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DeRank ™: 3,69 • DeAge™ : 5417 days
All the girls see themselves in it, and only wait for the return of a live soldier, with the black fear of seeing a broken body come back, tightly wrapped in the flag to make it look whole. The song they sing is always “Lili Marleen.”
All the girls see themselves in it, and only wait for the return of a live soldier, with the black fear of seeing a broken body come back, tightly wrapped in the flag to make it look whole.
The song they sing is always “Lili Marleen.”
The review evokes a deeply emotional and nostalgic reflection on Lale Andersen's 'Lili Marleen,' highlighting its resonance as a wartime anthem of love and hope. It captures the personal longing of waiting for a soldier's return and the song's universal appeal across different fronts in WWII. The review poetically connects history, memory, and enduring love through vivid imagery and heartfelt storytelling. Discover the timeless emotion of 'Lili Marleen'—listen to Lale Andersen's iconic wartime ballad today.
"Carnage Visors is the perfect introduction to those leaden concerts, and a sort of minimal distillate of that sense of death that impregnated 'Faith'." "Listening to 'Carnage Visors' is like slowly sliding down an inclined plane, into the fog... something much worse awaits at the bottom, but you can’t help but get closer and closer."
"Carnage Visors is the perfect introduction to those leaden concerts, and a sort of minimal distillate of that sense of death that impregnated 'Faith'."
"Listening to 'Carnage Visors' is like slowly sliding down an inclined plane, into the fog... something much worse awaits at the bottom, but you can’t help but get closer and closer."
Carnage Visors is a rare and haunting 27-minute instrumental hidden on the cassette release of The Cure's 1981 album 'Faith'. Serving as a haunting soundtrack to their Picture tour, it complements the dark themes of the album with a foggy, gray atmosphere of uncertainty and doom. Reissued in 2005, this piece is a minimal, emotional distillate of the band's mood during that era. It represents an evocative, mesmerizing listening experience. Explore The Cure's mysterious 'Carnage Visors' and immerse yourself in its haunting instrumental depths today.
The cult of the 1980s cartoons is an insidious evil, to be eradicated. Those crowding the stages of these sad cover bands have a problem to solve: becoming an adult without feeling old.
The cult of the 1980s cartoons is an insidious evil, to be eradicated.
Those crowding the stages of these sad cover bands have a problem to solve: becoming an adult without feeling old.
This review harshly critiques the persistent nostalgia surrounding 1980s cartoon music, using Cristina D'Avena's album as an example. It questions the social obsession with childhood tunes, warning against living in the past and clinging to immature cultural symbols. The reviewer sees the phenomenon as a barrier to genuine adulthood and maturity. The cult of these cartoons is described as an insidious problem that hinders personal growth and cultural progression. Discover a thought-provoking take on 1980s cartoon music and its nostalgic hold—read the full review now!
In the emigrant’s suitcase, the family jewels. Shane MacGowan, Irishman from London, represents us all, and 'Across the broad Atlantic' is his suitcase.
In the emigrant’s suitcase, the family jewels.
Shane MacGowan, Irishman from London, represents us all, and 'Across the broad Atlantic' is his suitcase.
This review celebrates Shane MacGowan and the Popes’ live album capturing the raw energy and heartfelt emotion of St. Patrick’s Day performances in New York and Dublin. It honors the themes of Irish emigration, tradition, and camaraderie reflected through MacGowan’s distinct voice and the band’s spirited playing. The album is portrayed as a musical suitcase full of memories linking past and present Irish identities. Fans of authentic Irish folk and live music will find this album deeply moving and celebratory. Dive into Shane MacGowan’s heartfelt live St. Paddy’s Day album and experience the passion of Irish folk music across the Atlantic!
From the first track, all doubts vanished. Her voice is spring water with a distant blemish... a vague aftertaste of bitter earth.
From the first track, all doubts vanished.
Her voice is spring water with a distant blemish... a vague aftertaste of bitter earth.
The review fondly recalls the experience of discovering Eva Cassidy’s album Songbird in a bygone era of passionate record stores. Despite initial skepticism about the cover and concept, the reviewer is captivated by Cassidy’s unique, clear, and soulful voice that effortlessly spans jazz, blues, and pop. The album is praised for its emotional depth and Cassidy’s ability to make well-known songs uniquely her own. It evokes both nostalgia and admiration for her late but deserved recognition. Listen to Eva Cassidy’s Songbird and experience a timeless voice that transcends genres and touches the soul.
