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DeRank ™: 4,89 • DeAge™ : 3931 days
A solid rock effort with heartfelt lyrics and classic sounds. Not groundbreaking, but an authentic and sincere musical journey.
A solid rock effort with heartfelt lyrics and classic sounds.
Not groundbreaking, but an authentic and sincere musical journey.
The review offers a measured take on Eugenio Finardi's 'Hold On', highlighting its solid rock foundation and heartfelt lyrics. Though not groundbreaking, the album delivers classic rock vibes with sincerity. Suitable for fans seeking authentic Italian rock music. Overall, it rates as a competent and enjoyable listen. Listen to Eugenio Finardi's 'Hold On' and explore a sincere rock journey with heartfelt lyrics and classic sounds.
He paints scenes that look like photographs... And always - unfailingly - you’re there, mouth agape. Two Comedians is his last work... The actor’s left hand, distinctly, responds to the applause. And says: her.
He paints scenes that look like photographs... And always - unfailingly - you’re there, mouth agape.
Two Comedians is his last work... The actor’s left hand, distinctly, responds to the applause. And says: her.
This review delves into Edward Hopper's unique realist style, emphasizing his ability to capture mysterious, frozen moments like in Two Comedians. The painting is described as a powerful and silent testament to life and art, focusing on the subtle interaction of two actors on a sparse stage. The reviewer appreciates Hopper's evocative scenes that provoke wonder and lasting fascination. The review connects the painting’s emotional depth with Hopper’s reserved personality and artistic legacy. Discover the haunting beauty of Edward Hopper’s Two Comedians—immerse yourself in the quiet mystery and timeless emotion of his final masterpiece.
She is not an acrobat. Doesn’t seem to have a wide range. Not one of those unforgettable timbres. But the air of someone who has lived. And survived. Her name is Abbey Lincoln. Maybe, make a note, write it down. And next to it, if you want, a little heart, or a clenched fist, or whatever you like.
She is not an acrobat. Doesn’t seem to have a wide range. Not one of those unforgettable timbres. But the air of someone who has lived. And survived.
Her name is Abbey Lincoln. Maybe, make a note, write it down. And next to it, if you want, a little heart, or a clenched fist, or whatever you like.
This review highlights Abbey Lincoln's 1994 album A Turtle's Dream as a testament to her survival, growth, and artistry in jazz. The reviewer reflects on her impactful past, collaborations, and unique vocal style marked by authenticity rather than range. Lincoln's return after a long absence and her consistency as an artist make this album a meaningful listen. Explore Abbey Lincoln's soulful journey—listen to A Turtle's Dream and experience jazz with heart and history.
It makes me a bit tender imagining him, Charles, playing the piano, with those big fingers, used to violently pluck the strings of a bass. It seems like an album of Mingus thinking...strange and difficult. And beautiful. And mysterious. And unique.
It makes me a bit tender imagining him, Charles, playing the piano, with those big fingers, used to violently pluck the strings of a bass.
It seems like an album of Mingus thinking...strange and difficult. And beautiful. And mysterious. And unique.
This review highlights Charles Mingus’s 1963 album 'Mingus Plays Piano,' portraying a profoundly different side of the artist. Unlike his bass-centered work full of rhythm and chaos, this album reveals a calm, introspective Mingus exploring themes quietly on piano. The album is described as strange but beautiful, embodying Mingus’s genius in a unique and thoughtful way. Discover the unique depths of Charles Mingus’s piano artistry—listen to 'Mingus Plays Piano' and experience jazz brilliance from a new perspective.
I didn’t buy this album here. It came to my house. Someone gave it to me. It doesn’t change your life. But that’s okay.
I didn’t buy this album here. It came to my house. Someone gave it to me.
It doesn’t change your life. But that’s okay.
This review reflects on the experience of listening to Third World Love's album 'Songs and Portraits' with seasoned ears. While not life-changing, the album offers quiet charm and subtle artistry reminiscent of jazz greats like Miles Davis. The reviewer appreciates the musicianship and personal resonance, even if it doesn't break new ground. Discover the subtle jazz charm of Third World Love's 'Songs and Portraits' – listen now and dive into its mellow atmosphere.
