AntiCorpo

 A first problem arises: these are Americans. I’m bewildered and decide to explore further.

 It is a purely instrumental album that strongly winks at the convoluted and sophisticated scene typical of the Canterbury sound but also exudes warmth in the overall sound.

Iliad's 1976 album Distances is praised as a well-executed and imaginative instrumental work. Though labeled jazz rock, it leans toward Canterbury-inspired progressive rock with Mediterranean influences. The piano dominates, likely driven by Sandy Owen's skilled musicianship. The album’s vinyl-only US release makes it a rare find today. Explore Iliad's Distances and immerse yourself in vintage Canterbury-inspired jazz rock brilliance!

 I find it absurd that the best Italian hardcore album ever made is currently stuck between cult status and oblivion.

 I challenge anyone to play hardcore better than this.

Grandine's 2001 debut album is considered by the reviewer to be the best Italian hardcore album ever made. Despite its intense 13-minute run, passion and technical skill pervade every track. The band from Trento remains obscure with little information available, and the album is difficult to find. The reviewer calls for urgent recognition and reissue of this hardcore masterpiece. This album stands out in the rich history of Italian hardcore punk. Listen to Grandine's stunning hardcore album now and discover an Italian punk masterpiece lost to time!

 Aside from the vocals, the album is well performed.

 The story and the context are engaging, but the album itself is entirely negligible.

The album 'Ballettirosadimacchia' was produced by Japanese musicians as a prank, pretending to be an Italian progressive rock band from the 1970s. While the instrumentation and melodies are well done, the vocals and lyrics display significant flaws. The album is noteworthy for its backstory but musically is underwhelming and largely negligible. Discover the fascinating story behind this Japanese tribute album and decide if the music lives up to the legend!

 Just over thirty minutes of mellotron, guitars, keyboards, and synthesizers perfectly blended together.

 I find that there are strong similarities with the self-titled album by the Italian group Automat, but that the result of the French artist is decidedly more successful.

Dominique Guiot’s 1978 album L'Univers De La Mer is celebrated as a standout example of library music, blending mellotron, guitars, keyboards, and synthesizers. The review highlights its evocative and melodic qualities with subtle progressive elements. The French artist's work is compared favorably to the Italian group Automat, noted for its success and unique style. Despite limited information on Guiot, the album remains a sought-after collector’s item with a hopeful reissue awaited. Explore Dominique Guiot’s evocative 1978 album and immerse yourself in the timeless charm of classic library music.

 I love this work because it conveys an immense sense of calmness and relaxation in which various moments of musical elegance emerge.

 This union lasted for a little less than a decade and was idyllic until something broke.

This review explores Tallarita and Tommasini's rare 1977 collaborative album, highlighting its instrumental and experimental nature. The album blends diverse genres like jazz, funk, psychedelic, and prog with a calming elegance. Despite its rarity and limited initial exposure, the work is praised for its musical quality and intriguing diversity. The reviewer expresses hope for its reissue so it can gain deserved recognition. Explore this rare Italian prog masterpiece and discover a unique blend of jazz, funk, and psychedelic sounds. Listen now and support the reissue movement!