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 It is a reclaiming of his identity as an experimenter.

 Battisti is a composer open to the world, the cold and icy sounds, hypnotic and obsessive in the jarring melody are the manifesto of an artist ready to move beyond.

‘E Già’ marks a pivotal shift in Lucio Battisti’s career, embracing synth-pop and electronic sounds over his previous style. The album reveals Battisti as a bold experimenter, moving beyond conventional songwriting. Produced largely in solitude, it challenges listeners with hypnotic melodies and icy textures. Lyrics and traditional singing become secondary to mood and atmosphere, signaling a new artistic direction. Listen to Lucio Battisti’s ‘E Già’ and experience his daring leap into synth-pop innovation!

 "It certainly wasn’t the greatest event in rock history," said Lennon about the tour.

 Despite all this, the tour is an excellent example of Harrison’s philosophy and talent.

George Harrison's 1974 Baton Rouge concert during his North American tour showcased a talented band and inventive reinterpretations of his classics. Despite his vocal struggles due to laryngitis, Harrison's guitar work remained exceptional. The tour is noted for both its musical ambition and controversial setlist changes, dividing fan opinions. The event reflects Harrison’s artistic philosophy and resilience. Discover the highs and lows of George Harrison's unique 1974 tour—listen to the live performances and explore this pivotal moment in rock history.

 Gabriel accepts the friends’ offer after much hesitation; he is not eager to retrace his steps but needs the money and sets pride aside.

 Despite the quality of the recording, the band’s level is always exceptional.

The Six Of The Best concert at Milton Keynes in 1982 marks Peter Gabriel's last official appearance with Genesis. Organized to support Gabriel financially after a troubled festival, the show combines nostalgia with energetic performances. Despite technical challenges and vocal strains, the band delivers a unique reunion experience. Highlights include a rare 'Solsbury Hill' Genesis version and 'Turn It On Again' with swapped roles. Overall, the concert holds significant historical and emotional value for fans. Explore this unique Genesis reunion and Peter Gabriel’s final concert with the band—listen to the historic live performance now!

 Those expecting a new work close to prog paths were very let down.

 'Acting Very Strange' is an album with very free sounds aimed at the American audience and doesn’t resemble contemporary Genesis at all.

Mike Rutherford's 1982 solo album 'Acting Very Strange' departs from his progressive rock roots, aiming for a more American pop rock sound. Despite notable session musicians, the album feels uninspired and was largely rejected by Genesis fans. Some tracks offer mild interest, and the work foreshadows the style of Rutherford's future band Mike + The Mechanics. The album's cover art and vocal delivery also detract from its overall impact. Discover the story behind Mike Rutherford's underrated solo album and how it set the stage for Mike + The Mechanics.

 A solo record entirely sung by him that dives into pop-rock much more brusquely and much less refined than the almost contemporary Man On The Corner by Collins on Abacab.

 The rest is really of little substance, starting with the dull This Is Love, low-chart pop with a curious and disorienting interlude compared to the song’s reggae flow.

Tony Banks' 1983 solo album The Fugitive is an experimental effort with uneven results. Featuring expressionless vocals and a mix of pop-rock and synth-driven instrumentals, it lacks cohesion and memorable songs. While some instrumentals hint at future Genesis directions, the album overall is disappointing compared to his bandmates' solo efforts. Explore Tony Banks' The Fugitive and discover his bold but flawed 80s solo experiment.

 The quality of the recording is extraordinary.

 The beautiful 'The Carpet Crawlers' finds in Collins an interpreter who is, in my opinion, more effective than Gabriel.

This review praises Genesis's 1977 live concert in Zürich as a valuable testament to their golden progressive rock era. It highlights the exemplary musicianship, particularly the energetic drumming by Chester Thompson and the strong performances of key tracks from 'Wind and Wuthering' and earlier albums. Although recordings from the concert were not included in the official live album 'Seconds Out,' this bootleg captures a pivotal moment in the band's history. The review also touches on setlist evolution and the legacy of Genesis’s live shows during this period. Explore this exceptional Genesis live recording from 1977 and experience the magic of progressive rock's golden days!

 This high-quality bootleg is more indicative of the period and the ability of Genesis to be a great live band.

 Much of the show is a revisit of many songs already the backbone of concerts from previous years like 'Dance On A Volcano,' 'Afterglow,' and the inevitable 'The Carpet Crawlers.'

This review covers Genesis' 1981 live concert in Frankfurt during the Abacab tour, highlighting its raw and powerful energy. The setlist blends new material with classic hits, showcasing the band's evolving style. Notable performances include 'Behind the Lines/Duchess,' 'In The Cage,' and 'No Reply At All.' The bootleg reflects the band's live capabilities and the foundation for the 'Three Sides Live' album. Dive into Genesis' powerful 1981 Frankfurt live performance and rediscover the magic of their classic progressive rock tour!

 "...Calling All Stations.. speaks of solitude, incommunicability, alienation, and among the group’s albums, it is the one where social themes are addressed the most close to the end of the twentieth century."

 "The Dividing Line (one of the most beautiful tracks in their production) where for the first time in the group’s history there is an almost drum solo."

Genesis' 1997 album ...Calling All Stations... is an underrated late-career work marked by social themes and emotional depth. Despite Phil Collins' absence, Ray Wilson's vocals suit the material well. The album showcases a rawer, simpler sound with standout tracks like The Dividing Line and Shipwrecked. It deserves more recognition and appreciation. Listen to Genesis' ...Calling All Stations... to discover a powerful, overlooked chapter in their legacy.

 A very warm LP, as much of this artist’s production is, too little remembered.

 Palmer is one of the leading exponents of blue-eyed soul and his records are a splendid testimony of his artistic soul.

Robert Palmer's 1975 album Pressure Drop showcases a warm, soulful sound with touches of reggae and subtle disco influences. With backing from Little Feat, it follows his strong debut and highlights his position as a leading blue-eyed soul artist of the 1970s. The album artwork adds to its allure, making it a notable yet somewhat overlooked classic. Listen to Robert Palmer's Pressure Drop and experience soulful 70s grooves with a unique reggae twist.

 'Palmer confirms himself as one of the best white interpreters of the [reggae] genre.'

 'An album of remarkable charm in which the most varied genres from reggae to soul are mixed.'

This review highlights Robert Palmer's 1978 album 'Double Fun' as a charming and versatile blend of genres including reggae, soul, rock, and disco. It emphasizes Palmer's ability to cross musical boundaries with style and notes standout tracks like 'Every Kinda People' and 'You Really Got Me.' The album is recommended for rediscovery, particularly for those unfamiliar with Palmer's 1970s work beyond his later hits. Dive into Robert Palmer's 'Double Fun' and experience a timeless blend of reggae, soul, and rock. Listen now to rediscover a classic!