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For fans of douglas adams, lovers of sci-fi comedy, readers interested in book-to-film adaptations, and cult movie enthusiasts
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THE REVIEW

Few are the very fortunate cases where a film has nothing to envy from the book that inspired it and "generated" it (I'm thinking, off the top of my head, of "The Godfather," "Eyes Wide Shut," "2001: A Space Odyssey," and very few others...).

Well, with all the goodwill in the world (I believe in theirs as actors, producers, directors, etc... and obviously in mine as a viewer), this film is not among those. And that's a shame, if you will, even though it is a widely predictable shame.

Predictable because Douglas Adams' Hitchhiker's Guide is indeed an undeniable masterpiece, but incredibly sui generis: full of hilarious ideas, of non-sense (disastrously dated...: how ahead of their time those years were...and how far behind these are, dominated by low-level comedians?), of bursts of imagination and absolute irony.

But how lacking in rhythm and structure it also was? But let's be clear, it wasn't a flaw...it was an "elsewhere." That book was an exception to all the rules of its time and today it would be decidedly more unthinkable, unpublished (but not unsellable...people are less stupid than they're made out to be...) than when it was published. It is obvious that the cinematic rendition could not have been entirely positive, and that it heavily risked being pointless.

The film is made possible (as, mutatis mutandis, but mutatis very very, happened with "The Lord of the Rings") by technological progress...and sooner or later someone will "discover" the feasibility of Asimov's Foundation series...and then it will indeed be a big risk...

But not everything that has become possible is, in fact, to be done.

There are no obligations, there are no torments...that a work remains solely on the written page is not considered a crime anywhere, and sometimes, in this world sick with grotesque mandatory progressivism, one should have the courage to preserve, the courage of the cult of the original which, in this case, certainly deserves more a healthy, solitary, "couchy" reread than a cinematic interpretation.

With that said, it's enjoyable, the film is well-made and rather ridiculous. At times it respects the original literary work even in its intentions (or the supposed ones...). And one might be tempted to say that it can be a good introduction for those who haven't read the book... Do we really say that? Well...personally, I would prefer a world where certain authors, even ironic, playful, minor, and recent ones, were recommended in schools.

Once again...: let's settle for it.

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Summary by Bot

This review reflects on the difficulty of adapting Douglas Adams' unique and iconic Hitchhiker's Guide into film. While the movie is enjoyable and well-made, it inevitably falls short of the book's imagination and rhythm. The reviewer appreciates the original's literary value and suggests the film serves as an introduction rather than a replacement. There is respect for the film's effort, but a stronger preference for the novel’s intact experience remains.

Garth Jennings

Garth Jennings is an English film director, screenwriter and producer, known for directing The Hitchhiker's Guide to the Galaxy (2005), Son of Rambow (2007), and the animated film Sing (2016).
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