giovit74

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  • Here since 6 december 2014

 The Glasgow band has definitively proved to have reinvented itself while always remaining a pop-funk group that cannot give up the 'rhythm,' a trademark of their music.

 The album moves towards a direction close to club sound, with flatter arrangements compared to their pounding rhythms.

Franz Ferdinand's album Always Ascending marks a shift towards electronic and dancefloor sounds while retaining their pop-funk roots. With new guitarist Dino Bardot and producer P. Zdar, the band evolved their style by emphasizing melody over guitar riffs. The album features diverse styles from disco to new wave, proving successful in delivering fresh yet recognizable music. Overall, the band demonstrates a confident reinvention without losing their signature rhythm. Listen to Always Ascending and discover how Franz Ferdinand redefines their sound with fresh electronic energy!

 The sound of this album... seems to have taken a more easy listening direction, yet at the same time more solid.

 Unquestionably the London boys have shown over the years that they are not a one-hit wonder, but a rock group with clear ideas.

White Lies released their album Friends after a 4-year gap, offering melodic pop-rock and new wave influences. The album combines electronic textures with solid arrangements and a warm vocal tone reminiscent of their early work. Though lacking an epic track, it remains a strong and consistent effort reinforcing their place in the indie rock scene. The band continues to revive English new wave with clear vision. Discover White Lies' latest album Friends and experience their fresh take on melodic new wave and indie rock.

 The album sounds sufficiently fresh despite the decades that have passed.

 'Conquistador' is an epic and solemn composition that must be rediscovered by all new wave exegetes.

Theatre Of Hate’s 'Westworld' is a fresh-sounding, yet underrated 1980s new wave album marked by melancholic tones and punk influences. The band, composed of politically charged young men, blends dark emotional themes with a unique saxophone touch. Tracks like 'Westworld' and 'Conquistador' stand out as epic protest anthems worth rediscovery. This album is a respectable piece of 80s rock-wave deserving renewed appreciation. Listen to Theatre Of Hate’s 'Westworld' and explore a fresh classic of 80s new wave and punk-inspired protest music!

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