Cover of Lucio Dalla Ciao
Abraham

• Rating:

For fans of lucio dalla, lovers of introspective italian pop, and listeners seeking emotionally rich albums.
 Share

THE REVIEW

I never liked Lucio the buffoon. The one who jumps, howls, makes noises, pretends to be Neapolitan (him, a Bolognese through and through), burps, farts, and so on.

By contrast, the melancholic Lucio, lonely, with a lump in his throat, nostalgic, surly, yes: he's the one. He is real, alive. I like him.

'Ciao', the album, isn't popular anymore. Because fundamentally it's the radio that spoon-feeds the listener, attentive or not.

And the radio, at the time, bombarded us with “Ciao – ciao – ciao – ciao – ciao – ciao.” It's not evil, but it's too lighthearted, misleading when placed within the context of the album.

Which, in several episodes, convinces and transmits indefinite bursts of a rarefied, introverted, stressed, and paranoid Lucio.

Tracks 2-3-4, "Non vergognarsi mai", "Io tra un’ora sono lì" and "", could almost be considered a concept. In order: 1. I make you aware of your perverse beauty 2. I will reach you at all costs 3. I won’t lose you, even if it means annihilating myself. I approve of the musical part: it flows, it's catchy, it's heartfelt.

What A Beautiful Day” and “Hotel” overwhelm with the sense of solitude within them. I approve of them wholeheartedly. Even if it took some time. Years, perhaps. Because the immediate impact might not break through. Lucio often requires time, patience, but you already know that. I believe.

Trash” few have understood. (moreover, lyrics not his editor’s note). Or rather: few have processed it. Because if you don't process it, you hate it. If you grasp its thrill, you end up liking it. It might even irritate you.

Scusa” is a token of love that is never missing in Lucio's albums, it's nice, nothing more. His stuff, basically.

Born To Be Alone”, as well as “Trapiantoperso” and “1999” (re-recorded), are the lowest points, along with the title track.

That's all. Of “Ciao”, year 1999. There's nothing else. I've dissected ‘Canzoni’ from 1996, which were more favored than ‘Ciao’, well, in the opinion of the writer, it doesn't have the pure, maladjusted, and distorted DNA.

Trust me, or not. Lucio would tell you: damn, fool, jerk.

Then, however, he would apologize. Before locking himself in his room.

Loading comments  slowly

Summary by Bot

This review explores the deeper, melancholic side of Lucio Dalla in his 1999 album 'Ciao', highlighting its introverted and heartfelt nature. While acknowledging some weaker tracks, it praises the album's emotional depth and musical flow. The reviewer contrasts the artist’s lighter public persona with the genuine, stressed Lucio found within the songs, emphasizing patience needed to appreciate the work fully.

Tracklist Lyrics Videos

02   Non vergognarsi mai (04:22)

03   Io tra un'ora sono lì (04:23)

04   Là (04:04)

05   What a Beautiful Day (05:37)

06   Trapiantoperso (05:04)

07   Hotel (04:16)

08   Trash (05:06)

09   Scusa (03:56)

11   Born to Be Alone (07:14)

Lucio Dalla

Lucio Dalla (Bologna, 4 March 1943 – Montreux, 1 March 2012) was an Italian singer-songwriter, musician and actor. Clarinetist by training, he blended jazz roots with pop and canzone d’autore, rose with the Roversi trilogy (1973–76), and reached a peak with Com’è profondo il mare (1977), Lucio Dalla (1979) and Dalla (1980). He co-led the 1979 Banana Republic tour with Francesco De Gregori and wrote the classic Caruso (1986).
50 Reviews

Other reviews

By alemonsa

 "Ciao is a mantra, a word repeated so much that it loses meaning and continually regains it."

 "Dalla has changed again, and some no longer like him. But maybe he did it for fun, or maybe for love."