Abraham

 Simply Red stopped pleasing me the moment Mick was no longer hungry.

 'Holding Back The Years' remains their everlasting trademark.

The review highlights Simply Red's debut album Picture Book as a strong and soulful record driven by Mick Hucknall’s passionate vocals. It praises the work of producer Stewart Levine and the band’s lineup, noting classic tracks like 'Holding Back The Years'. Despite some criticisms about guitar and drum arrangements, the album remains a solid and influential milestone for Simply Red. The reviewer balances differing opinions between band members and management, ultimately recognizing the album's raw energy and lasting appeal. Discover Simply Red's soulful debut and hear the hunger that shaped their iconic sound – listen to Picture Book today!

 If I’m asked to give voice to what I consider the perfect pop, I say Tears For Fears.

 They were the contemporary pop, the pop of the ’80s, the courteous, clean, essential definition of a groove carved with immense strength.

The review emphasizes Tears for Fears as embodying the perfect 80s pop essence beyond typical fandom. It highlights the timeless quality of their music, especially from Songs From The Big Chair, and honors their legacy despite later solo and reunion efforts. The reviewer challenges listeners to reflect deeply on the band's influence and enduring charm. Explore the timeless hits of Tears for Fears and rediscover the essence of 80s pop magic today!

 If the prelude, the two prequels, and the first sequel were 'meh', this fifth offering, 'The Marked', disturbed me.

 This deserves a bit of attention. From the distracted, the curious, even the prejudiced: give it a try, then let me know.

The reviewer, previously hesitant about the Paranormal Activity series, finds the fifth film 'The Marked' more impactful and disturbing than prior entries. Despite familiar genre conventions and the found footage style, this sequel stands out by delivering a more unsettling experience. The reviewer encourages even skeptics to give it a chance, noting its improvements and emotional effect. Discover why Paranormal Activity 5 stands out—watch it and share your thoughts!

 This album is enjoyable to listen to because it embodies pop, rock, electronic music, and the desire to have fun in the studio in equal measure.

 The solid foundation is the approach to the instrument, the freedom to experiment without overdoing it, the lightness of those who already have credibility and owe nothing to anyone.

Electronic's 'Raise the Pressure' is a thoughtful follow-up to their acclaimed debut, blending pop, rock, and electronic elements into a diverse and enjoyable album. Featuring contributions from Kraftwerk's Karl Bartos, the album explores a rich sonic palette with nuanced instrumentation and varied track moods. While it lacks the raw personality of the first album, it showcases the band's freedom to experiment and evolve. Despite a lengthy production and some pacing inconsistencies, the album remains a rewarding listen for fans of hybrid pop-electronic music. Listen to Electronic's 'Raise the Pressure' and experience a unique blend of pop, rock, and electronic creativity.

 The album sounds clean, but it sounds bare: it was never arranged, produced, finished. It’s raw stone.

 An abortion that is no more, an aftertaste that becomes sweet and tries to claim a space there, in the early ’90s.

Prefab Sprout’s 1993 album 'Let’s Change the World With Music' was rejected by CBS, leaving it unfinished and obscure for years. Centered on themes of faith, the album’s raw demos reveal ambition hindered by production and reception issues. While musically uneven, standout tracks like 'Sweet Gospel Music' show depth and sophistication. This release remains a fascinating but flawed insight into Paddy McAloon’s complex artistry. Discover the hidden depths of Prefab Sprout’s lost album—listen now and experience the raw faith and emotion behind the music.

 For me, EBTG were born with the remix of 'Missing' (1995) and died with 'Temperamental' (1999).

 Her voice is splendid, gentle, a caress... Ben Watt handles 90% of the work and doesn’t fail to let us know.

This review explores Everything but the Girl’s 1999 album 'Temperamental,' emphasizing its strong electronic direction and synth-heavy production. The reviewer acknowledges the band’s departure from earlier sounds, praising Tracey Thorn’s vocals and Ben Watt’s songwriting. While appreciating standout tracks, the reviewer notes the album’s consistent electronic focus as both a strength and limitation. The review reflects on the band's evolution and subsequent hiatus. Discover the electronic evolution of Everything but the Girl by listening to 'Temperamental' today!

 By contrast, the melancholic Lucio, lonely, with a lump in his throat, nostalgic, surly, yes: he’s the one. He is real, alive.

 Tracks 2-3-4... could almost be considered a concept... I approve of the musical part: it flows, it’s catchy, it’s heartfelt.

This review explores the deeper, melancholic side of Lucio Dalla in his 1999 album 'Ciao', highlighting its introverted and heartfelt nature. While acknowledging some weaker tracks, it praises the album's emotional depth and musical flow. The reviewer contrasts the artist’s lighter public persona with the genuine, stressed Lucio found within the songs, emphasizing patience needed to appreciate the work fully. Discover the heartfelt depth of Lucio Dalla’s 'Ciao'—listen now and experience its haunting melancholy.

 "Level 42 were slowly but steadily giving way to pop."

 "World Machine is indispensable for those who love Level 42, essential for those who want to approach them, necessary for those who have recently discovered them."

World Machine is Level 42's fifth album, marking a shift from jazz-funk fusion to a more pop-oriented sound. The album highlights creative tensions within the band and features tracks ranging from complex to mainstream appeal. While some fans felt distant due to this musical transition, the album remains a solid and essential work for fans and newcomers alike. Key departures in the band occurred shortly after its release, emphasizing its pivotal role. Discover the evolution of Level 42 with World Machine – listen now and experience the jazz-funk fusion meets pop transition.

 "'Out Of This World' barely manages to consolidate the band at the levels of its predecessor."

 "It is a tired projection into the present while winking at the past until it blinds itself."

Europe's 1988 album 'Out of This World' struggles to live up to the massive success of 'The Final Countdown'. Despite some technical refinement with new guitarist Kee Marcello, it lacks fresh ideas and impulsiveness. The album feels rushed, with heavy reliance on Joey Tempest and production choices that overshadow the band's core sound. Critics note disappointing vocals and a lack of innovation, leading to a mixed and underwhelming reception. Discover why Europe's 'Out of This World' fell short of expectations and explore the story behind the sequel to a classic album.

 Michael Cretu, the mind, limbs, and timeless fluid of the Enigma project is a 5-star master in this sense.

 ‘Screen’ is an album of absolute transition, with ‘Voyager’ partial innovations will come, rejected by the fans, but the project will be lost in too many veils.

Enigma's fourth album, The Screen Behind the Mirror, continues the project's signature blend of ambient sounds, tribal rhythms, and Gregorian chants. Michael Cretu masterfully builds on previous works without stagnation. Although not groundbreaking, the album offers a reassuring quality and introspective atmosphere. Highlights include tracks like Gravity Of Love and Smell Of Desire, with notable use of Carmina Burana throughout. This album marks a transitional phase while maintaining Enigma's unique identity. Dive into Enigma’s mystical soundscape—listen to The Screen Behind the Mirror and experience a timeless musical journey.