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DeRank ™: 0,24 • DeAge™ : 8155 days
"The arrival of an experienced musician like Luca Piatti... turned the band into an even sharper and more aggressive power trio." "Amnesia... illustrates the golden and ‘classic’ period of Garage 29, bridging the gap with their more successful record companions."
"The arrival of an experienced musician like Luca Piatti... turned the band into an even sharper and more aggressive power trio."
"Amnesia... illustrates the golden and ‘classic’ period of Garage 29, bridging the gap with their more successful record companions."
Listen to Garage 29's Amnesia and discover the powerful sound that defined an era in Italian underground rock.
Auto da Fé was a tough and original album, well-played and that perfectly positioned them in a unique niche for energy and authorial intensity. Castello di Carte is a painful and authorial piece, a hymn against bourgeois conformism which inflamed many small local radios.
Auto da Fé was a tough and original album, well-played and that perfectly positioned them in a unique niche for energy and authorial intensity.
Castello di Carte is a painful and authorial piece, a hymn against bourgeois conformism which inflamed many small local radios.
Listen to Garage 29's Auto da Fé and explore a unique chapter of 90s Italian rock history!
"Hold Me Down" delights and surprises with noisy bursts and old-school dark guitar phrasing. The album contains at least three masterpieces but may be indigestible for first-time listeners of the greatest gothic American poet.
"Hold Me Down" delights and surprises with noisy bursts and old-school dark guitar phrasing.
The album contains at least three masterpieces but may be indigestible for first-time listeners of the greatest gothic American poet.
Dive into Rozz Williams' Sleeping Dogs to experience raw gothic creativity and rare unreleased gems now!
The remastering work is certainly good, with a noticeable increase in dynamics... What is perhaps missing is a more incisive work on the sounds. In short, for one of the dirtiest and most decadent albums of the ’80s, no one wanted a polished and refined cleaning of the sounds... but one might have expected more.
The remastering work is certainly good, with a noticeable increase in dynamics... What is perhaps missing is a more incisive work on the sounds.
In short, for one of the dirtiest and most decadent albums of the ’80s, no one wanted a polished and refined cleaning of the sounds... but one might have expected more.
Discover the legacy of Christian Death's Only Theatre of Pain and hear how its remaster measures up—listen and judge for yourself!
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