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DeRank ™: 2,49 • DeAge™ : 4293 days
Commercial Suicide is a beautiful production, with a care for sounds that deserves to be known and appreciated. The Eighties left behind small great masterpieces, hidden or little told. Commercial Suicide, undoubtedly, is one of them.
Commercial Suicide is a beautiful production, with a care for sounds that deserves to be known and appreciated.
The Eighties left behind small great masterpieces, hidden or little told. Commercial Suicide, undoubtedly, is one of them.
Colin Newman's 1986 album Commercial Suicide marks a shift from his Wire post-punk roots to a more elegant and ambient 80s synth sound. Though less commercially successful than peers like David Sylvian, the album offers a rich, carefully produced listening experience. Tracks like 'Feigned Hearing' stand out as hidden gems of the decade. The review appreciates the album's charm and subtle stylistic growth, framing it as an overlooked masterpiece. Explore Colin Newman's refined 80s sound with Commercial Suicide—listen now and uncover this underrated synth masterpiece!
This is not the photoshopped version of my coveted land of opportunities. There are no opportunities here. Look at me, Magdalene, look at my shoulders. Look at my shoulders.
This is not the photoshopped version of my coveted land of opportunities. There are no opportunities here.
Look at me, Magdalene, look at my shoulders. Look at my shoulders.
The review offers an intense, poetic reflection inspired by John Murry's album The Graceless Age. It deeply conveys themes of addiction, lost hope, and harsh realities of rural America. The work is praised for its raw, haunting narrative and emotional impact. The reviewer blends vivid imagery with a personal journey that mirrors the album’s dark nature. Overall, it celebrates the album’s artful portrayal of pain and survival. Dive into John Murry’s The Graceless Age and experience a powerful journey through pain and hope—listen now!
"People may say I can't sing, but no one can ever say I didn't sing." She was just a tone-deaf mind with a soul that had a delightful touch.
"People may say I can't sing, but no one can ever say I didn't sing."
She was just a tone-deaf mind with a soul that had a delightful touch.
The review explores Florence Foster Jenkins’ notorious recital, highlighting her sincere but off-key performances. It contrasts her approach with avant-garde composers like John Cage and reflects on her misunderstood legacy. Despite the humor and mockery, the review conveys a compassionate view of her heart and artistic choices. The album captures her unique interpretations, accompanied by Cosme McMoon. Explore Florence Foster Jenkins' captivating recital and discover the story behind one of music’s most unique icons.
Sequeri’s aesthetic finds itself in the middle, free from rock arrangements and far from that churchy aesthetic where Angels accompany Mary on earth to leave random messages of healings and wonders. Maybe Penderecki’s works, for some, are frightening. They have never listened to this record. They do not know the fear.
Sequeri’s aesthetic finds itself in the middle, free from rock arrangements and far from that churchy aesthetic where Angels accompany Mary on earth to leave random messages of healings and wonders.
Maybe Penderecki’s works, for some, are frightening. They have never listened to this record. They do not know the fear.
The review reflects on Pierangelo Sequeri’s 1974 album 'Qui dove tu ci chiami' as a unique blend of simplified sacred music emerging from Italy’s complex 1970s socio-political climate. Departing from grandiose classical traditions and the chaotic Beat Mass trend, Sequeri’s work offers a minimalist yet expressive approach, supported by young voices and a modest organ. The album highlights the tension between religious tradition and contemporary cultural upheavals while allowing interpretive freedom for conductors. Overall, it’s seen as an intriguing, though imperfect, artistic expression of its time. Discover the rare 1970s sacred sound of Pierangelo Sequeri’s 'Qui dove tu ci chiami'—a unique chapter in Italian liturgical music history.
My Music Theory professor used to say that without silence, music would be just noise. They speak, like a social media catchy phrase like 'There are silences that are worth more than a thousand words.'
My Music Theory professor used to say that without silence, music would be just noise.
They speak, like a social media catchy phrase like 'There are silences that are worth more than a thousand words.'
The review discusses the unusual concept behind the compilation 'Sounds Of Silence,' highlighting how silence in music often carries social, political, or artistic messages rather than pure absence of sound. It contrasts various approaches to silence, referencing John Cage's philosophy and notable silent tracks by artists such as Crass and Lennon/Ono. While praising the idea's cleverness, the reviewer finds that much of the silence actually speaks too much, sometimes limiting its transcendental potential. The compilation is seen as thought-provoking but possibly challenging or boring for some listeners. Dive into the fascinating world of musical silence—listen to the 'Sounds Of Silence' compilation and explore silence beyond sound.
