dosankos

DeRank : 5,54 • DeAge™ : 5253 days

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  • Here since 12 february 2011

 The good Claudio Lolli offers us a language more vulgar and much clearer compared to his more famous friends and colleagues.

 Claudio Lolli thus paves the way for his subsequent works, touching in my opinion, such a high point only in 1976 with the album "Ho visto anche degli zingari felici."

Claudio Lolli's 'Aspettando Godot' stands out among 1970s Italian singer-songwriter albums for its direct, clear lyrics and profound themes inspired by Beckett's existentialism. The album explores anxiety, urban alienation, and social critique with emotional depth and avoid excessive musical complexity. Lolli's career, aided by Francesco Guccini, paved the way for later works, though he remains underappreciated despite his consistency and socio-cultural contributions. This album is a vital piece for those interested in poetic, reflective songwriting from that era. Explore Claudio Lolli's 'Aspettando Godot'—immerse yourself in heartfelt 70s songwriting that blends poetry, social insight, and timeless emotion.

 The frontman invites the audience to thank each member with a loud “F**k you!”, all to show that T.A.R.M. is just like us, sent to that place every day by power.

 Occasionally stepping out of your niche is not bad at all. And let this be for everyone!

This review recounts a memorable evening at Filagosto Festival 2011, highlighting the engaging performances of Tre Allegri Ragazzi Morti and the supporting band Fast Animals & Slow Kids. Despite initial unfamiliarity with the band’s style, the reviewer appreciated their relatable lyrics and punk energy. The concert was praised for excellent organization, sound, and atmosphere. The review conveys warmth and satisfaction with the live music experience. Discover the raw energy and heartfelt stories of Tre Allegri Ragazzi Morti live – listen now and feel the pulse of Italian punk!

 Bim Bum Bam was a fantastic team that with intelligence, irony, and an extraordinary ability never to fall into embarrassing double entendres, managed to babysit millions of children for over 10 years.

 I just regret that they’ll never enjoy a Yo-Yo and a Billy juice (extinct snacks) in front of Bim Bum Bam.

This review is a sentimental tribute to the beloved Italian children’s TV show Bim Bum Bam, featuring Paolo Bonolis and the puppet Uan. It recalls the program's charm, humor, and cultural significance during the mid-1980s to 1990. The author fondly reminisces about the show’s sketches, hosts, and cartoons, highlighting its role in shaping childhood afternoons. The review also contrasts the show's innocence with later commercialized TV trends. Overall, it’s a warm homage fueled by nostalgia and personal memories. Rediscover the magic of Bim Bum Bam and relive your childhood afternoons with Paolo Bonolis and Uan!

 "Mu is, just like Atlantis, a presumed lost continent..."

 "If you've never listened to it, don’t prejudge this excellent detour into symphonic progressive rock."

Riccardo Cocciante's debut Italian album 'Mu' blends progressive rock with a mythological concept centered on the lost continent of Mu. Released in 1972, it features rich instrumentation and poetic storytelling. Although relatively unknown compared to his later works, 'Mu' is a worthy symphonic prog exploration with notable artistic album packaging. The review encourages open-minded listening beyond typical genre comparisons. Explore Riccardo Cocciante's rare progressive rock album 'Mu' and dive into its mythic soundscape today!

 "After the renunciation of change, it is the moment of dismay, low pressure, or of the pressing depression and turmoil that went to fill that void left by the failed realization of utopia."

 "Gaber is Gaber, take it or leave it."

Giorgio Gaber's 'Pressione bassa' offers a thoughtful, calm reflection on Italy's turbulent 1970s and the disillusionment of youthful ideals. Combining gentle melodies with poignant storytelling, the album explores themes of societal change, human complexity, and lost utopias. This less provocative yet deeply insightful work showcases Gaber’s maturity and artistic evolution. Despite being out of print, it remains a valuable piece for those seeking to understand the era's emotional and cultural landscape. Discover Giorgio Gaber’s timeless 'Pressione bassa'—a profound journey into 1970s Italy. Listen now or explore his theatrical legacy!

