MauriceHaylett

 The soundtrack is a true gem and is the work of Mike Rozakis, a composer who is also a native of Greece.

 All lovers of soundtracks as well as those of psychedelia will find something to satisfy their ears.

Mike Rozakis' soundtrack for the 1973 Greek crime thriller She Knew No Other Way expertly blends orchestral funk, psychedelia, jazz, and ambient music. The album offers a variety of styles harmonized with the film's mood, appealing to soundtrack and psychedelic music fans. Key tracks revisit the main theme in multiple forms, enhancing the immersive experience. The review highlights Rozakis' skill and the film's evocative cultural backdrop. Listen to Mike Rozakis' eclectic and captivating soundtrack from She Knew No Other Way and immerse yourself in 1970s psychedelic cinema vibes!

 The M° Frajese presents us with a work that mixes a series of short pieces ranging from easy listening to classical, passing through beat interludes, all treated by his orchestra which scatters touches of jazz here and there in the style of Giorgio Gaslini.

 The central topic of the documentary indeed revolves around the analysis of relationships within an open community and the consequences these dynamics have on children’s education.

Carlo Frajese’s soundtrack for the 1969 documentary 'Il primo premio si chiama Irene' combines jazz, classical, and beat influences. The music reflects Italy's conservative 60s culture while addressing progressive social themes. Notable tracks showcase a mix of groove and jazz elements. The album and film remain rare and historically significant. Discover the rare sounds of Carlo Frajese’s 1969 soundtrack blending jazz and classical — explore this unique musical journey now!

 Mganga! (the healer) is a gem in its genre, a long excursion through the different settings that our imagination associates with Black Africa.

 One encounters strange tribes that draw us into their rituals, songs, and dances excited by the sound of bongos, strangely interspersed with oriental flutes and celestial choirs.

Tak Shindo's 1959 album Mganga! is a standout exotica record blending African-inspired percussion, oriental instruments, and orchestral arrangements. The album creates a relaxed, atmospheric safari-like journey through imagined African landscapes, mixing traditional and innovative sounds. It's a vivid and immersive listening experience that captures the spirit of musical fusion in mid-century America. Dive into Tak Shindo's Mganga! and experience a unique exotica safari of captivating rhythms and mystical sounds.

 "Obnoxius...contains the communicative urgency stemming from the precariousness of things, the melancholy typical of souls crushed by the weight of vanished freedoms."

 "José Mauro, after the album's release, simply disappeared, something that... prevented adequate promotion."

Obnoxius is a deeply experimental and emotive album by José Mauro, created during Brazil's repressive 1970s era. The record blends samba, jazz, psychedelia, and avant-garde orchestration to express melancholy, hope, and cultural resistance. Despite its brilliance, the album was largely overlooked, partly due to Mauro's mysterious vanishing after its release. The review highlights the urgent and haunting qualities that make Obnoxius a hidden gem in Brazilian popular music. Listen to José Mauro's Obnoxius and uncover a rare psychedelic Brazilian treasure born from resistance and artistic courage.

 It is not a memorable work; you won’t lose sleep if you don’t listen to it, but at the same time, you won’t be wasting time if you pay it some attention.

 Sometimes the music develops in the aforementioned funk direction, with quite pleasant results.

Harry Betts' soundtrack for The Fantastic Plastic Machine offers a sunny, thematic surf sound mixed with funk, jazz, and psychedelia. While not groundbreaking, the album provides pleasant listening with some memorable tracks reminiscent of David Axelrod. Lasting just over 30 minutes, it suits listeners seeking a light, genre-blending experience. Discover the mellow blend of funk and surf vibes in Harry Betts' soundtrack—perfect for a nostalgic listening session.

 It’s a pity to listen to these beautiful tracks without the support of the images.

 There is something for everyone’s taste, especially for those with a passion for antiquities and trinkets of the (glorious?) past.

This 1970 album features soundtracks from the acclaimed Italian documentary series L'Italia vista dal Cielo by Folco Quilici. Composer Francesco De Masi delivers a well-rounded collection that spans melancholic romance, Latin jazz, silent film influences, and folk-inspired pieces. The music stands out as a testament to Italy’s unique documentary tradition, though it's noted that the tracks lose some impact without the original visuals. Overall, a rewarding listen for fans of vintage soundtracks and Italian cultural artifacts. Discover the evocative sounds of Francesco De Masi’s soundtrack and immerse yourself in classic Italian documentary music.

 The effect of this Gothic/psychedelic-style track is absolutely disorienting.

 You won’t regret it listening to this beautiful work with good headphones glued to your ears, all the way to the end.

Ennio Morricone's soundtrack for the 1969 film L'assoluto naturale is a lesser-known but richly varied work. It blends lounge jazz, impressionism, and gothic influences within a bourgeois drama context. Highlighted are multiple thematic variations and a striking, unsettling finale. The review encourages attentive listening to fully appreciate the album's depth. Listen to Ennio Morricone's diverse soundtrack for L'assoluto naturale and immerse yourself in its rich musical layers today!

 Il dio sotto la pelle stands out among all those released for Italian cinema in the ’70s.

 The music is dominated by Piccioni’s organ, gifting us with pieces of dazzling splendor like Night to Come and Katmandu.

Il dio sotto la pelle stands out as one of Piero Piccioni's most remarkable soundtracks, showcasing a masterful blend of psychedelia, jazz, and lounge. Despite being made for a niche ecological documentary, the album shines as a golden example of 1970s Italian soundtrack creativity. Its exotic and dazzling compositions, notably 'Katmandu,' highlight Piccioni's artistry. This 2000 Easy Tempo release remains a highly recommended gem for soundtrack and psychedelia fans. Dive into Piero Piccioni’s psychedelic soundtrack and experience a unique blend of jazz and lounge from 1970s Italian cinema!

 For easy listening enthusiasts, it will be a real treat, a short and relaxing journey on the roads of jazz and pop, infused with Mexican spices.

 'A Taste of Honey,' an exceptionally great instrumental, Grammy winner and the result of the genius of Ric Marlow and Rob Scott.

Herb Alpert & The Tijuana Brass’s Greatest Hits is a pleasant compilation drawn from their first five albums. It blends Latin-inspired jazz and pop melodies, perfect for easy listening. Standout tracks include the Grammy-winning 'A Taste of Honey' and classics like 'Spanish Flea' and 'Lonely Bull.' This album offers a refreshing and relaxing sonic experience, ideal for sunny days. Discover the smooth Latin-jazz vibes of Herb Alpert’s Greatest Hits—listen now and enjoy timeless classics!

 Pop Spectrum becomes a pretext to embrace a bit of all musical genres.

 In his naivety (at the time, the author was 21 years old), it is a sincere work, unpretentious, at times interesting.

Leo Afzelius, the pseudonym of Timothy Kjell Cross, released Pop Spectrum in 1976. The album spans multiple genres from psychedelic to disco and electronic minimalism. It reflects the youthful experimentation of a 21-year-old artist. While unpretentious and sincere, it holds interest especially for collectors. Listeners are encouraged to explore and form their own opinions. Dive into Leo Afzelius' Pop Spectrum and discover a rare mix of 70s eclectic sounds—listen now and get inspired!