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DeRank ™: 0,21 • DeAge™ : 3436 days
Many of the elements that will characterize Diaz’s future films are already present in this one in an embryonic form. Naked Under the Moon... remains a fundamental film for understanding the cinema of the Filipino director.
Many of the elements that will characterize Diaz’s future films are already present in this one in an embryonic form.
Naked Under the Moon... remains a fundamental film for understanding the cinema of the Filipino director.
Naked Under the Moon stands apart from Lav Diaz's later, more acclaimed slow cinema works through its use of color, music, and shorter runtime. The film introduces themes Diaz later explores in depth but includes commercial elements like unnecessary sex scenes. Though flawed, it remains essential for understanding his artistic journey and the evolution of his cinematic style. Dive into Lav Diaz’s cinematic roots and discover Naked Under the Moon, an essential watch for understanding his artistic evolution.
Get Out manages to do what most horror films in recent years fail to do: it forgoes those stupid and childish jump scares, preferring a more relaxed pace and a more old-school style. The hypnosis scene, with a power that’s hard to imitate and almost perfect editing, makes the viewer feel trapped, with no way to escape.
Get Out manages to do what most horror films in recent years fail to do: it forgoes those stupid and childish jump scares, preferring a more relaxed pace and a more old-school style.
The hypnosis scene, with a power that’s hard to imitate and almost perfect editing, makes the viewer feel trapped, with no way to escape.
Jordan Peele’s debut film Get Out revitalizes modern thriller-horror cinema by avoiding typical jump scares and relying on tension-driven storytelling. While the screenplay has its flaws and some characters feel caricatured, the direction, acting, and especially the hypnosis scene stand out. Far from a masterpiece, it remains a highly entertaining and engaging film, blending social themes with horror effectively. Discover why Get Out is a must-watch thriller-horror—stream it now and experience Jordan Peele’s unique tension-filled storytelling!
The Red Turtle is a silent and delicate poem, a philosophical treatise that thrives on allegories and elegant watercolor drawings. Earth does not belong to man, man belongs to Earth.
The Red Turtle is a silent and delicate poem, a philosophical treatise that thrives on allegories and elegant watercolor drawings.
Earth does not belong to man, man belongs to Earth.
The Red Turtle is a silent, poetic animated film by Michaël Dudok de Wit, blending allegory with stunning watercolor art. Unlike typical action-packed films, it invites reflection on humanity's complex relationship with nature. The first feature by this Dutch director under Studio Ghibli’s banner showcases a unique artistic identity and quiet storytelling. Praised as a future classic, it offers a delicate and emotional cinematic experience. Watch The Red Turtle and experience a beautifully silent tale of man, nature, and harmony.
The underlying idea of the film is to be found within antispeciesism: the human being, unlike what he thinks of himself, is an infinitely small being within the universe. If one manages to get into the film’s mood and accept the very peculiar style of animation and drawings, it becomes extremely enjoyable and distressing.
The underlying idea of the film is to be found within antispeciesism: the human being, unlike what he thinks of himself, is an infinitely small being within the universe.
If one manages to get into the film’s mood and accept the very peculiar style of animation and drawings, it becomes extremely enjoyable and distressing.
Fantastic Planet is a 1973 animated sci-fi film by René Laloux, featuring surreal and disturbing visuals depicting an alien world where humans are dominated by giant blue beings. The film explores themes of antispeciesism, highlighting humans' small place in the universe. Despite its simple animation and slow pacing, the film's mood and soundtrack create a compelling and anxiety-provoking experience. The collaboration with Roland Topor and Alain Goraguer's jazz-infused soundtrack enhances its unique atmosphere. Discover the haunting surreal world of Fantastic Planet—watch this cult animated sci-fi classic and experience its unique vision and soundtrack.
For 80 minutes out of 90, there is no sign of danger whatsoever. If they had used this same concept for a 15 minutes short film, the result would have been truly a masterpiece.
For 80 minutes out of 90, there is no sign of danger whatsoever.
If they had used this same concept for a 15 minutes short film, the result would have been truly a masterpiece.
