plusorminus

 It was beautiful, truly. And that there was an immense “Dentro Sharon”. I lost control. I wasn’t there, I was higher.

 I like driving, singing, and being off-key on my own, anxiously checking the exits and green signs.

The review recounts a personal journey to Verdena's live show at Fuori Orario, filled with vivid observations, anticipation, and emotional engagement. The concert itself left a strong impact, described as beautiful and intense. The narrative blends a travelogue with heartfelt reflections on music and memories. The experience culminates in a profound connection with the band and music. Dive into this vivid Verdena live experience and relive the intensity—listen to the album or catch their next show!

 This is one of those albums that can be loved solely for the voice: female; rather rare for a band that pulls it off without overdoing it, without venturing into the garish, and with the gift of melody.

 And the physicality with which Audrey sings it feels good and sends those pesky little demons inside us packing (for a while, but it’s always enough)...

Scheer's 1996 debut 'Infliction' is an overlooked Irish alternative rock album featuring Audrey Gallagher's distinctive female vocals. Despite lacking pure originality stylistically, the album’s emotional depth and melodic strength create a compelling listening experience. Its unappealing cover and limited exposure have held it back, yet it remains a personal favorite for cathartic and nostalgic music lovers. The review highlights the album’s power as a musical remedy for emotional struggles. Explore Scheer's 'Infliction' and experience a rare 90s Irish alt-rock gem with haunting vocals and emotional depth.

 Syd Barrett, the recipient of such retrospective attention, did not curate the work, did not organize the playlist amidst continuous ups and downs. He simply isn’t there, it’s that simple.

 The general sensation... is of a collapse of habitual time, in any case, there’s a sense of imbalance, discernible is a certain clarity typical of minds tormented by themselves.

This review analyzes Syd Barrett's 2001 compilation album 'The Best Of - Wouldn't You Miss Me?,' highlighting its raw charm and the tumultuous journey behind his solo work. It details Barrett’s decline due to mental health struggles and drug use, contrasts his style with Pink Floyd’s evolution, and praises the poetic simplicity of his songs. The collection is recommended for its deep resonance and historical significance, despite production flaws and Barrett’s absence in curating the album. Discover the haunting beauty of Syd Barrett’s solo work—listen to The Best Of - Wouldn’t You Miss Me? and dive into the madcap genius behind Pink Floyd!