, the performance highlights the band's enduring appeal and showmanship. The setlist spans multiple albums, offering fans a rich experience. Bonus features include a tour documentary and music videos, enhancing the overall package. Watch and experience Cradle of Filth's exhilarating live show—perfect for fans wanting to relive their dark, theatrical metal magic.
He can’t play, he can’t compose, he makes up absurd stories, and his concerts are a tour de force of laughter, yet he is a real character. Gerarchie Infernali is a poem. No music, just him yelling like a madman against the clergy and religion.
He can’t play, he can’t compose, he makes up absurd stories, and his concerts are a tour de force of laughter, yet he is a real character.
Gerarchie Infernali is a poem. No music, just him yelling like a madman against the clergy and religion.
This review highlights Richard Benson's album 'Madre Tortura' as more of a comedic performance than a serious musical work. Despite some engaging backing tracks, Benson’s guitar playing is described as flawed and out of tune. His persona and theatrical style add humorous value, but the album remains difficult to appreciate musically. The reviewer finds entertainment mostly in Benson's eccentricity rather than his musicianship. Dive into Richard Benson’s unique world—listen to Madre Tortura and experience music like no other!
Rusty starts bombarding us with super-fast legatos, picking that would make Petrucci shiver, blazing sweep picking... The album becomes deadly boring, occasionally some interesting points but then everything gets lost in barrages of senseless notes, without feeling, without purpose.
Rusty starts bombarding us with super-fast legatos, picking that would make Petrucci shiver, blazing sweep picking...
The album becomes deadly boring, occasionally some interesting points but then everything gets lost in barrages of senseless notes, without feeling, without purpose.
This review acknowledges Rusty Cooley as an incredibly fast and technically skilled guitarist. However, the album is criticized for lack of originality and emotional depth. Despite moments of melodic surprise, the excessive focus on technical prowess results in a boring listening experience. The album is seen as a display of technique without meaningful expression. Discover the highs and lows of Rusty Cooley's solo album and decide if technical mastery can replace emotion in guitar music.
Petrucci more like a mummy than a showman, but his music slides away pleasantly. Vai makes every passage, lick, and note he plays exciting and hearing him is truly a pleasure.
Petrucci more like a mummy than a showman, but his music slides away pleasantly.
Vai makes every passage, lick, and note he plays exciting and hearing him is truly a pleasure.
The review examines G3: Live in Tokyo, highlighting spectacular individual performances by guitarists John Petrucci, Steve Vai, and Joe Satriani. Petrucci’s stage presence is critiqued, Vai’s technical skill praised, and Satriani’s set considered lackluster. The final jam session disappoints compared to previous G3 shows. Overall, the album and DVD deliver a mixed but enjoyable experience. Listen to G3: Live in Tokyo and explore the fiery solos and unique moments from rock guitar legends!
DeRank™: 0,00
DeAge 5821
DeRank™: 7,33
DeRank™: 0,22
DeRank™: 3,31
DeAge 7232
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