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DeRank ™: 6,33 • DeAge™ : 4642 days
‘An Argument with Myself’ is yet another testament to Lekman’s undisputed (pop) songwriting prowess. ‘Waiting For Kirsten’ ... shows us a social snapshot of Gothenburg and Sweden, without revealing an open social criticism.
‘An Argument with Myself’ is yet another testament to Lekman’s undisputed (pop) songwriting prowess.
‘Waiting For Kirsten’ ... shows us a social snapshot of Gothenburg and Sweden, without revealing an open social criticism.
Jens Lekman’s EP 'An Argument with Myself' serves as a unique prelude to his 2012 album 'I Know What Love Isn’t,' showcasing his songwriting skills through a mix of indie pop, electronic elements, and diverse rhythms. The tracks range from traditional indie sounds to brass-infused funk and reggae-inspired beats. The EP captures Lekman’s playful yet poignant storytelling style, maintaining his distinctive musical identity while exploring new directions. Explore Jens Lekman’s charming and eclectic EP 'An Argument with Myself' and dive into his masterful storytelling and unique sound.
The suite "The Kids Have Lost The War" gives the idea of a concept album. "Dawn Ode", true creative pinnacle of the batch, is a track with a hypnotic cadence reminiscent of the best psychedelic tradition.
The suite "The Kids Have Lost The War" gives the idea of a concept album.
"Dawn Ode", true creative pinnacle of the batch, is a track with a hypnotic cadence reminiscent of the best psychedelic tradition.
Bad Love Experience's album Pacifico is praised for its rich arrangements, psychedelic pop influences, and strong sonic identity. The concept album is structured around a suite and features diverse instrumentation including strings, brass, accordion, and ukulele. Instrumental tracks provide balance, while the standout "Dawn Ode" showcases hypnotic psychedelic vibes. Despite imperfect pronunciation, the band achieves an international sound and coherence throughout. Explore Bad Love Experience’s Pacifico and dive into a rich, psychedelic pop journey!
The album presents itself as a heterogeneous and compact mix of fresh Mediterranean sounds, world music influences, leading to psychedelic folk and sounds that brush against electronics without being intrusive. The compositional level remains very high with 'Teeo' and 'In Spain,' the two best tracks of this work in the opinion of the writer.
The album presents itself as a heterogeneous and compact mix of fresh Mediterranean sounds, world music influences, leading to psychedelic folk and sounds that brush against electronics without being intrusive.
The compositional level remains very high with 'Teeo' and 'In Spain,' the two best tracks of this work in the opinion of the writer.
Vadoinmessico’s 2012 album Archaeology Of The Future offers a rich blend of Mediterranean and world music influences wrapped in psychedelic folk and subtle electronic touches. The diverse band from London showcases high-quality compositions, especially in tracks like 'Teeo' and 'In Spain.' Their original sound is a kaleidoscope of tribal rhythms, dreamlike vocals, and instrumental interludes. This album reflects both energy and melodic melancholy. Explore Vadoinmessico’s vibrant Mediterranean folk fusion—listen to Archaeology Of The Future now and dive into a fresh, eclectic sound!
Amber Papini, halfway between Regina Spektor and both Campbells, is one of the strong points of this work. Hospitality’s first full-length effort is an excellent starting point for these 3 young New Yorkers, who composed 10 carefree tracks engaging and fresh with succinct and appropriate experimental touches.
Amber Papini, halfway between Regina Spektor and both Campbells, is one of the strong points of this work.
Hospitality’s first full-length effort is an excellent starting point for these 3 young New Yorkers, who composed 10 carefree tracks engaging and fresh with succinct and appropriate experimental touches.
Hospitality's 2012 self-titled album marks a refreshing return for the New York indie-pop trio. The 32-minute record skillfully blends influences from Belle & Sebastian and Camera Obscura with vibrant brass and string arrangements. Amber Papini’s distinctive vocals stand out, pairing catchy melodies with subtle experimental elements. Produced by Shane Stoneback, the album offers a fresh and engaging collection of songs that are both carefree in sound and thoughtfully crafted. Listen to Hospitality’s debut album to experience a fresh blend of indie pop with charming vocals and inventive arrangements.
The melodies are simple, sometimes repetitive and monotonous (this being the only flaw of the album), but all things considered, never banal. The only substantial novelty is the presence in the second part of the album of some more acoustic tracks, but still too electric to fall under folk.
The melodies are simple, sometimes repetitive and monotonous (this being the only flaw of the album), but all things considered, never banal.
The only substantial novelty is the presence in the second part of the album of some more acoustic tracks, but still too electric to fall under folk.