I confess one is left somewhat taken aback by Nitsch's transformation from disturbing artist to bean-stew guy showing his grandchild the fields. Sacredness is terrifying. Sacred is sacrifice. Apocalypse, violent struggle, good that, to triumph over evil, becomes evil, brandishes swords, saves by killing.
I confess one is left somewhat taken aback by Nitsch's transformation from disturbing artist to bean-stew guy showing his grandchild the fields.
Sacredness is terrifying. Sacred is sacrifice. Apocalypse, violent struggle, good that, to triumph over evil, becomes evil, brandishes swords, saves by killing.
This review examines Hermann Nitsch's 1978 album merging his controversial Viennese Actionism performances with experimental soundscapes. The music balances disturbing art, krautrock influences, and cosmic drones, serving as a tribute to his wife Rita. While the album’s conceptual background is unsettling, the reviewer appreciates its artistic and cultural significance. The album reflects themes of sacrifice and sacred terror common in avant-garde European art. Dive into Hermann Nitsch's provocative sound world and explore the fusion of avant-garde art and experimental music.
"Brian, you’re amazing! You’re my idol." "It is said about you that you are a ‘non-musician.’ Is this a cool and groovy way to say that you don’t know how to do anything and got lucky masturbating two knobs?"
"Brian, you’re amazing! You’re my idol."
"It is said about you that you are a ‘non-musician.’ Is this a cool and groovy way to say that you don’t know how to do anything and got lucky masturbating two knobs?"
The review adopts a sharply ironic tone, mixing admiration for Brian Eno’s influence with critical and provocative questions about his career choices. It highlights moments where Eno seemingly missed key musical movements and critiques his artistic image. The text playfully challenges the 'immortality' of his legacy, contrasting his innovation with perceived commercial compromises. Dive into this ironic and thought-provoking review of Brian Eno’s career and legacy – challenge your view of a music icon!
It sounds so good that even someone who doesn’t love music horizontally continues to listen to those melodies, basically easy and immediate, with deep admiration. The same kind of joy my soul feels when I understand it’s time for Solo Piano.
It sounds so good that even someone who doesn’t love music horizontally continues to listen to those melodies, basically easy and immediate, with deep admiration.
The same kind of joy my soul feels when I understand it’s time for Solo Piano.
This review warmly praises Chilly Gonzales' Solo Piano as a deeply emotional and beautifully crafted album. It highlights the vintage, crackling vinyl experience and draws parallels with classical influences like Satie. The music is described as soothing and accessible, perfect for moments of reflection and solace. The reviewer finds joy and comfort in the melodies despite personal struggles and seasonal gloom. Discover the soothing elegance of Chilly Gonzales' Solo Piano—listen now and feel the heartfelt melodies come alive.
"Only by touching the bottom can you understand how much water is above or at what height you are." "Knowing oneself is one of the most dangerous practices for a human being."
"Only by touching the bottom can you understand how much water is above or at what height you are."
"Knowing oneself is one of the most dangerous practices for a human being."
This review reflects on Franco Battiato’s album 'Clic' as an intense and experimental record filled with philosophical and dark themes. The reviewer shares personal connections, memories, and insights into the album’s unique reversed lyric technique on 'No u Turn.' 'Clic' is described as a musical journey through self-awareness and existential struggle. The album showcases Battiato’s evolution and his ability to communicate profound ideas through music. Dive into Franco Battiato's 'Clic' and experience a timeless blend of avant-garde sound and profound introspection.
Loop was one of those creations that didn’t find space on the banana album; one of those spur-of-the-moment creations, born between a session and a borderline evening at the Factory. Walker loved to play guitar like a sitar: a deeper sound acting as a drone, followed by a psychedelic cross between Raga and Flamenco.
Loop was one of those creations that didn’t find space on the banana album; one of those spur-of-the-moment creations, born between a session and a borderline evening at the Factory.
Walker loved to play guitar like a sitar: a deeper sound acting as a drone, followed by a psychedelic cross between Raga and Flamenco.
This review explores a rare 1966 flexi disc featuring Peter Walker's psychedelic guitar piece 'White Wind' and Velvet Underground's feedback-based 'Loop'. The tracks blend influences from Indian classical music, drone, and experimental feedback, capturing the era's cosmic mood. It highlights the significance of these compositions within the 1960s psychedelic and avant-garde scenes. The reviewer also shares personal tributes and rare covers, celebrating the enduring legacy of these artists. Dive into this rare psychedelic flexi disc and experience the mesmerizing fusion of guitar drones and feedback loops from the 60s!
DeRank™: 0,47
DeRank™: 13,13
DeRank™: 17,18
DeRank™: 2,44
DeRank™: 6,26
DeRank™: -7,38
DeRank™: 14,54
DeRank™: 18,58
DeRank™: 5,81
DeRank™: 11,24
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