luludia

 It’s not horrible, it’s magical...it’s not emphatic, it’s invigorating...it’s not stadium rock, it’s rough without hurting...

 This science aims to decrease what is in excess and increase what we lack. That is, in our case, and always regarding music, less sky and more mud.

The review reflects a personal and emotional struggle in accepting Bon Jovi’s iconic stadium rock songs amidst a preference for more introspective and refined music. The writer’s metaphorical spirit guide suggests broadening musical tastes to include rougher, invigorating rock. After initial resistance, the reviewer begins to appreciate the raw energy and authenticity of 'You Give Love a Bad Name'. Discover the unique energy of Bon Jovi’s rock anthems – listen now and explore a fresh perspective on classic hits!

 This is more or less how the first minutes of “Kulu se mama” are. With the song that, ancestral and hypnotic, is the second step into the void, while the first was the rhythm.

 Coltranian purity, that clear and expansive sound that, by the time of this album, has reached a territory of absolute freedom.

This review captures the evocative, hypnotic quality of John Coltrane's Kulu Sé Mama. Merging tribal percussion and free jazz, the album creates a vibrant soundscape full of spiritual intensity. The collaboration with vocalist Juno Lewis and pianist McCoy Tyner is highlighted as essential to the album’s organic flow and emotional depth. The reviewer praises the album as a masterpiece that invites listeners on an immersive, transformative journey. Dive into the hypnotic rhythms of Kulu Sé Mama and experience John Coltrane’s mystical jazz journey today!

 The six-minute and thirty-second mark is pure transcendence...

 Although it’s jazz, it is (it has been and always will be) blues.

Archie Shepp’s Blasé is an emotional and transcendent album blending avant-garde jazz with blues influences. The unexpected use of harmonica adds a soulful layer to the Coltrane-esque saxophone and minimalistic piano. The album conveys deep poetic tension and calm, creating a powerful and memorable jazz experience. Experience the soulful blend of blues and avant-garde jazz on Archie Shepp's Blasé—listen now and feel the poetry in every note.

 And if Iris has to be mentioned, say that she is always here with us, always true to herself and never false... false never.

 So leave the fake intense voice, the mushy grimace, the melancholic face, the sepia videos. They are all things that don’t fit a guy with a sound and robust physical constitution.

The review offers a reflective and somewhat skeptical perspective on Biagio Antonacci's album 'Iris.' It challenges the typical romantic melancholy and poetic pretenses, emphasizing a more grounded and authentic emotional experience. The reviewer touches on everyday life memories and questions the clichés surrounding the artist's image, ultimately providing a nuanced take on the album's themes and expressions. Discover the real emotions behind Biagio Antonacci's 'Iris'—listen now and experience an authentic Italian pop journey.

 Eros, however, knows nothing of this. He hosts evil without knowing it and is the eternal fool.

 His records... are like Sisyphus’ stone; every time (every damn time) you have to start the needle over again.

This ironic review interprets Eros Ramazzotti's Più bella cosa as a deceptively dark record, comparing it to eternal torment. The author humorously challenges traditional rock idols, while mixing personal nostalgic memories tied to the album. The tone is provocative and sarcastic, emphasizing an unusual perspective on a romantic Italian pop classic. Charming yet unsettling, the review blends personal experience with a metaphorical infernal imagery. Dive into this ironic take on Eros Ramazzotti’s classic and explore the hidden depths of Più bella cosa!

 "Peter thinks: I can do it too/I want to do it/damn, I need to do it...."

 "To keep them fantastic forever, Martin took our songs and put them inside little capsules."

This review explores Peter Hook’s book recounting Joy Division’s origins with a mix of factual storytelling and vivid imagery. It highlights the band’s early days in Manchester, the unique sounds crafted by producer Martin Hannett, and the complex dynamics among members. The reviewer appreciates Hook's avoidance of romanticizing Ian Curtis’s tragedy, focusing instead on the raw and chaotic creativity behind the band. The writing style is engaging and thoughtful, inviting readers into the legendary band’s formative years. Dive into Peter Hook’s raw, honest journey through Joy Division’s rise and discover the story behind the sound!

 The most suitable surrealistic pillow for daydreaming, in short...

 If you really must venture into the unknown, choose your travel companion well.

This review praises Hatfield & The North's debut album as a beautifully surreal and inviting journey into the Canterbury progressive rock scene. With subtle, dreamy sounds and playful eccentricities, the music invites listeners into a calming but intriguing atmosphere. The reviewer fondly recalls personal memories tied to the album while acknowledging its lasting artistic satisfaction. The blend of folk grace, whimsical vocals, and occasional chaos makes it a timeless classic. Dive into the enchanting world of Hatfield & The North and experience one of Canterbury’s most surreal prog masterpieces today!

 "’Rosegarden Funeral of Sores’ is a strange, very strange beast... an almost wave-like ballad."

 "‘Mercenaires (ready for war)’ is... a robust rock that continually builds rage and guitars, with Cale’s voice reaching an unruly scream."

This review celebrates John Cale’s 'Mercenaries' as a powerful and haunting work showcasing his unique take on ballads. Highlighting the eerie atmospheres reminiscent of the Velvet Underground, the review praises Cale’s refined yet intense style. The track 'Rosegarden Funeral of Sores' stands out as a chilling, wave-like ballad with menacing undertones. 'Mercenaries (ready for war)' delivers raw rock energy and emotion, reinforcing the album’s dark theme. Listen to John Cale’s 'Mercenaries' and experience the haunting power of his dark ballads and intense rock energy.

 Their science of the unexpected, while always overdoing it, manages, somehow, to never really go overboard.

 To be honest, I’m crazy about it, because there’s plenty of genius, plenty of fun, and some melancholy here and there too.

The Flying Lizards' album Fourth Wall is a fascinating patchwork of unexpected sounds and styles that blend skeletal rhythms, ambient textures, and quirky noise elements. Influenced by Brian Eno's work yet uniquely playful, the album delivers an intellectual but enjoyable listening experience. The reviewer praises its inventive, sometimes psychotic energy combined with moments of melancholy and fun. Overall, it's regarded as a brilliant and engaging record. Dive into The Flying Lizards' Fourth Wall and experience a masterful blend of avant-garde sounds and playful innovation today!

 The greatest drummer of all time. And never mind if the champions of technique for its own sake are turning up their noses, technique is a non-issue.

 You reach the end with the sensation of having spent half an hour in a different world, more beautiful and more gentle than ours, because everything that shouldn’t work works splendidly instead.

This review celebrates Maureen Tucker’s album Playin’ Possum as a rare and personal musical experience. Known for her minimalistic but powerful drumming with the Velvet Underground, Tucker’s solo work captures a charming, raw, and lo-fi essence. The album is full of covers and original touches, displaying her joyful and amateur spirit. The review also highlights her unique persona, blending innocence with a vital role in rock history. Overall, it praises the album's heartfelt authenticity and unconventional beauty. Discover the charm and unique rhythm of Maureen Tucker’s Playin’ Possum—listen now and experience rock history’s raw essence.