The Boy, directed by William Brent Bell, fails to deliver true horror for most of its runtime. The plot is clichéd and lacks danger for its protagonist until the final ten minutes. While technically competent, especially in direction and lighting, the weak screenplay and slow pacing make for a disappointing experience. The review suggests the film might have worked better as a short rather than a feature. Discover why The Boy falls short of its scary promise—read the full review and decide if it's worth your time.
Confessions is an extremely powerful, devastating, and emotional film like few others. Her revenge is much more insidious and cruel because it works on the psyche of the kids, who end up self-destructing.
Confessions is an extremely powerful, devastating, and emotional film like few others.
Her revenge is much more insidious and cruel because it works on the psyche of the kids, who end up self-destructing.
Confessions is a powerful and emotionally stunning film by Tetsuya Nakashima that masterfully blends drama, thriller, horror, and tragic romance. Featuring a teacher’s dark and psychological revenge against her students, it avoids clichés common in revenge movies. Praised for its mature depiction of adolescence and elegant Japanese language performances, the film is highly recommended to watch in its original language. Watch Confessions to experience a gripping and unforgettable Japanese revenge thriller that challenges cinematic stereotypes.
All the characters are human, and so are their actions. The light of his drawings is delicate and elegant.
All the characters are human, and so are their actions.
The light of his drawings is delicate and elegant.
This review highlights Studio Ghibli's TV film Ocean Waves by Tomomi Mochizuki, praising its realistic portrayal of teen life and love. Although not as flawless as Miyazaki's works, it offers delicate visuals and innovative flashbacks. The 70-minute short may feel brief but leaves a lasting impression. Best appreciated by existing Ghibli fans. Discover the heartfelt realism and unique style of Studio Ghibli's Ocean Waves—watch and experience a different side of this iconic studio.
"I am a terrible human being." Lars Von Trier reaches his stylistic peak here, merging diegetic and extradiegetic images into a single entity.
"I am a terrible human being."
Lars Von Trier reaches his stylistic peak here, merging diegetic and extradiegetic images into a single entity.
This review offers a deep psychological and thematic exploration of Lars von Trier's Nymphomaniac Vol. I & II, focusing on themes of love, loss, and melancholy. Interpreting Joe's story through Freud's definition of melancholy, the reviewer highlights the film's harsh atmosphere, powerful direction, and cultural decay motifs. The film is praised as the heaviest in von Trier's depression trilogy, featuring outstanding performances and a unique soundtrack selection. Readers are cautioned about spoilers, as the analysis examines key plot points in detail. Discover the dark depths of Nymphomaniac—watch and explore Lars von Trier’s masterful depiction of love and despair.
"Fuga da Reuma Park is one of the biggest disasters in the history of Italian cinema." "My only reaction during the viewing of this film is the one I reported at the top of the review: yawn."
"Fuga da Reuma Park is one of the biggest disasters in the history of Italian cinema."
"My only reaction during the viewing of this film is the one I reported at the top of the review: yawn."
This review expresses deep disappointment with Aldo, Giovanni and Giacomo’s film Fuga da Reuma Park, which is described as one of the worst Italian comedies. The reviewer criticizes the poor plot, weak acting, and amateurish direction, lamenting the trio's artistic decline. The film is said to provoke boredom rather than laughter or anger, making it a forgettable and painful watch for fans of the group. Discover why Fuga da Reuma Park failed fans and critics alike—read the full review now!
Lights Out revealed itself to me as one of the most poorly made genre products I have ever seen. Fear has given way to shock... which doesn’t give you any deep emotion other than irritation.
Lights Out revealed itself to me as one of the most poorly made genre products I have ever seen.
Fear has given way to shock... which doesn’t give you any deep emotion other than irritation.
The reviewer expresses strong frustration with Lights Out by David F. Sandberg, describing it as a poorly made horror film filled with clichés, uninteresting characters, and lacking genuine fear. They criticize the movie's reliance on cheap jump scares and find its atmosphere nonexistent. The review laments the current trend in horror cinema favoring shocks over meaningful fear. Overall, the film leaves the reviewer disappointed and irritated. Read this brutally honest review and decide if Lights Out is worth your time—or skip it for better horror thrills.
DeRank™: 1,66
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DeRank™: 5,79
DeRank™: 26,23
DeRank™: 6,33
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DeRank™: 6,75
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