Taxirider Banned

 If doom, especially in its original version, was music for ghosts and demons; in this “junkie” guise it inevitably becomes the soundtrack for a descent into the hells of the worst Western metropolises.

 Thank you Iron Monkey! Thank you for spitting in our faces the filth that surrounds us and for reminding us, with sharp noises and limb-tearing voice, that the shit is always alive.

This review reflects on Iron Monkey's brutal sludge metal style, marked by aggressive vocals and themes of urban decay and intoxication. The band, shaped by hardcore and doom influences, delivered a uniquely vicious and raw sound. Despite tragedy striking with the loss of their singer John Morrow, Iron Monkey's music remains a powerful and dark soundtrack for the harsh realities of western urban life. Highlighted tracks evoke deep descents into the band's grim world. Listen now to Iron Monkey and experience sludge metal's raw power and dark reality firsthand.

 Where have the sound tricks of yesteryear gone? Where are the parallel worlds, the witches, and the eerie butchers that seemed to come out of a Pupi Avati film? All vanished!

 Assembling metal guitars and/or industrial rock with baritonal singing reeks of déjà vu!

Malombra's third album 'The Dissolution Age' marks a sharp departure from their captivating neo-prog and doom-seventies roots, embracing industrial rock and metal influences. The reviewer laments the loss of the enchanting synths, flutes, and dark atmospheres that defined their earlier works, finding the new style uninspiring and repetitive. Themes have shifted to conspiratorial and esoteric topics, which may alienate long-time fans. Overall, the album lacks excitement and fails to match the creative peaks of their past releases. Explore Malombra's early masterpieces and discover why their third album failed to capture the magic.

 With the God Bullies, not only is it difficult to see glimmers of light... but even taking a breath of relief proves to be excessively strenuous!

 The God Bullies were a fully operational war machine, a war machine that never compromised with anyone and always ready to reject everything that was trendy or fashionable.

The review covers God Bullies' 1991 album War On Everybody, highlighting its dark, abrasive punk style and heavy social and political critique. It emphasizes the band's uncompromising nature and atmospheric intensity. The album is praised for its mature and seminal qualities despite remaining underappreciated in its time. The reviewer urges contemporary listeners to rediscover this powerful work. Dive into God Bullies' War On Everybody and experience raw, uncompromising punk at its dark best!

 "My War is a loud and painful kick in the ass delivered against conformism, against sonic cleanliness, against good sentiments."

 "The last three bullets... three titles to carve onto your skin and not forget! Not even after becoming arteriosclerotic!"

The review passionately defends Black Flag's My War from critics who dismiss it as a minor work. Praised for its raw energy, unpolished sound, and angry intensity, the album is seen as a seminal force that challenged musical norms. Special emphasis is given to the last three slow, heavy tracks that reshape traditional punk into something more menacing and lasting. The reviewer argues its lasting impact on bands like Nirvana and Melvins confirms its historic importance. Dive into the raw power of Black Flag's My War and experience the punk album that redefined hardcore music!

 The guys take themselves too seriously and, besides copying CERTAIN things from the already mentioned Dead Can Dance, they compose long, verbose, and soporific pieces.

 With Elend we fall asleep bored and exhausted.

The review criticizes Elend's album 'Winds Devouring Men' for its excessive seriousness and clichéd approach echoing Dead Can Dance and funeral metal. While acknowledging decent production and melancholic atmosphere, it finds the music verbose, boring, and lacking originality. The reviewer laments the stagnation in gothic and metal genres dominated by repetitive melancholic themes. Overall, the album fails to offer fresh or engaging sounds, leaving the listener exhausted rather than inspired. Discover why 'Winds Devouring Men' struggles to stand out—read the full review and decide if this gothic metal album suits your taste.

 A synth-wave full of melancholy but also of more sunny and 'easy' moments.

 Okay, these Americans won’t change your life! But they will certainly be able to project you into a now-distant era.

Iron Curtain’s Desertion 1982-1988 is a synth-wave collection that balances melancholy and lighter moments, evoking the 1980s Cold War era. While flawed by indie production and gloomy tracks, it offers intriguing and danceable tunes. Fans of early Depeche Mode and New Order will find this underground gem worthwhile. The album encapsulates existential division more than politics, delivering nostalgic synth pop with subtle depth. Explore Iron Curtain’s unique blend of melancholic and dancey synth-wave—step into the 80s underground scene with this nostalgic collection.

 "For a Reactionary Left is a book that tries to demolish the frenzied race towards 'the future' characteristic of all parliamentary factions but especially the left."

 For Arpaia, provocatively, we should abolish the pronoun 'I' to rebuild community fabrics now dissolved or dying.

The review explores Bruno Arpaia’s book 'For a Reactionary Left,' which critically reexamines the fragmented and contradictory nature of the contemporary left. Arpaia challenges the dogma of progressivism, advocating for a slower, more human-scale approach to progress. The book emphasizes the importance of community over individualism and critiques the alienation found within capitalist and libertarian frameworks. Although not flawless, it offers insightful reflections useful for anyone interested in political philosophy and leftist ideology. Discover Bruno Arpaia’s insightful critique and rethink the future of the left—read the review and explore the book today!

 Stop bothering with those foolishly insipid and boring genres.

 Let yourself be enveloped by the sweet nothingness that this album floods, let yourself be seduced by this girl and her grace.

The reviewer passionately dismisses the complexity and gloom of certain indie and metal genres in favor of Viola’s album, which blends mainstream appeal with alternative sensibilities. With bilingual lyrics and a sensual voice, the album offers accessible yet thoughtful pop music. The reviewer finds it refreshing, charming, and a welcome break from overcomplicated music scenes. Listen to Viola's captivating album now and experience a fresh take on mainstream alternative pop!

 Mc Coy & company loved (and still love!) to narrate morbid and disturbing stories.

 The first phase of the group, which reformed a few years ago, concludes with an excellent epitaph.

Fields Of The Nephilim's 1987 debut Dawnrazor mixes gothic rock with hard rock and psychedelic influences. Carl Mc Coy's powerful vocals and Morricone-like elements stand out. The album's themes explore esotericism and morbid storytelling, impacting future gothic metal acts. While not revolutionary, the band remains compelling and atmospheric. Key tracks include 'Slow Kill,' 'Preacher Man,' and 'Dawnrazor.' Dive into the mysterious world of Fields Of The Nephilim and experience the dark allure of Dawnrazor today!

 Cacophony and pain: these two words are more than sufficient!

 Only screams, horrible noises, animalistic sounds and cries of pain. A full thirty-five minutes dedicated to such an infernal ordeal.

Projekt Misanthropia by Stalaggh is a harsh, experimental work blending black metal and noise elements. The album delivers a chaotic soundscape filled with screams, animalistic cries, and intense noise. While controversial in theme and name, the music offers an unsettling yet powerful experience. It challenges listeners with its raw and disturbing atmosphere over 35 minutes. Dive into the chaotic and intense world of Projekt Misanthropia—listen now and experience the boundary-pushing noise and metal fusion.