 WARNING!!! PLAGIARISM ALERT!!!

 It’s safe to say that these are not 'small details' but yet another expertly done copy! Judge for yourselves.

The review highlights strong similarities between Giusy Ferreri’s 'Piccoli dettagli' and Ivano Fossati's song 'Milano' from 1983, suggesting the former may be plagiarism. It points out nearly identical chord progressions, rhythms, and vocal cadences despite key differences. The reviewer urges listeners to compare both tracks themselves to judge originality. This casts doubt on the creativity of Ferreri's work. Listen closely and compare Giusy Ferreri's 'Piccoli dettagli' with Ivano Fossati’s 'Milano' – decide for yourself!

 Like many of his generation, whom Pasolini inspired with a vision of a universal and secular world, De Andrè too felt resentment and aversion when, on that misfortunate November night... he decided to pay him homage with this new project.

 The choice not to include the songs in 'L’indiano' will weigh heavily on them, making their listening possible only to vinyl buyers or to random radio broadcasts.

This review examines Fabrizio De Andrè’s 1980 single, a rare commissioned work paying homage to Pier Paolo Pasolini and Wilma Montesi. It highlights the artist’s resistance to authority and how the songs blend personal and social narratives. 'Titti' offers a lighter, more carefree tone, while 'Una storia sbagliata' delivers a powerful ballad with deep political and emotional commentary. Despite their quality, the songs were largely overlooked until their later CD release. Delve into Fabrizio De Andrè’s profound storytelling and experience these poignant songs, blending history and emotion—listen now!

 A Fossati of 1981, not yet mature, but certainly seasoned, the creator of a more than dignified work that starts the definition of squaring the circle, wisely combining a particular introspective language with intelligent and fresh sounds.

 It’s exhilarating how our historic singer-songwriters in the ‘70s and ‘80s... often tackled with meticulousness and extravagance themes related to travel or settings in localities of any geographical position.

The review delves into Ivano Fossati's 1981 album Panama e dintorni, highlighting its fusion of pop, reggae, and soulful jazz influences. It praises Fossati's introspective lyrics, innovative arrangements by Steve Robbins, and the album’s polished sound compared to his previous work. The reviewer reflects on the vivid storytelling and thematic richness, situating Fossati among Italy’s great singer-songwriters of the 70s and 80s. Overall, the album is seen as a significant step in Fossati’s artistic development. Dive into Ivano Fossati’s Panama e dintorni and explore a timeless Italian classic blending heartfelt lyrics with unique 80s sounds.

 "Millenovantanove", in my opinion, the true gem of the entire album, where the deep torment caused by the absence of the beloved is explored.

 "Bei tempi" does not artistically offer the best of Vecchioni and is certainly not a product imbued with passion and restlessness.

Roberto Vecchioni's 1985 album 'Bei Tempi' marks a period of personal maturity and peacefulness in his music, focusing largely on themes of love. Though not his most passionate work, it features well-crafted arrangements and memorable moments, especially the deeply reflective 'Millenovantanove'. Guest vocals by Ornella Vanoni add charm. The album offers an honest, somewhat naive atmosphere but lacks the restless intensity of his earlier creations. Discover Roberto Vecchioni's thoughtful 'Bei Tempi' album—listen now and experience his mature take on love and life.

 "The accomplished artist battles with a dissatisfaction of spirit created by the emerging emotional deficiency."

 "The child then matures, and 'now locks his things to protect them, has a gun in hand, and Robinson smiles at him from the mirror.'"

This review highlights Roberto Vecchioni's 1979 album 'Robinson, come salvarsi la vita' as a lyrical and musical gem. Inspired by Daniel Defoe's Robinson Crusoe, the album blends personal struggles, legal troubles, and intimate reflections. Songs touch on themes of love, loss, and societal critique. The reviewer praises the poetic depth and musical complexity throughout the record. Discover Roberto Vecchioni’s evocative storytelling in 'Robinson, come salvarsi la vita' — listen now and dive into a poetic musical masterpiece.

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