Armand Banned

DeRank : 6,53 • DeAge™ : 997 days

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  • Here since 8 january 2023

 The true poet is the Saint. The others who write poems are apprentices of the immediate.

 A mind-blowing movie for how 'fun' it is and then with that apocalyptic ending paced by the 'final dance' of an irresistible instrumental rock ’n roll.

The review delves deeply into the mystical and philosophical themes of Luis Buñuel’s Simon del Desierto. It presents saints as true poets living beyond ego and material realities, contrasting them with superficial rational minds. The film is praised for its profound meditation on spirituality, human folly, and eternity, ending with an intense, apocalyptic instrumental rock sequence. Discover the spiritual and surreal journey of Simon del Desierto—watch this cult classic and immerse yourself in Buñuel’s apocalyptic masterpiece.

 "We could all be an Aguirre, we could all frequent that silent apocalypse..."

 "Extreme nihilism is the only thing Aguirre, wrath of God, can present on the plate."

This review delves into Werner Herzog’s Aguirre, Furore Di Dio, focusing on themes of madness, delusion, and mankind's futile quest for power amid nature’s vastness. Klaus Kinski’s intense portrayal and Herzog’s direction evoke a haunting cosmic nihilism. The film’s symbolic finale encapsulates the silent apocalypse and existential dread of unreachable glory. The review reflects on the human condition mirrored in Aguirre’s wrath and downfall. Dive into the haunting depths of Aguirre’s madness and nature’s power—watch Herzog’s classic now!

 THE NEW EVERYTHING ALBUM IS OUT! I smile, and smile.

 I’ll be there imagining Ben and Tracey with their mischievous time machine that erases 24 years, that nullifies illusions, that makes us happy.

Everything but the Girl returns after a 24-year hiatus with their new album Fuse. The reviewer reflects on personal memories tied to their music and expresses heartfelt joy for the band's comeback. Despite any changes in voice or style, the release itself is a cause for celebration. The album evokes themes of nostalgia and enduring connection. Discover the heartfelt comeback of Everything but the Girl—listen to Fuse and relive the nostalgia.

 Amanda, already the androgynous muse of Dalí’s art androgyny, with her perpetual Sphinx-like presence that continuously triggers the little question inside us.

 Tam-tam-produces a new situation in the landscape of easy-listening music, elevating everything towards cultured-wild shores where the rhythmic carnival of bunga-bunga is concrete.

Amanda Lear’s Tam-Tam is celebrated as a Mediterranean masterpiece in the Italo disco genre, elevating 1980s disco with cultured and sensual rhythms. The review highlights Lear’s unique androgynous muse image and the album’s sophisticated synth-pop style. The work stands in contrast to Anglo-Saxon disco, emphasizing Italian creativity and cultural depth. Overall, the album is praised for its hypnotic allure and artistic boldness. Dive into Amanda Lear’s Tam-Tam and experience the hypnotic rhythms and timeless Italo disco charm today!

 Marking time is our greatest deception while Raúl Ruiz never more than in this film makes us stay inside, and transparent, to the accumulation of eternity.

 The language of the soul breaks in like waves and blocks the mockery of representation, there are no holds, no 'projection,' no seeking to proselytize in proposing to 'leave everything,' no temptation is induced in this disintegration, it is a right for everyone.

The review challenges the typical surrealist label given to Raúl Ruiz's La Città dei Pirati, emphasizing its mystical and baroque qualities instead. The film rejects conventional storytelling, time, and action, immersing viewers in a hypnotic, dreamlike atmosphere that evokes spiritual and esoteric questions. This work highlights the disconnection between body and soul, explores the illusion of time, and invites audiences to engage with higher levels of consciousness beyond ego. Though demanding, the film offers a unique cinematic experience that resists mainstream appeal. Dive into Raúl Ruiz’s mesmerizing cinematic journey and experience a film that challenges time and perception. Watch La Città dei Pirati now!

 this work is a genuine 'California Babylon' committed to 'good' where asshole angels squawk sacred fires that scald the imprudent user but send a small audience of Dharma bums into raptures

 More than a comeback of the 'succubi' to this damned madness that is life in this dimension, the minstrels in question are devoted to unhooking the shackles of the deception of counting time

This review explores the challenging and intense soundscape of Factrix & Cazazza’s California Babylon, highlighting its avant-garde industrial noise elements. It reflects on themes of human inhumanity, existential revelation, and cultural critique through experimental sonic means. Backed by Subterranean Records, the album and its visual concert proof deliver a raw auditory experience intended for a niche audience of dedicated followers. The work confronts listeners with difficult truths, offering transformative but demanding artistic engagement. Experience the unsettling intensity of California Babylon and explore the depths of avant-garde noise with Factrix & Cazazza.

 The nomadic quid makes the difference of an unbridled logic vortex in its uncontrollability.

 A tsunami of pleasure, a trance of breaths that drags into a tarantella that blesses the musicians with bigliettoni as good gypsy tradition commands.

Kočani Orkestar's 1994 album presents authentic Macedonian gypsy brass far from mainstream Balkan fads. Led by Naat Veliov, the band blends traditional rhythms with spirited improvisations, creating a hypnotic and joyful listening experience. The review praises their cultural significance and the raw unbridled energy seen also in live shows. This music serves as a powerful symbol of Roma identity and musical liberation. Dive into Kočani Orkestar's vibrant gypsy brass world—listen now and experience the hypnotic energy of Balkan traditions!

 There is timeless narration in the film, one can stay in the future, in the past, here, there... It’s the same thing.

 "LOOK AT ME! I WILL SHOW YOU THE LIFE OF THE MIND!"

The review delves into Barton Fink’s complex narrative and atmospheric style, emphasizing its timeless, surreal qualities and solitary themes. It highlights the Coen brothers’ break from mainstream aesthetics, offering a modernist and psychological exploration. The film’s unsettling mood and cinematic symbolism are praised, alongside standout performances and a rejection of easy interpretations. The reviewer detects a mystical layer challenging the viewer’s perception of reality. Discover the mystifying depths of Barton Fink and experience the Coen brothers’ unique cinematic vision today!

 The soundscapes sway changing, attractive, yet tremendously unsettling in their lack of a comfort zone.

 Marnie Weber puts aside the filters of accommodating reality and invites us on a direct journey to the visualization of alien lands.

Marnie Weber’s solo album Songs Hurt Me continues her exploration of aggressive, primal soundscapes with a focus on unsettling and hypnotic atmospheres. It abandons comforting norms to immerse the listener in alien, surreal worlds marked by witchcraft-inspired chants and sonic disintegration. The album’s androgynous, no-frills approach defies typical genre clichés, steering clear of sentimentality toward a raw, conceptual auditory experience. Overall, the work invites a challenging but captivating journey into personal and psychic realms. Discover Marnie’s eclectic and hypnotic world—listen to Songs Hurt Me and dive into its surreal soundscapes today!

 Local zombies 'all’amatriciana' bring an absurd distillation of nights of the living dead and failed Cannibal holocausts.

 The expectation of Cassini’s curves arriving nails us to the chair until the end, making us confess our opportunistic necrophilia.

Nello Rossati’s film is a surreal and absurd parody horror that playfully mocks 70s zombie tropes and local Italian kitsch. Featuring notable performances by Montagnani and Cochi Ponzoni, it mixes humor with nostalgic gore elements. The review highlights its charm and cult potential despite its low-budget nature. Essential viewing for fans of oddball horror with a provincial twist. Dive into this quirky Italian parody horror and discover a wild blend of kitsch, zombies, and nostalgic gore fun!

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