Lewis Tollani

 The debt that Corky pays to his father is a kaleidoscopic spectrum of emotions in the discovery of how the origins of traditional American music heavily influence the contemporary taste.

 Mayo Thompson... puts it to work in a more intimate and mood-driven project... irreverent in the lyrics towards the increasingly money-centric and dehumanized society.

Mayo Thompson’s 1969 solo album 'Corky’s Debt To His Father' is a kaleidoscopic exploration of traditional American music’s lasting influence on contemporary and future sounds. Drawing from his Red Crayola roots, Thompson merges folk, blues, and avant-garde elements with pointed social critique. The album channels various moods—from vaudeville drama to intimate blues—while anticipating future musical styles. It stands out for its simplicity, emotional depth, and a timeless quality that captures both melancholy and irreverence. Discover the lasting legacy of Mayo Thompson’s unique folk vision—listen to Corky’s Debt To His Father now!

 The voice does not betray many emotions as it unravels the nursery rhyme litany of 'Who’s That Knocking', a reference to Mark Linkous suspended between the restless atmospheres of Nick Cave and the melancholic guitar of Nick Drake.

 Like a new Woody Guthrie, you read in the deep morning sky 'I’ve Just Restored My Will To Live Again', the end credits written in the clouds.

This review highlights Pajo's album '1968' as a deeply emotional and introspective journey blending indie and folk influences. Drawing comparisons to Nick Drake, Neil Young, and Mark Linkous, it praises the album’s melancholic guitar work and emotive storytelling. Each song is noted for its evocative atmosphere and subtle shifts in tone, portraying an intimate and heartfelt musical experience. Listen to Pajo’s '1968' and experience a soulful blend of indie folk and melancholic depth.

 Don Caballero, even without Ian Williams, play live somewhat like this. It's mathematical...

This review praises Don Caballero's live performance at Magnolia Club Milano in 2006, highlighting their trademark mathematical play style. Despite the absence of guitarist Ian Williams, the band delivers an intense and precise show. The review creatively compares their music to apocalyptic imagery, underlining the dramatic and powerful energy of the concert. Overall, it celebrates the band's technical skill and live presence. Listen to Don Caballero's powerful live math rock performance and experience their unmatched precision and energy.

 "The final track is a disconsolate and unconscious epitaph of that misunderstood genius Norman Haines."

 "The masterpiece of the album resides in the 13 apocalyptic minutes of 'Rabbits', where Haines and company crush everything crushable."

The review praises The Norman Haines Band's 1971 album Den Of Iniquity, highlighting its blend of progressive rock, jazz, blues, and avant-garde experimentation. Key tracks like "Life Is So Unkind" and "Rabbits" showcase musical depth and innovation. The album's 2004 reissue underscores its lasting significance. Overall, it is described as a rare and captivating musical work. Discover the unique fusion of styles in The Norman Haines Band’s Den Of Iniquity—listen now and dive into a psychedelic classic!

 Try to imagine... Dj Shadow at work on tracks by Massive Attack with the early career electronic equipment of Depeche Mode, in a recording studio set up by Boards of Canada and with the technical supervision of Brendan O'Hare of Mogwai.

 The cinematic 'Fall From The Stars' is a compendium of all the best ideas and intentions of God Is An Astronaut.

This review praises God Is An Astronaut's debut album 'The End Of The Beginning' for its unique blend of post-rock, electronics, and ambient textures. The Irish trio creates cinematic and cosmic soundscapes with influences ranging from Dj Shadow to Vangelis and Boards of Canada. Standout tracks like 'Fall From The Stars' encapsulate the album's diverse moods. The self-produced work showcases confident artistry and melodic sophistication. Explore the mesmerizing sonic journey of God Is An Astronaut's debut—listen now and discover a universe of post-rock and electronic fusion.

 The world wasn’t ready for the Z-Boys.

 Skateboarding as horizontal entertainment becomes vertical, transforming into extreme art.

This review praises the Dogtown And Z-Boys soundtrack as a powerful tribute to the revolutionary skateboarding scene of 1970s California. It highlights the extraordinary impact of the Zephyr Skateboard Team and the iconic music that inspired their daring style. The soundtrack perfectly complements the documentary’s portrayal of skateboarding’s transformation from pastime to extreme art. The reviewer encourages anyone curious about skateboarding culture to experience this evocative record. Dive into the Dogtown And Z-Boys soundtrack and relive the thrilling origins of modern skateboarding culture!

 From a musical standpoint, a crucial junction for all European music.

 "Bradimante" evokes ancestral visions and omens of a dark future, merging blues, tribal rhythms, and avant-garde experimentation.

The review praises 'Dedicato A…' by Le Stelle Di Mario Schifano as a rare and crucial work in European psychedelic and avant-garde music. It highlights the album's innovative sound, blending medieval music, blues, and psychedelic rock, drawing comparisons with iconic acts like Velvet Underground and Pink Floyd. The album is noted for its experimental side A suite and a richly diverse side B. The 1967 release is acclaimed as a hidden masterpiece deserving rediscovery. Explore and listen to this rare 1967 psychedelic masterpiece—discover Le Stelle Di Mario Schifano's 'Dedicato A…' today!

 The quartet, led by the malevolent mate Ian Williams... kidnapped the few onlookers, stealing their most hidden emotions and took off again without leaving words.

 Only frightening echoes of dehumanized sounds emerged from the mouth of the cyborg-mutant Tyondai Braxton, set in a vortex of multiform and multicolored sound waves.

This review captures the profound and surreal experience of Battles' live performance at the Jail Club in Legnano. The band’s innovative sound and immersive stage presence create a futuristic auditory journey. The reviewer evokes a cosmic and poetic imagery to describe the impact of the music, highlighting the uniqueness and emotional depth of the show. The concert is portrayed as a transformative event, beyond conventional musical boundaries. Experience Battles' groundbreaking live sound—listen now and dive into their futuristic musical voyage!

 An aura of unstable claustrophobia seems to pervade the entire work.

 'The Medicine Is All Gone' is the one with the most form and substance, compact, hard, and at times violent.

This review delves into Caustic Resin's third album, 'The Medicine Is All Gone,' highlighting its dark, compact, and sometimes violent sound. The album blends grunge, space rock, psychedelia, and folk-core, creating an aura of claustrophobic intensity. The reviewer praises its artistic depth and positions it alongside influential 90s indie acts. A five-star rating is given for those who resonate with its anguished themes. Listen now to Caustic Resin's 'The Medicine Is All Gone' and experience a dark indie journey like no other.

 The idea came to Wahrer when he decided to combine two pieces by The Rivingtons, creating a piece of freakish schizophrenia still unmatched.

 No one was yet ready for the insane fury of the Minneapolis quartet, who forever changed the American garage scene.

The Trashmen's 'Surfin' Bird' hit in 1963 brought wild garage surf rock from Minneapolis to national fame. Combining two Rivingtons songs with frenetic energy, it remains an unmatched classic. The album features standout surf and rock covers but never replicated the single's success. Their influence on American garage rock is undeniable. Listen to The Trashmen’s 'Surfin' Bird' now and experience the wild wave of classic garage surf rock!