Seapony's second album 'Falling' continues the dreamy indie pop style established in their debut. The album features the ethereal vocals of Jen Weidl, with simple but effective melodies and a mix of electronic and acoustic sounds. While some tracks risk monotony, the overall offering remains engaging. Influences from shoegaze and twee-pop are clear, and fans await the band's future growth on their third album. Discover Seapony's dreamy indie vibes—listen to 'Falling' and experience the ethereal blend of shoegaze and indie pop.
"Nantes begins, immediately immersing us in the mood of the album..." "The final tracks give the impression of being fillers... lowering the value of an album that until then had moved on medium-high levels."
"Nantes begins, immediately immersing us in the mood of the album..."
"The final tracks give the impression of being fillers... lowering the value of an album that until then had moved on medium-high levels."
The Flying Club Cup, Beirut's second album by Zach Condon, draws heavily on French influences, moving partially away from the Balkan sounds of the debut. The album starts strong with cinematic and emotive tracks, highlighted by ukulele and piano arrangements. Although the final songs feel weaker and slightly filler-like, the overall record remains excellent despite its length. The album offers a melancholic and atmospheric listening experience. Discover the melancholic charm of Beirut’s The Flying Club Cup and experience a unique blend of French and Balkan sounds.
The album appears in nearly all 12 episodes as highly derivative of ‘It’s A Wonderful Life,’ but there are welcome innovations. The song is pervaded by rarefied and delicate atmospheres that at times recall the ambient of Fennesz.
The album appears in nearly all 12 episodes as highly derivative of ‘It’s A Wonderful Life,’ but there are welcome innovations.
The song is pervaded by rarefied and delicate atmospheres that at times recall the ambient of Fennesz.
Dreamt For Light Years in the Belly of a Mountain stands as Sparklehorse’s final album, created after five years of intense work by Mark Linkous. Featuring contributions from Danger Mouse and other collaborators, the album blends lo-fi production with ambient and experimental influences. While somewhat derivative of previous works, it offers innovative tracks and delicate atmospheres. This release poignantly marks the end of Linkous’s musical journey before his tragic passing. Listen to Sparklehorse's poignant final album and discover the delicate blend of lo-fi and ambient sounds.
"Tomorrow Morning is still an album that is easy to listen to, but it contains nothing that has not been done before by good old Mark." "The six minutes of 'This Is Where It Gets Good' become unbearable right from the start, showing us an artist not at his best."
"Tomorrow Morning is still an album that is easy to listen to, but it contains nothing that has not been done before by good old Mark."
"The six minutes of 'This Is Where It Gets Good' become unbearable right from the start, showing us an artist not at his best."
Eels' album 'Tomorrow Morning' closes Mark Everett's trilogy with a more optimistic tone following personal rebirth. While the album is easy to listen to, it suffers from inconsistent songwriting and style missteps. Some tracks explore electronic elements and gospel influences, but filler songs dilute the overall impact. Fans may find familiar territory but may also hope for stronger future releases. Discover the emotional layers and music evolution in Eels' 'Tomorrow Morning'—listen now and decide for yourself!
Merritt's baritone voice is immediately noticeable, delivering excellently crafted lyrics that balance his peculiar romanticism and a strongly cynical irony. Holiday is, as mentioned earlier, the most electronic album in the career of the Magnetic Fields.
Merritt's baritone voice is immediately noticeable, delivering excellently crafted lyrics that balance his peculiar romanticism and a strongly cynical irony.
Holiday is, as mentioned earlier, the most electronic album in the career of the Magnetic Fields.
Holiday (1994) marks a prolific era for The Magnetic Fields, showcasing Stephin Merritt's talents as the sole creative force. The album combines synth-pop and indie with a lo-fi style, highlighted by Merritt's distinctive baritone and witty lyrics. Standout tracks like 'Swinging London' and 'Deep Sea Diving Suit' illustrate his songwriting prowess. Holiday remains the band's most electronic album before their later stylistic shift. Listen to Holiday and explore Stephin Merritt's unique blend of synth and indie pop today!
The seven unreleased tracks that make up the album are characterized by a high degree of experimentation. 'In The Fishtank 15' holds a prominent place both among the works of the In The Fishtank music project and in Sparklehorse's discography.
The seven unreleased tracks that make up the album are characterized by a high degree of experimentation.
'In The Fishtank 15' holds a prominent place both among the works of the In The Fishtank music project and in Sparklehorse's discography.
Sparklehorse and Fennesz joined forces for a brief but experimental two-day session resulting in 'In The Fishtank 15.' The album blends alt-rock and ambient glitch, featuring distinctive guitar pieces and disorienting soundscapes. It stands out both in the In The Fishtank series and Sparklehorse's discography as the late Mark Linkous's final posthumous release. Despite one slightly weaker track, the album is a compelling fusion of their unique styles. Dive into the unique soundscape of Sparklehorse + Fennesz and experience the experimental fusion in 'In The Fishtank 15' today!
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