minoise83

DeRank : 0,39 • DeAge™ : 3865 days

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  • Here since 13 december 2014

 The video of Let’s Stuff Baby’s Mind With Diamonds is the kind of thing I like to keep my mind busy with when I’m a bit down.

 Kylie Minoise has a very recognizable way of making noise, and it’s evolving.

The review highlights the intense and evolving noise-punk sound of Kylie Minoise's album 'Kill Ugly Pop Now!'. It praises the music's quality noise, garage punk vibe, and industrial elements. The reviewer connects personally with the music and its chaotic energy, appreciating the unique style and video aesthetics. The album is seen as a mental stimulant and a fresh experience for fans of experimental sounds. Dive into the chaotic world of Kylie Minoise’s noise-punk album and experience its evolving raw energy today!

 Harsh noise is the metal of white noise.

 Dannii Minoise instead represents the more troll, more meme aspect of the harsh noise discourse.

Dannii Minoise offers a harsh noise experience filled with whistles, hisses, and crackles, portraying an experimental side project that leans into trolling and meme culture. The album’s concrete lack of content and raw sound serve as both a challenge and an amusing statement for noise music fans. Though not always serious, it’s appreciated for its unique style and aesthetic. The last track references the less fortunate Minogue sister, adding a layer of humor and cultural commentary. Dive into Dannii Minoise's harsh noise chaos—listen now for a wild and ironic noise music adventure!

 Remove the -billy and the 50’s imagery, and take out the vocals too: what remains is the ambient, the soft-drone, and the art-crafting of this farewell album.

 Heavy, imposing and undoubtedly well done. Recommended for sleepyheads and those attending the Academy.

Dirty Beaches' Stateless marks a significant departure from previous rockabilly-infused styles to a minimalist ambient sound. Alex Zhang Hungtai crafts an immersive, beatless soundscape rich with layered drones, delicate acoustic hints, and a mystical oriental atmosphere. The album excels in professionalism and attention to detail, standing out amid a crowded ambient scene. Recommended for listeners who appreciate deep, contemplative music and refined ambient productions. Dive into the immersive ambient world of Dirty Beaches' Stateless—explore its deep, layered soundscapes today.

 For a false start, Something's Bound To Happen treats the listener well, pampering them with heavy layers of white noise.

 The setups are poorly hidden, or even flaunted; this ambient is all the more evocative, the more alienated the sound sources are.

Ghostofthegardencity's debut album is an introverted fusion of post-rock and ambient noise. While the use of digital sounds and effects sometimes feels naive or harsh, certain tracks like "The Tin Man's Axe" offer more engaging moments. Overall, it’s a preparatory work appealing to niche listeners appreciative of experimental layering and textures. Listen to Ghostofthegardencity’s debut and explore their unique blend of post-rock and ambient sound textures.

 The album well represents a scene made of anti-structural approach to light music, resuming some of its superficial instances and transfiguring the contents into an ethereal magma of concrete craftsmanship.

 Warm and welcoming, but not sensual: like a mother. That is, like one’s own mother; not like just any mother.

This review explores Ghostofthegardencity's album 'The Curve in Admiration,' highlighting its unique blend of drone and noise with subtle post-rock elements. The album challenges conventional music structures through ethereal soundscapes and abstract textures. It is a deep dive into underground experimentalism that balances accessibility and complexity. The reviewer emphasizes the album’s thoughtful craftsmanship and musical authenticity. Discover the textures and depth of Ghostofthegardencity’s experimental soundscapes — listen to The Curve in Admiration now.

 If the ancient philosophers could have access to this record, they would have known for sure that they had rightly intuited the further, celestial, otherworldly, meta-mathematical meaning of sound.

 Do not dare to belittle the work of Lea Cummings, because to paulstretch anything we are all more or less capable: to make such well-crafted and pleasing mixes, to perform the concepts, to implement them in the art world, this no.

This review dives deep into Kylie Minoise’s cover of Napalm Death's You Suffer, praising its conceptual boldness and complex sound design. The piece transforms a brief grindcore track into an epic, ambient, and mathematically inspired soundscape. The work is positioned as an advanced, postmodern exploration that bridges art and music experimentation while respecting the original's structure and silences. The reviewer highlights the skill and artistic vision behind this reinterpretation, distinguishing it from simple stretching techniques. Explore Kylie Minoise's transformative You Suffer cover and experience a unique blend of experimental and ambient sound art today!

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