primiballi

 With age, fortunately, there is time and opportunity to reassess everything, including and especially your own ideas.

 There is a warm and beautiful atmosphere in this concert, and, as we know, the atmosphere, if not everything, is almost everything.

This live album from Jackson Browne and David Lindley captures a warm, minimalist atmosphere with timeless performances. The reviewer reflects on growing appreciation for Browne's artistry. The collaboration highlights simplicity over virtuosity, resulting in an intimate concert feel. It’s a must-listen for those who value authentic live music experiences. Listen to Jackson Browne & David Lindley's live gems and experience the timeless warmth of 'Love Is Strange'.

 Yes, guys, because it’s exactly precisely that stuff.

 The record is good, flows well, and keeps good company.

This review of Lostboy! aka Jim Kerr highlights the album's strong resemblance to Simple Minds, noting familiar vocals and songwriting. While different in instrumentation, it remains a pleasant, well-crafted record. The project name causes some confusion, but the album holds its own just below Simple Minds' recent work. Overall, it's a solid and honest effort from an underrated artist. Discover Lostboy! aka Jim Kerr and experience a fresh yet familiar take on the classic Simple Minds sound!

 I regard Keith Jarrett as nothing less than God. But it’s not given that, aprioristically, all the donuts are the most beautiful in the world...

 Everything flows well, for heaven’s sake, but emotion remains distant.

The review explores Keith Jarrett's return to studio recording with longtime collaborator Charlie Haden on 'Jasmine.' While the album is technically superb and elegant, it lacks the deeper emotional impact expected from these jazz legends. The reviewer appreciates the music as a refined backdrop but finds it flat compared to their best work. Overall, the album is enjoyable yet somewhat disappointing given the artists' caliber. Discover the elegant sounds of Jarrett & Haden's 'Jasmine'—listen now to experience this intimate jazz collaboration.

 "'Next To You' has as much in common with the symphony orchestra as chalk and cheese."

 The arrogance is truly a very, very serious sin. Perhaps the worst.

The review critiques Sting's Symphonicities for its unsuccessful symphonic reinterpretation of his songs, especially citing 'Next To You' as mismatched with orchestral style. It highlights Sting's arrogance and poor attitude in interviews around the album. Despite professional packaging, the album lacks soul and fails to resonate emotionally. The reviewer places it among Sting's minor recent works, saving praise only for the 2007 Police tour. Dive into this honest review before exploring Sting's Symphonicities and discover if the symphonic twist suits your taste.

 It's a giant carousel ride, and what matters, in rides, is having fun.

 The special effects, this time, are truly impressive, and for those who love to get scared like me, it’s all a delightful bonus.

The review critiques the predictable disaster movie formula used by Roland Emmerich in 2012, highlighting its clichéd emotional beats and moral themes. Despite this, the reviewer enjoys the brutal and excessive spectacle, praising the special effects and thrilling scenes. The film is viewed as a fun, over-the-top ride that delivers entertainment over depth. A personal note mentions Amanda Peet's standout beauty. Dive into this over-the-top disaster spectacle and experience the thrilling chaos of 2012 today!

 Not everything that has become possible is, in fact, to be done.

 The original certainly deserves more a healthy, solitary, 'couchy' reread than a cinematic interpretation.

This review reflects on the difficulty of adapting Douglas Adams' unique and iconic Hitchhiker's Guide into film. While the movie is enjoyable and well-made, it inevitably falls short of the book's imagination and rhythm. The reviewer appreciates the original's literary value and suggests the film serves as an introduction rather than a replacement. There is respect for the film's effort, but a stronger preference for the novel’s intact experience remains. Discover the film adaptation of Hitchhiker’s Guide—explore how it honors and diverges from Douglas Adams’ classic!

 How delightful it is to abandon the classic, repetitive, and now overly rhetorical format of the 'minimum 300 pages' for a noir.

 Oggero...serves up a perfect novel, in form and content...photographing each figure in the book perfectly, without falling into rhetoric or easy feel-goodism.

This review praises Margerita Oggero’s novel for its concise and precise Piedmontese prose. It highlights the author’s skill in crafting well-developed characters and a clever, intricate plot set in a realistic, metropolitan Turin. The novel defies modern trends of lengthy works with a tight, ironic noir style. It is described as a small masterpiece and highly recommended. Dive into Oggero’s sharp noir novel and experience Turin like never before—read now!

 Liga is honest when he writes, he strives to do it always well and always in a, more or less, original way.

 The piece is not bad, but the comparisons are inevitable and pitiless. Liga is good but too cunning.

This review evaluates Luciano Ligabue’s album Arrivederci, mostro! by focusing on the artist’s consistent honesty, solid songwriting, and some monotony in harmonic structure. Improvements in drumming enrich the sound, but the vocal setup feels less dynamic. Notable tracks include the poignant "Quando mi vieni a prendere" and the clever "Letter to Francesco," which references Guccini’s classic. Overall, the album stands well compared to previous works, though it plays safe musically. Discover the honest sound and poetic depth of Ligabue’s Arrivederci, mostro! – listen now and explore his evolving rock journey.

 Good music. Just old and good music.

 An unforgettable evening that had, like all proofs of the existence of the God of Taste, the divine ability to annul time.

The review praises the 2010 live concert by Lucio Dalla and Francesco De Gregori as a brilliant, honest project blending timeless Italian songwriting with intelligent nostalgia. The duo delivers a nearly three-hour set mixing well-known hits and rare gems, accompanied by a tight, string-enhanced band. The show bypasses recent promotional pressures, focusing instead on music as poetry and cultural reflection. Overall, the event is celebrated for its atmosphere, musicianship, and emotional impact. Experience the heartfelt artistry of Lucio Dalla and Francesco De Gregori—discover their timeless live performance today!

 Vasco is Vasco. Like it or not. Positive and negative. True and false, profound and trivial.

 He jumps and sings for two and a half hours... pleasing everyone, from those who were twenty, or ten, with Sally, to those who grew up with Jenny E’ Pazza and Non Siamo Mica Gli Americani.

This review captures the emotional power and ritualistic nature of Vasco Rossi's live show in Torino, 2010. The author highlights Vasco's energetic and tight performance, blending old classics with newer songs. The acoustic segment impressed audiences of all ages, and overall, it was a memorable experience. Vasco remains a powerful figure in rock, balancing flaws and greatness on stage. Discover the magic of Vasco Rossi’s 2010 Torino live concert—listen now and relive a true rock ritual!