'My Own House means Casa Mia... This Is Me. If it’s enough for you, if you like it. If you care.' 'As soon as they pop up, by chance, they greet you, and they say: 'Hi, we’re here. It’s you. Where the hell else did you imagine yourself to be all this time?'
'My Own House means Casa Mia... This Is Me. If it’s enough for you, if you like it. If you care.'
'As soon as they pop up, by chance, they greet you, and they say: 'Hi, we’re here. It’s you. Where the hell else did you imagine yourself to be all this time?'
The review reflects on David Bromberg's 1977 album 'My Own House' as a deeply personal and nostalgic blues experience. It highlights how the album resonated with the reviewer’s adolescence and identity. The reviewer expresses admiration for Bromberg’s authentic and unpretentious musical style. The album is praised as an overlooked blues classic that connects deeply with listeners over time. Experience the soulful depth of David Bromberg’s 'My Own House'—discover a blues masterpiece rooted in heart and authenticity.
It’s not just your head that’s happy... you won’t feel like John Travolta, but you’ll find yourself dancing. These people dance. Sometimes it happens to me too. Or maybe always.
It’s not just your head that’s happy... you won’t feel like John Travolta, but you’ll find yourself dancing.
These people dance. Sometimes it happens to me too. Or maybe always.
The reviewer reflects on the cultural shock of disco in the late 1970s, contrasting it with more subtle, intimate rhythms found in jazz and other genres. Through personal anecdotes, the review celebrates a quieter, more thoughtful style of dance evoked by AA.VV.'s album 'Questa gente balla.' It highlights music that moves the mind and body gently rather than through energetic disco beats. The review invites listeners to discover this understated dance experience. Listen now to AA.VV.'s 'Questa gente balla' and discover a dance music experience beyond disco!
The height of madness, the height of brilliance. And never a gray day. Maybe, somewhere, that white beard is still around, and he’s playing a game whose rules elude most.
The height of madness, the height of brilliance. And never a gray day.
Maybe, somewhere, that white beard is still around, and he’s playing a game whose rules elude most.
This review reflects emotionally on Bobby Fischer’s life and genius, highlighting how chess played a role in the Cold War. It explores his rise, mysterious absence, and complex legacy as a brilliant yet troubled figure. Fischer’s impact is portrayed as both mythic and enigmatic, balancing madness with unmatched talent. Explore the enigmatic life and genius of Bobby Fischer—dive into the story behind the legend.
But then the fifth track comes. It’s called Prelude to Falling Alice. And from there something happens. Happy not to be Chick, not to be Gayle. To be something different, together.
But then the fifth track comes. It’s called Prelude to Falling Alice. And from there something happens.
Happy not to be Chick, not to be Gayle. To be something different, together.
The reviewer admits a limited understanding of music but expresses a strong emotional connection to Chick Corea's 1978 album The Mad Hatter (Falling Alice). The album offers a rare blend of jazz piano and soprano voice, showcasing a unique musical dialogue between Corea and Gayle Moran. Despite some reservations about Latin influences generally, this album captivates with its joyful, exploratory spirit. The reviewer recommends patience to fully appreciate its distinct character. Discover Chick Corea's rare gem The Mad Hatter and enjoy a unique jazz and soprano fusion—listen now!
He is of those who do not deny. But do not regret. He is of those who - more than anything - try to understand. Yet he is something. Something difficult to put into words. Warmth, perhaps.
He is of those who do not deny. But do not regret. He is of those who - more than anything - try to understand.
Yet he is something. Something difficult to put into words. Warmth, perhaps.
The review reflects on Andy Sheppard’s lineage as a jazz saxophonist inspired by Coltrane and shaped by collaborations with jazz legends. Movements in Colour offers warmth, grace, and attentive listening rather than revolutionary energy. The album resonates with subtle introspection and a mature musical voice, not rooted in nostalgia but aware of jazz’s past. Listen to Andy Sheppard's Movements in Colour and experience warm, graceful jazz that invites thoughtful reflection.
DeRank™: 15,25
DeRank™: 8,90
DeRank™: 1,59
DeRank™: 7,51
DeRank™: 17,18
DeRank™: 7,12
DeRank™: 1,83
DeRank™: 6,66
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