Midnight Oil, throughout their long career, have well narrated the deep soul of their country. Diesel and Dust still sounds like a great Australian postcard.
Midnight Oil, throughout their long career, have well narrated the deep soul of their country.
Diesel and Dust still sounds like a great Australian postcard.
Diesel and Dust by Midnight Oil is a powerful Australian rock album blending social activism and evocative imagery of Australia’s landscape. The review praises its passionate lyrics and standout tracks like Beds Are Burning while noting some 80s pop elements that dilute the album’s overall tension. Frontman Peter Garrett's charisma and political activism are highlighted. Despite minor flaws, the album remains a vivid and representative musical postcard of Australia. Listen to Diesel and Dust and experience Australia's passionate rock legacy with Midnight Oil!
This Bowie all'amatriciana is probably ground zero of our music: we've heard a lot of nonsense, but managing to turn “Space Oddity” into an authentic mess was beyond most. Because this song does good, it creates spontaneous and healthy merriment and is also a boon for self-esteem: it shows that, whatever happens, someone has done worse than you, no matter what you've done.
This Bowie all'amatriciana is probably ground zero of our music: we've heard a lot of nonsense, but managing to turn “Space Oddity” into an authentic mess was beyond most.
Because this song does good, it creates spontaneous and healthy merriment and is also a boon for self-esteem: it shows that, whatever happens, someone has done worse than you, no matter what you've done.
This review discusses the Italian cover of David Bowie's 'Space Oddity,' with new lyrics by the famed lyricist Mogol. The cover is seen as a cultural misstep that distorts Bowie's masterpiece, creating an unintentionally humorous yet artistically flawed version. Despite its shortcomings, the song evokes spontaneous laughter and relatable moments. The review blends harsh criticism with ironic humor and cultural reflections. Discover the bizarre Italian twist on Bowie's classic and see how music can surprise and amuse like never before!
Mozart’s "Requiem" is the first dark album in history. The "Requiem" is fear and fog, a sense of impending doom, a precipice.
Mozart’s "Requiem" is the first dark album in history.
The "Requiem" is fear and fog, a sense of impending doom, a precipice.
The review explores Mozart's Requiem as a pinnacle of dark music, highlighting its unfinished nature and profound emotional depth. It positions the work as a foundational influence for gothic and post-punk genres. The author deeply connects the Requiem's themes of death and doom to later musical and historical contexts, seeing it as a timeless expression of tragedy and art. Dive into Mozart's Requiem and experience the origin of dark music—listen and feel the haunting legacy today!
An entire world encapsulated in just three songs. A wrong, out-of-tune, crooked magic. With them, the wonderful world becomes, simply, a missed opportunity.
An entire world encapsulated in just three songs. A wrong, out-of-tune, crooked magic.
With them, the wonderful world becomes, simply, a missed opportunity.
This review praises the raw and emotional collaboration between Nick Cave and Shane MacGowan on their EP 'What a Wonderful World'. It highlights the blend of blues and rock with themes of suffering, friendship, and lost opportunities. The three-song record includes a poignant cover of Louis Armstrong's classic and personal renditions of each other's work. The reviewer finds the EP a perfect, albeit imperfect, reflection of rock's essence. Discover the raw emotion and timeless rock spirit in Nick Cave & Shane MacGowan's EP—listen now and feel the music's powerful story.
The rot has never sung better, he sounds like a muezzin shouting from the highest tower of a burning nuclear power plant. I keep asking myself: a spectacular collective blunder or my temporary loss of sanity? Logic makes me lean towards the second hypothesis.
The rot has never sung better, he sounds like a muezzin shouting from the highest tower of a burning nuclear power plant.
I keep asking myself: a spectacular collective blunder or my temporary loss of sanity? Logic makes me lean towards the second hypothesis.
This review challenges the widespread negative criticism of Public Image Ltd's 1992 album 'That What Is Not,' praising it as a powerful and solid work. The author highlights John Lydon's intense vocals and the unique instrumentation, considering the album a welcome return to form. Despite poor sales and harsh reviews, they urge listeners to give it a second chance. The review also honors guitarist John McGeoch's contribution. Listen to 'That What Is Not' and discover why this underrated PIL album deserves your attention.
DeRank™: 8,47
DeRank™: 5,57
DeRank™: 2,88
DeRank™: 1,46
DeRank™: 7,66
DeRank™: 7,37
DeRank™: 3,38
DeRank™: 9,44
DeRank™: 2,07
DeRank™: 11,75
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