JOHNDOE Banned

 If you can’t accept the premise of De Niro’s face like MORK old man’s body... you don’t empathize.

 The young-old gimmick on which the entire film hinges is a DEADLY BULLSHIT and indefensible.

The review expresses disappointment with The Irishman, particularly criticizing the distracting de-aging effects on Robert De Niro. While praising Al Pacino and Joe Pesci's performances, the reviewer finds the film overly long and slow, lacking the impact of classic gangster films like Once Upon a Time in America. The direction and set design receive some positive remarks despite overall dissatisfaction. Read the full review and decide if The Irishman’s epic hype matches your taste.

 Carax’s cinema is symbolic, metaphorical, magnetic.

 It will be love playing the chess game moving both whites and blacks and it will be chaotic.

This review praises Leos Carax's 1986 film Mauvais Sang for its symbolic and unpredictable cinematic style. Highlighting Denis Lavant's standout performance alongside Juliette Binoche, it emphasizes the film’s central theme of love amidst chaos. Carax’s unique directorial choices and atmospheric shots captivate the audience. The review encourages viewers to watch and appreciate this important French film. Watch Mauvais Sang now to experience Leos Carax’s unforgettable blend of love and cinematic artistry.

 The Man of the Labyrinth is a boring and disjointed mess.

 Dustin Hoffman seems like an angel fallen from the sky... reassured multiple times it won’t bounce.

Donato Carrisi’s ‘The Man of the Labyrinth’ follows his debut with a new thriller featuring Dustin Hoffman and Tony Servillo. Despite the strong cast, the film suffers from a disjointed and clichéd plot. The story struggles to engage or scare, with implausible writing and underwhelming character arcs. Even the acting, while professional, is overshadowed by poor dialogue and direction. Read the full review and decide if 'The Man of the Labyrinth' is worth your time or just another thriller disappointment.

 The rhythm is different too, it’s not electric, it doesn’t shoot barrages... it’s a waltz.

 QT is a great director, the greatest pop director ever I believe, but on a human level, I think he’s a piece of shit.

This review praises 'Once Upon a Time in Hollywood' for its unique, melodic pacing and vivid recreation of 1969 Hollywood. The critic values the film's restrained dialogue and strong performances, especially from Brad Pitt and Al Pacino. A critical view is expressed toward Tarantino's depiction of the hippie movement, revealing a complex appreciation for the director's work. Overall, the review highlights the film's engaging narrative and memorable sequences. Discover Tarantino’s unique Hollywood tale — watch the film and read this insightful review now!

 Walter Hill is a guarantee.

 It’s like when you go to a trattoria: you eat a lot, everything is good, it might not be gourmet, but in the end, you pay little and know you will return.

Walter Hill’s 2012 film Bullet to the Head delivers solid action entertainment with excellent craftsmanship. Sylvester Stallone plays a criminal convincingly amidst intense fight scenes and a fast pace. Though not original in writing, the film’s execution and effective cinematography make it worthwhile. Fans of action movies will appreciate the nonstop events, twists, and skilled filmmaking. Watch Bullet to the Head and experience classic Walter Hill action at its finest!

 "For the first time in Italian cinema, the theme of homosexuality is tackled from another perspective, more human and profound than the cliché."

 "Perhaps this is where Antonietta realizes she 'exists,' albeit potentially, as a human being, and not just in the role society (fascist) has assigned her."

Ettore Scola's 'A Special Day' (1977) portrays a poignant encounter between Antonietta and Gabriele on a historically significant day in Fascist Italy. The film blends documentary footage with intimate storytelling to explore themes of loneliness, identity, and societal roles. Notably, it offers a profound and human portrayal of homosexuality rarely seen in Italian cinema at the time. Sophia Loren and Marcello Mastroianni deliver exceptional performances, making this film a lasting masterpiece with poetic direction. Explore this timeless Italian masterpiece and witness a rare, tender story of humanity during Fascist Italy—watch 'A Special Day' now!

 Caligari is not derivative, does not resort to particular clichés or stereotypes, does not deliver moral lessons or gratuitous morals but exposes the facts with raw realism, bitter irony, with a particular grotesque streak.

 The victims are mostly helpless, almost absent, more than robberies they seem like expropriations.

Claudio Caligari’s 'The Scent of the Night' is a raw and intense film set in late 1970s to early 1980s Rome, centering on a policeman-turned-robber. Known for its uncompromising realism, it showcases a unique directing style with memorable violent scenes and deep character portrayals. Caligari’s approach avoids clichés, focusing instead on authentic, gritty storytelling. The film is noted for its dense storytelling and rewarding repeated viewings. Dive into Claudio Caligari’s gripping The Scent of the Night for a brutal, unforgettable look at crime and conscience in 1980s Rome.

 The Conformist reveals a great passion of Bertolucci for cinema.

 Marcello, the central figure of the film, complex and indecipherable, admirably embodies the identity crisis that besets the man of the 20th century entangled in the bourgeois archetype.

Bernardo Bertolucci's The Conformist is a visually and thematically rich film set during fascist Italy, exploring identity and alienation. The film showcases Bertolucci's unique style with memorable sequences and a powerful cast. Its innovative techniques and soundtrack make it a standout masterpiece. The review highlights its lasting influence on cinema and strong storytelling. Discover the brilliance of The Conformist—watch this cinematic gem and dive into Bertolucci's unforgettable vision.