Emanuele J

DeRank : 0,37 • DeAge™ : 4989 days

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  • Here since 4 november 2011

 The sound proposed starting from the EP Memory Embraced is better orchestrated compared to previous releases, and overall, the band seems more mature and attentive to details.

 "Rain Eyes" is the gem of the record, a song in which Miles Away also manage to insert a more melodically guitaristic part that doesn’t miss a beat in terms of fury and power.

Miles Away from Perth deliver a powerful EP, Memory Embraced, showcasing their skillful, mature modern Hardcore sound. Avoiding clichés, they stay true to the genre while enhancing their music with strong vocals and finely crafted arrangements. The band’s evolution, highlighted by this and a simultaneous album release, marks a significant leap forward. The standout track 'Rain Eyes' exemplifies their balance of fury and melody. This EP confirms Miles Away as a rising force in the Hardcore scene. Crank up the volume and dive into Miles Away's Memory Embraced to experience fresh, powerful Hardcore from Australia!

 "The result is a somewhat dark work, very experimental but well-calibrated."

 "The 10 tracks present have progressive names ranging from 'Magic I' to 'Magic X'; not in all of them does Haino sing, allowing the musical notes to speak for him."

This review introduces Fushitsusha, a Japanese psychedelic noise rock band led by Keiji Haino. The 1993 album 'Allegorical Misunderstanding' is praised for its dark, complex, and experimental sound that blends krautrock, progressive, and noise rock styles. The album’s distinctive tracks, especially 'Magic I' and 'Magic IX,' showcase Haino's genius and unique approach to music. Listeners are encouraged to engage deeply with the album's challenging and arrhythmic compositions. Dive into the mysterious and intense world of Fushitsusha's 'Allegorical Misunderstanding'—listen now and experience Japanese psychedelic noise like never before!

 The Fuckemos give the impression of being freaked out, fuck-up junkies, people always drunk who throw up a lot.

 Sometimes being taken for a ride also has a funny taste, almost pleasant. And Russel Porter and his Fuckemos seem to leave us with this enjoyable sensation.

Fuckemos' 1998 album Black Hellicopters is an experimental blend of punk and hard rock rooted in Austin's unique underground scene. The band's absurd and humorous style, led by Russel Porter's distinctive distorted vocals, creates an intentionally chaotic yet amusing experience. Not aimed at mainstream listeners, the album offers disenchanted amusement and occasional fun, perfect for those open to quirky, rough-edged music. While not a significant historical contribution, it's a memorable oddity that can surprise and entertain. Dive into the chaotic humor of Fuckemos' Black Hellicopters—listen now and experience punk rock like never before!

 "This more melodic sound greets the listener right at the beginning of the EP."

 "The lyrics pay homage to David Stripling, a figure whose only interest to us is the fact that he comes from El Paso like At the Drive-In."

El Gran Orgo is a 1997 EP by At The Drive-In that showcases a more melodic side of the band’s post-hardcore sound. Far from being discarded leftovers, its six tracks explore emotions and musical approaches not fully expressed in their debut album. Standout songs like "Winter Month Novelty" reveal the band's depth and lyrical sophistication. Despite label issues, the EP remains a unique, enjoyable listen blending emo and indie rock with their signature intensity. Dive into At The Drive-In’s El Gran Orgo EP to discover a melodic twist on post-hardcore that fans and newcomers will appreciate!

 The vocals blend well with the driving guitars while the bass and drums race forward only to slow down for good breaks.

 From Hardcore to Hollywood?

Enuf’s 1987 Demo captures the raw intensity of the East Coast hardcore punk scene, blending familiar sounds with original touches. Fronted by Ajay James, whose stage presence and vocals stood out, the band left a brief yet memorable mark. Highlights include fast-paced tracks like 'I Just Wanna Skate' and 'Fantasy World,' reflecting hardcore’s energy and skateboarding spirit. Despite only one release, the demo remains a treasured relic for genre enthusiasts. Dive into Enuf’s fierce 1987 demo and experience East Coast hardcore’s raw power and passion today!

 I believe this track [Hydra's 'Ombre'] is the best of the compilation and deserves special mention.

 This compilation is a must for those who love old-school Oi!, an album that certainly cannot disappoint.

This review highlights the importance of the 1985 Italian Oi! compilation 'Quelli Che Urlano Ancora', showcasing both famous and obscure punk bands united by themes of political rejection, working-class pride, and subcultural identity. Special praise is given to Hydra's unique track with female vocals. The album remains a must-listen for fans of classic Oi! and Italian punk history. Dive into this legendary Italian Oi! compilation and discover punk gems that shaped the underground scene!

 Listening to "Darkly EP," you realize you're in front of a heartfelt work, made with heart, well-constructed, where nothing is left to chance.

 The protagonists are the instruments, which, even without being heavily supported by vocals, manage to brilliantly express the message dear to Glass America: despite all the difficult circumstances in life, there is always hope.

Glass America's Darkly EP showcases a promising post-rock project blending ambient and Americana influences with heartfelt execution. The four tracks flow cohesively, featuring emotive instrumentals and measured vocals that convey hope despite life's struggles. Each piece builds upon the last, culminating in a warm, intimate acoustic finish. This EP highlights the band's personal style and dedication, placing them as noteworthy artists from the Boston music scene. Listen to Glass America's Darkly EP and experience the heartfelt post-rock journey today!

 The album flows smoothly, leaving various melodies stuck in the listener’s head, which will then be forced to hum them with a (silly) smile plastered on their face.

 Oberst gets a bit really pissed off, as the genre requires, and he succeeds quite well, in a way that seems spontaneous, natural, not forced.

Desaparecidos' album Read Music/Speak Spanish offers an engaging blend of emo and post-hardcore with socially conscious lyrics. Despite the band's brief existence, the record flows smoothly with memorable melodies and natural vocal aggression from Conor Oberst. Key tracks like "Manana" and "Greater Omaha" stand out, while keyboard elements occasionally feel intrusive. The album critiques Western materialism and remains accessible beyond genre enthusiasts. Highly recommended despite its short lifespan. Listen to Desaparecidos' Read Music/Speak Spanish and discover energetic emo rock with a sharp social edge!

 Both bands, now disbanded, originated from the Kansas area in the United States of America.

 For lovers of what true Emo was, the one derived from late ’80s Hardcore, this “Split” can be a good (albeit brief) listen of those sounds from the American alternative scene that, beneath it all, influenced dozens of groups that followed.

This review highlights the 1998 Split EP by The Anniversary and Proudentall as a raw and promising early Emo record. Featuring only two tracks, it captures the essence of Second Wave Emo with distinct styles from each band. The Anniversary's track stands out for its energy, while Proudentall offers a more reflective sound. Though brief, the split is appreciated as a niche treasure for true Emo enthusiasts and reflects both bands’ early, unpolished artistry from the Kansas scene. Explore this raw and influential 90s Emo split—listen now and dive into the roots of American emo rock!

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