easycure

 This album was supposed to be called Smile; due to the opposition of the other group members and his rather paranoid personality, Brian never managed to release the album.

 Good Vibrations alone, or the greatest three and a half minutes ever written in rock history (probably!).

Smiley Smile is a fascinating album that collects fragments from the unfinished Smile project, showcasing Brian Wilson's innovative and experimental approach. Despite its sparse arrangement, it stands as one of the most modern and visionary albums of the 60s. The record is especially notable for its creative studio techniques and includes the iconic Good Vibrations track, a hallmark of rock history. This album deserves a fresh critical appreciation. Listen to Smiley Smile and experience Brian Wilson's groundbreaking 60s masterpiece today!

 The most appropriate definition for Nothing Feels Good is 'shambolic punk', meaning fast, melodic music ... yet also incredibly irregular, melancholic, and above all 'childlike'.

 It’s the free spirit of a child that adorns Nothing Feels Good like a kaleidoscope, giving each track a different atmosphere.

This review praises The Promise Ring's second album, Nothing Feels Good, as a key work in 90s American indie and emo music. Despite some preferring the debut, this album's mix of shambolic punk, melodic elements, and experimental sounds stands out. The singer's unique voice adds a childlike, free-spirited feel that colors each track distinctly. The album blends punk, post-rock, and new wave influences, making it an important early emo record. Discover the pioneering emo sounds of The Promise Ring's Nothing Feels Good – listen now and explore a 90s indie classic!

 Kiss Me Kiss Me Kiss Me is one of those rare cases where any definition would be obsolete in the face of such abundance and mad freedom.

 Rock is a pretext to explore everything and more, and not to fossilize on a few sterile interpretative canons.

This review highlights The Cure's 1987 album Kiss Me Kiss Me Kiss Me as an underrated 80s masterpiece. It praises its creative diversity and orchestral arrangements that transcend genre boundaries. The album moves beyond the band's earlier dark sound into a free, visionary exploration of styles ranging from funk to psychedelia. The reviewer celebrates the album's spontaneity and Robert Smith's unique artistic approach. Explore The Cure’s eclectic masterpiece and experience one of the 80s most boldly creative albums now!

 Muse truly suck.

 The guitar is completely anonymous and the voice is the most hateful and inconsistent thing you can hear nowadays.

This review sharply criticizes Muse's third album, Absolution, labeling it as overhyped and lacking substance. Despite some decent bass work and baroque influences, the music is found repetitive and uninspired. The vocals are described as hateful and derivative, while the compositions lack diversity. Sales declines from previous albums support the claim of diminished quality. Read the full review to see why Absolution may not live up to the hype—explore the pros and cons of Muse's controversial album!

 Franz Ferdinand is also blatantly influenced by the '80s New Wave, but rather than influence, it would be correct to talk about banal revivalism.

 In New York, the Strokes and Interpol had already had these insights, and at least they reinterpreted them instead of merely being followers.

The review critiques Franz Ferdinand's debut album as a predictable product of the British music scene craving fresh sounds. While the catchy single 'Take Me Out' gained acclaim, the album largely recycles 80s New Wave styles in a banal manner. The vocals are seen as derivative, lacking uniqueness, and the overall sound follows trends rather than innovates. Compared to American bands like The Strokes and Interpol, Franz Ferdinand is portrayed more as followers than creators. Explore Franz Ferdinand's debut and decide if this catchy revival rocks or falls flat.