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DeRank ™: 0,00 • DeAge™ : 4731 days
I have coined a new term to define this concoction: stadiumcore, that is, big rock with stadium chants and scattered breakdowns and screams. This record marks a break with the past and the beginning of a new path for the continuation of their career.
I have coined a new term to define this concoction: stadiumcore, that is, big rock with stadium chants and scattered breakdowns and screams.
This record marks a break with the past and the beginning of a new path for the continuation of their career.
We Came As Romans' album Tracing Back Roots moves away from traditional metalcore toward a fusion of rock with stadium elements, termed 'stadiumcore.' The album blends autobiographical lyrics with powerful choruses and diverse musical influences. It appeals to longtime fans while dividing opinions among metal purists. The record achieved commercial success, marking a fresh chapter in the band's evolution. Explore We Came As Romans' unique blend of rock and metalcore in Tracing Back Roots—listen now and witness the birth of stadiumcore!
It’s not necessarily a bad work, but very predictable. An album predictable even in the ideas: 'I Like It' is a semi-copy of 'My Songs Know...' by Fall Out Boy.
It’s not necessarily a bad work, but very predictable.
An album predictable even in the ideas: 'I Like It' is a semi-copy of 'My Songs Know...' by Fall Out Boy.
We The Kings' album 'Somewhere Somehow' struggles to innovate within the crowded emo/pop/punk genre. The band opts for a heavily acoustic, predictable sound influenced by Boys Like Girls. Lyrics are described as shallow, and song constructions overly focused on catchy choruses. Despite a few standout tracks, the album largely fails to leave a lasting impression. Discover if We The Kings' 'Somewhere Somehow' resonates with your emo/pop punk tastes—read the full review and listen now!
It is precisely the uniqueness of Kellin Quinn's vocal timbre that is a strength (or a weakness, you decide) of Sleeping With Sirens. Feel is a rock album. Period.
It is precisely the uniqueness of Kellin Quinn's vocal timbre that is a strength (or a weakness, you decide) of Sleeping With Sirens.
Feel is a rock album. Period.
Sleeping With Sirens' album Feel marks a shift from their early post-hardcore roots to a more mainstream rock sound. Kellin Quinn's distinctive vocal style remains a defining strength. The album features diverse tracks, notable collaborations, and powerful singalong choruses. Its potential to reach larger audiences and festival stages is emphasized. Overall, Feel is praised as a strong, well-crafted rock record. Discover Sleeping With Sirens' vibrant rock sound on Feel—listen now and experience their rise to big stages!
“Sempiternal is, in very few words, a great album.” “The true turning point in terms of the band’s sound is represented by the new keyboardist Jordan Fish.”
“Sempiternal is, in very few words, a great album.”
“The true turning point in terms of the band’s sound is represented by the new keyboardist Jordan Fish.”
Sempiternal marks Bring Me The Horizon’s fourth album, showcasing a heavier, electronic-tinged metalcore sound influenced by Linkin Park and Lostprophets. The addition of keyboardist Jordan Fish brings a gothic, electronic dimension that revitalizes the band’s style. Tracks like “Shadow Moses” stand out as perfect singles with overwhelming choruses. Despite past ups and downs, the album is regarded as a strong, dynamic effort and a turning point for the band. Listen to Sempiternal and experience Bring Me The Horizon's powerful evolution today!
"Funeral For A Friend has never been among my favorite bands, as they lack something I consider fundamental: choruses." "'Conduit' is not a terrible record, but it already feels old upon the first listen."
"Funeral For A Friend has never been among my favorite bands, as they lack something I consider fundamental: choruses."
"'Conduit' is not a terrible record, but it already feels old upon the first listen."
The reviewer finds Funeral For A Friend's 'Conduit' lacking in memorable and catchy choruses, a key element for the band's style. Despite lineup changes over the years, the album follows the band's established formula without surprising innovation. The standout track 'The Distance' somewhat redeems the record. Overall, the album feels dated and fails to captivate beyond a few moments. Discover the highs and lows of Funeral For A Friend's 'Conduit'—listen now and decide for yourself!
It was such a productive period that it would have been foolish to let the opportunity slip by. Come of Age does not hold up in comparison to its dazzling predecessor, even though it possesses a handful of songs that would make 90% of today’s bands green with envy.
It was such a productive period that it would have been foolish to let the opportunity slip by.
Come of Age does not hold up in comparison to its dazzling predecessor, even though it possesses a handful of songs that would make 90% of today’s bands green with envy.
