Do you have this record? If not, make sure to get it...
There is also an interesting story behind this experimental phase of the Beach Boys' career: the story is that Brian Wilson, composer of all the tracks, wanted to conceive the perfect pop album, as communicative as it was experimental and refined, and to surpass the Beatles. This album was supposed to be called Smile; due to the opposition of the other group members and his rather paranoid personality, Brian never managed to release the album, which today can only be found in various versions as a Bootleg.
Can you believe it? What was supposed to be the greatest album in history is only available as a pirated version...
Smiley Smile is precisely the collection of the few published fragments of Smile. It is certainly an album that suffers from the incompleteness of the pieces, emerging almost without structure and with sparse arrangements, but it is also one of the most modern albums remembered from the 60s, and it even surpasses much of the more renowned contemporary production!
It is especially the use of studio techniques that surprises: from the excessively distorted voice of Little Pad, to the accompaniment composed of people crunching salad in Vegetables, to the splendid orchestral and visionary arrangements of Heroes and Villains, one genuinely gets the impression that at times Brian Wilson surpassed the Beatles/George Martin duo.
And as if that wasn't enough, it is an album that deserves a historical revision for Good Vibrations alone, or the greatest three and a half minutes ever written in rock history (probably!), a concentrate of the best Brian had done with this and past albums. Try it to believe it!
The album that was supposed to be a concept inspired by the four elements turns into a collage of less than modest tracks, nothing holds them together except the sense of defeat they inspire.
Brian Wilson sank into the abyss just as he was about to ascend the throne, and the Beach Boys entered the tunnel of oblivion.