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 "Non calpestare i fiori nel deserto made me foresee a return of Pino Daniele, but instead it was just the last spark of a great who was."

 "Every rhythm, every riff, even simple, every instrumentation is perfectly in place without even a smudge (thanks to some high-level collaborators)."

This review highlights Pino Daniele's 1995 album 'Non calpestare i fiori nel deserto' as an underrated masterpiece filled with intricate rhythms and flawless instrumentation. The reviewer appreciates the thoughtful blend of Southern Italy, African, and Middle Eastern influences and praises contributions by Jovanotti and Irene Grandi. Despite some considering the album 'boiled,' the reviewer argues it represents a high artistic level. The album is recognized for its emotional depth and memorable songs, winning a Targa Tenco and achieving commercial success. Listen to Pino Daniele’s soulful blend on 'Non calpestare i fiori nel deserto'—discover a timeless Italian classic today!

 "Side B is deep, harsh, at times desperate. And desperate is the song that announces it, one of Jannacci’s best (but one of the best of all time), 'Il giorno che partì mio padre'."

 "It may be just 45s put together to form an album, but well, let’s have more of them. (Almost) perfect."

This review praises Enzo Jannacci’s 1968 album 'Vengo anch’io no tu no' as a semi-masterpiece composed of striking singles. The album balances cheerful yet censored satire with deep melancholy and social commentary. Highlights include the iconic politically charged 'Ho visto un re' and the heartfelt 'Il giorno che partì mio padre.' Though a few tracks fall short, the album remains essential and influential in Jannacci’s discography. Discover the poetic brilliance of Enzo Jannacci’s 'Vengo anch’io no tu no' — listen now and explore Italy’s timeless musical gems!

 "It’s a little gem, the kind that only come around a few times in a lifetime."

 "No studio recording tricks, just a voice, a few guitars, and a series of anecdotes shared between the songs."

L'Ostaria Delle Dame captures intimate live performances by Francesco Guccini from the early 1980s, revealing rare, unreleased songs and humorous anecdotes. The 2-CD set showcases a raw, genuine atmosphere with excellent audio restoration. This album is a must-have for dedicated fans and lovers of Italian folk music, offering a unique glimpse into Guccini's casual yet poetic artistry. Dive into Francesco Guccini’s rare live recordings now and experience his timeless folk magic up close!

 You can’t feed the public an anthology not properly remastered.

 Hearing the crackle of a 45 rpm with the voice fading in and out, the audio randomly switching from mono to stereo, shows an evident sense of widespread sloppiness.

This review critically examines the 'Tutto Modugno: Mr Volare 1956-1964' anthology by Domenico Modugno. While it praises the careful omission of lesser later works and the inclusion of original tracks, it criticizes the poor sound remastering, inconsistent audio quality, and cheap packaging. The reviewer acknowledges the album’s value but is disappointed by the overall presentation. Modugno’s genius remains unquestioned despite the anthology’s flaws. Discover Domenico Modugno’s classic hits, but beware of this anthology’s audio flaws—listen and decide for yourself!

 ‘Ci vuole orecchio’ finally sees him at his highest levels. Very high.

 ‘Silvano’ is a lexical masterpiece, as well as musical, with phrases that deeply resonate.

This review praises Enzo Jannacci's 1980 album 'Ci vuole orecchio' as one of his top works, marking a return to form after weaker previous releases. The album’s rich brass sounds and lyrical mastery stand out, especially the collaborations with Cochi e Renato. It balances humor with poignant themes of daily struggles and Milan’s gray outskirts, offering musical complexity and emotional depth. Dive into 'Ci vuole orecchio' and experience Enzo Jannacci's finest musical storytelling—listen now!

 PFM comes out with an elegant box set... but the third live CD has not a single unreleased piece.

 Anthologies made with little care that discourage the average buyer and plunge the already comatose Italian record market into a comatose state.

PFM's 35… e un minuto anthology marks their 35-year career with a three-CD box set. However, it disappoints by offering no unreleased or rare material. The set includes traditional best-of tracks and familiar live recordings, making it mostly redundant for longtime fans. Though useful for beginners, it fails to invigorate the Italian progressive rock market. Discover why PFM's 35… e un minuto falls short and explore their classic progressive rock legacy.

 Bearers of a folk that mixes poetry and pub brawls, the Pogues were one of the most beautiful realities of the '80s.

 A beautiful anthology that places the Pogues in their rightful place, which is Heaven. Or in a pub getting drunk, take your pick.

The review praises The Pogues as a standout 1980s band blending folk traditions with punk energy and lyrical poetry. The 2001 anthology 'The Very Best Of... Pogues' is recommended for newcomers, highlighting key tracks like 'Fairytale of New York' and 'Dirty Old Town.' The collection captures the band's range from raw folk to danceable punk and melancholy ballads, affirming their legacy. Explore The Pogues' definitive collection now and experience the legendary blend of folk poetry and punk energy!

 Ah, Duran Duran. The Bible of the '80s.

 No, I don’t think anyone will be able to produce a new 'Rio.'

The review celebrates Duran Duran as iconic 80s legends whose Greatest Hits album perfectly captures their career highlights. Though their later works fell short, this 19-song collection bridges nostalgia and musical quality. It evokes the spirit of 80s hedonism and remains enjoyable decades later. The author reflects fondly on the band's enduring appeal and the difficulty of replicating hits like 'Rio.' Dive into Duran Duran’s Greatest Hits and relive the iconic sounds of the 80s today!

 They demonstrate this with this album, '9', their ninth, in fact, where they revisit an old song titled '1989' in which they recall the fall of the wall...

 'L’eutanasia del fine settimana' is saved, which humorously tells the overused ritual of wanting to get smashed at all costs every Saturday night.

Negrita's album '9' showcases skilled musicianship with strong opening tracks blending pop-rock and provincial themes. However, many songs suffer from trivial lyrics and feel like filler. Some tracks, like 'L’eutanasia del fine settimana,' offer humor and unique perspectives, but overall the album remains inconsistent and typical of Negrita's previous releases. Discover Negrita’s '9'—listen now and explore their blend of provincial rock and pop with moments of genuine charm!

 The ratings seem random.

 The two authors seem to love making a mockery of it.

This review critically examines "Il Dizionario del Pop-Rock 2016" by Enzo Gentile and Alberto Tonti, praising its broad scope but condemning its inconsistent and sometimes baffling ratings. The authors are accused of favoritism and questionable judgments on both Italian and international artists. Notable omissions and undervaluations detract from its credibility. Ultimately, the review laments that this 2016 edition is the last update of a once valuable series. Discover the flaws and favorites in Il Dizionario del Pop-Rock 2016—read our detailed critique now!