The Vaccines' second album, ‘Come Of Age,’ arrives swiftly after their successful debut, showcasing matured vocals and longer tracks. While it lacks the immediate impact of its predecessor, it still offers impressive songs like 'Teenage Icon' and 'No Hope.' The album reveals a band evolving musically but arguably rushed in its creation. Despite this, several tracks stand out, promising an exciting future. Dive into The Vaccines' evolving sound—listen to 'Come Of Age' and discover their musical growth today!
If Vital were a house, it would be one of those mansions belonging to the rich, elegant and welcoming but with an aggressive soul. Vital is undoubtedly a phenomenal album, a work that should continue Anberlin’s consecration into the ranks of the charts.
If Vital were a house, it would be one of those mansions belonging to the rich, elegant and welcoming but with an aggressive soul.
Vital is undoubtedly a phenomenal album, a work that should continue Anberlin’s consecration into the ranks of the charts.
Anberlin's Vital is a remarkable album showcasing the band's artistic maturity with a blend of edgy guitars, powerful rock tracks, and emotional ballads. The album balances variety and cohesion, earning high praise for songwriting and vocals. It stands as a worthy follow-up to their previous acclaimed works and competes with top 2012 releases. Despite Stephen Christian's unique voice being divisive, the album's quality shines through. Listen to Anberlin's Vital now and experience one of 2012’s finest rock albums.
Forget evolution, we are truly regressing here, heading towards the ridiculous. How the hell do they dress?? Their style seems like a best of the worst of the last two music generations.
Forget evolution, we are truly regressing here, heading towards the ridiculous.
How the hell do they dress?? Their style seems like a best of the worst of the last two music generations.
This review sharply criticizes Blood On The Dance Floor's 'Evolution' album, condemning its poor songwriting, confusing style mix, and unappealing artwork. Despite a brief acknowledgement of some less awful tracks, the overall impression is overwhelmingly negative. The reviewer also questions the involvement of guest artist Joel Madden, suggesting surprising collaborations. The lengthy album is described as tiresome and repetitive, leading to a low score. Discover why 'Evolution' by Blood On The Dance Floor missed the mark—read the full review and decide for yourself!
If the previous album turned out to be yet another flop, the P.O.D. of "Murdered Love" instead return to being the ones we listened to on albums like "The Fundamental Elements of Southtown" and "Satellite," but played a bit worse. The general feeling is that of facing a band that, when asked "Are they alive or dead?" reacts with a timid raised hand, not with an energetic response like "Hell yeah, we're here!"
If the previous album turned out to be yet another flop, the P.O.D. of "Murdered Love" instead return to being the ones we listened to on albums like "The Fundamental Elements of Southtown" and "Satellite," but played a bit worse.
The general feeling is that of facing a band that, when asked "Are they alive or dead?" reacts with a timid raised hand, not with an energetic response like "Hell yeah, we're here!"
P.O.D. is often remembered for their early 2000s hits like "Youth of the Nation." Their album "Murdered Love" attempts to recapture the magic of past successes but falls short with underwhelming tracks and missed potential. Some songs stand out, notably the single "Lost in Forever," the ballad "Beautiful," and the collaboration with Cypress Hill on "West Coast Rock Steady." Overall, the album feels like a hesitant step rather than a confident comeback. Discover P.O.D.'s latest efforts and explore the standouts in Murdered Love – listen now and decide if the band’s back in action!
I would have bet they hailed from some foggy and rustic area of Alabama, Tennessee, or Kentucky. 'Neck of the Woods' is undoubtedly an album worth listening to, a perfect doormat in front of the indie rock door.
I would have bet they hailed from some foggy and rustic area of Alabama, Tennessee, or Kentucky.
'Neck of the Woods' is undoubtedly an album worth listening to, a perfect doormat in front of the indie rock door.
The reviewer, initially unfamiliar with Silversun Pickups, discovers their album 'Neck Of The Woods' as a moody, atmospheric indie rock work. While not bright or sunny, the album features catchy and engaging tracks that appeal beyond strict genre fans. Some songs are less memorable, but overall the album is considered a strong introduction to the band and worth a listen. Listen to 'Neck Of The Woods' and explore the moody depths of Silversun Pickups' indie rock sound.
DeRank™: 1,37
DeRank™: 2,32
DeRank™: 5,23
DeRank™: 2,29
DeRank™: 6,75
DeRank™: 0,01
DeRank™: 2,90
DeRank™: 1,58
DeRank™: 6,57
DeRank™: 0,00
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